La vita di un dentista in difficoltà viene sconvolta quando un famoso gangster si trasferisce nella porta accanto e sua moglie lo convince a informare un famigerato boss della mafia su dove ... Leggi tuttoLa vita di un dentista in difficoltà viene sconvolta quando un famoso gangster si trasferisce nella porta accanto e sua moglie lo convince a informare un famigerato boss della mafia su dove si trova il gangster.La vita di un dentista in difficoltà viene sconvolta quando un famoso gangster si trasferisce nella porta accanto e sua moglie lo convince a informare un famigerato boss della mafia su dove si trova il gangster.
- Premi
- 6 candidature totali
Carmen Ferland
- Sophie's Mom
- (as Carmen Ferlan)
Serge Christiaenssens
- Mr. Boulez
- (as Serge Christianssens)
Renee Madeline Le Guerrier
- Waitress
- (as Renée Madelaine Le Guerrier)
Charles Biddle Sr.
- Bass Player
- (as Charles Biddle)
Recensioni in evidenza
I rented The Whole Nine Yards a few days ago, and just watched it this morning, I'm such a huge Bruce Willis fan, I don't see him that often in comedies, so I was curious how this would work. But after viewing this film, I have to just say that this movie was just so funny! I couldn't believe how much it made me laugh, I know it's such a dark subject, but it was pretty cool how they just turned into a zanny comedy. Bruce Willis and Matthew Perry were just the most perfect choices, they were like ying and yang. Matthew as this guy who just is scared of everything and finally has something at the end to say where he has control and Bruce couldn't have been a more perfect choice as the cocky and yet charismatic hit man who could be threatening but yet the most likable guy in the world. The story was just very clever and worked so well with the cast.
Nick is just your average guy, he is a dentist and a very likable guy, but he gets walked on quite a bit, especially by his wife who he feels like he owes her family, so he won't divorce her. But one day, a new neighbor moves in, Nick notices him pretty much off the bat, it's Jimmy "the tulip" Tudeski, the famous hit man who has killed 17 people and also ratted out his boss. He's on the run from his boss in Chicago and has a ransom on his head. Nick actually likes Jimmy, but his wife, Sophie, says to turn him in and get the award. He goes to Chicago and falls in love with Jimmy's wife, Cynthia. When Nick comes back home to Canada, he learns from Jimmy that his wife has gone to hire a hit man to kill Nick. But Nick also learns that Jimmy wants to kill Cynthia, Jimmy's boss wants to kill Nick, Nick's receptionist is also a hit woman, pretty much everyone wants to kill everyone.
That's pretty much the best way to sum up The Whole Nine Yards, but trust me when I say that this is such a fun movie. I really had a good time watching this movie, Bruce Willis was just so great. But I have to admit that Amanda Peet's performance floored me when she was just admiring Bruce's work and getting advice from him on what her first hit should be like. She was just so adorable while being deadly. So please, I would recommend this film, it's a dark comedy, yes, but it's all good, just learn to let go and have fun if you're very sensitive on the subject.
7/10
Nick is just your average guy, he is a dentist and a very likable guy, but he gets walked on quite a bit, especially by his wife who he feels like he owes her family, so he won't divorce her. But one day, a new neighbor moves in, Nick notices him pretty much off the bat, it's Jimmy "the tulip" Tudeski, the famous hit man who has killed 17 people and also ratted out his boss. He's on the run from his boss in Chicago and has a ransom on his head. Nick actually likes Jimmy, but his wife, Sophie, says to turn him in and get the award. He goes to Chicago and falls in love with Jimmy's wife, Cynthia. When Nick comes back home to Canada, he learns from Jimmy that his wife has gone to hire a hit man to kill Nick. But Nick also learns that Jimmy wants to kill Cynthia, Jimmy's boss wants to kill Nick, Nick's receptionist is also a hit woman, pretty much everyone wants to kill everyone.
That's pretty much the best way to sum up The Whole Nine Yards, but trust me when I say that this is such a fun movie. I really had a good time watching this movie, Bruce Willis was just so great. But I have to admit that Amanda Peet's performance floored me when she was just admiring Bruce's work and getting advice from him on what her first hit should be like. She was just so adorable while being deadly. So please, I would recommend this film, it's a dark comedy, yes, but it's all good, just learn to let go and have fun if you're very sensitive on the subject.
7/10
THE WHOLE NINE YARDS (2000) ** Matthew Perry, Bruce Willis, Natasha Henstridge, Amanda Peet, Michael Clarke Duncan, Rosanna Arquette, Kevin Pollak, Harlan Williams.
Matthew Perry is one of my favorite comedic actors in that he's kind of a throwback to the light comedy fare of Jack Lemmon and Tom Hanks: handsome, charming and an utter neurotic mess with a sharp self-deprecating wit with his nonchalant sarcastic jibing that is all play and totally harmless, with a twist of slapstick. Here all of that is on display with a finely tuned tailor made character not unlike his tv alter ego, Chandler Bing (love that name!) from `Friends'.
Oz Oseransky is a mild-mannered affable dentist whose life is in flux when his trampy French accented wife Sophie (Arquette in full blown voluptuosness) decides she wants to end their marriage. But not by the usual traditional method of divorce or anulment; instead she takes out a contract on his life Enter newly arrived next-door-neighbor Jimmy `The Tulip' Tudeski (Willis in barely restrained comic form) a hitman keeping it low since there's a contract on him by a really ticked off Russian thug (Pollak oozing Eurotrash unctuousness). But when Oz's wife approaches him he is hard-pressed to do what comes natural since Oz turns out to be the good neighbor he never had and an unlikely ally as things progress in the plotline that eventually involves Jimmy's estranged, va-va-va voom wife Cynthia (Henstridge, best known as the sexy alien in the `Species' sci-fi flicks) who wants a divorce but knows that it's more likely a hit would be necessary.
Meanwhile Oz is struck by love at first sight when he meets Mrs. Jimmy and winds up bedding her (in spite of the fact he knows who Jimmy is after some hilarious reaction shots as the story moves on with each new trickle of information on his new `friend'), which only complicates things when Jimmy announces he is going to `whack' her and Janni, the mad Russian.
Perry is a marvelous reactionary actor and plays very well off a unique ensemble including the babelicious Peet as Jill, his receptionist- turned - assassin - wannabe , who has a knack for displaying her natural assets to dissuade any potential violent threat and Duncan (recently nominated for a Best Supporting Actor as the gentle giant in `The Green Mile') has a sweet low-key turn as the hulking pal of Willis who provides some funny sight gags (including his first meeting with Perry who literally bounces off this wall of a man).
Yet no matter how game the cast is - including off the wall comic Harland Williams as another seedy character who doesn't appear to be who he claims to be - and the fast pace of the storyline, there aren't that many memorable lines of dialogue or full grasp that a lethal killer like Jimmy actually has a heart of gold for the likes of a schnook like Oz.
It would be easy to blame the less than compelling story line on screenwriter Mitchell Kapner (who gives an original spin on a plot twist and complex scenario involving dental records and a corpse) or director Jonathan Lynn (`My Cousin Vinny'), but both make the best overall. It just isn't a fresh idea (think of `The In-Laws' which set the high water mark for odd couple/fish-out-of-water hybrid with a criminal element) that seems to hook the attention of a much needed audience. But it is divertingly fun just to see Perry slamming himself silly like a pinball.
Matthew Perry is one of my favorite comedic actors in that he's kind of a throwback to the light comedy fare of Jack Lemmon and Tom Hanks: handsome, charming and an utter neurotic mess with a sharp self-deprecating wit with his nonchalant sarcastic jibing that is all play and totally harmless, with a twist of slapstick. Here all of that is on display with a finely tuned tailor made character not unlike his tv alter ego, Chandler Bing (love that name!) from `Friends'.
Oz Oseransky is a mild-mannered affable dentist whose life is in flux when his trampy French accented wife Sophie (Arquette in full blown voluptuosness) decides she wants to end their marriage. But not by the usual traditional method of divorce or anulment; instead she takes out a contract on his life Enter newly arrived next-door-neighbor Jimmy `The Tulip' Tudeski (Willis in barely restrained comic form) a hitman keeping it low since there's a contract on him by a really ticked off Russian thug (Pollak oozing Eurotrash unctuousness). But when Oz's wife approaches him he is hard-pressed to do what comes natural since Oz turns out to be the good neighbor he never had and an unlikely ally as things progress in the plotline that eventually involves Jimmy's estranged, va-va-va voom wife Cynthia (Henstridge, best known as the sexy alien in the `Species' sci-fi flicks) who wants a divorce but knows that it's more likely a hit would be necessary.
Meanwhile Oz is struck by love at first sight when he meets Mrs. Jimmy and winds up bedding her (in spite of the fact he knows who Jimmy is after some hilarious reaction shots as the story moves on with each new trickle of information on his new `friend'), which only complicates things when Jimmy announces he is going to `whack' her and Janni, the mad Russian.
Perry is a marvelous reactionary actor and plays very well off a unique ensemble including the babelicious Peet as Jill, his receptionist- turned - assassin - wannabe , who has a knack for displaying her natural assets to dissuade any potential violent threat and Duncan (recently nominated for a Best Supporting Actor as the gentle giant in `The Green Mile') has a sweet low-key turn as the hulking pal of Willis who provides some funny sight gags (including his first meeting with Perry who literally bounces off this wall of a man).
Yet no matter how game the cast is - including off the wall comic Harland Williams as another seedy character who doesn't appear to be who he claims to be - and the fast pace of the storyline, there aren't that many memorable lines of dialogue or full grasp that a lethal killer like Jimmy actually has a heart of gold for the likes of a schnook like Oz.
It would be easy to blame the less than compelling story line on screenwriter Mitchell Kapner (who gives an original spin on a plot twist and complex scenario involving dental records and a corpse) or director Jonathan Lynn (`My Cousin Vinny'), but both make the best overall. It just isn't a fresh idea (think of `The In-Laws' which set the high water mark for odd couple/fish-out-of-water hybrid with a criminal element) that seems to hook the attention of a much needed audience. But it is divertingly fun just to see Perry slamming himself silly like a pinball.
Perry is an unhappy dentist stuck in a dead marriage and burdened with financial problems; as if that isn't bad enough, he learns that his new neighbor is in fact an infamous contract killer with reprehensible mob ties. Against his better judgment, Perry decides to try and rat out the lowlife for his own personal gain, but soon gets in over his head. The film's humor is occasionally too silly for words, but the cast is good and full of enthusiasm—especially Peet—and the script throws out a lot of unexpected twists and turns at just the right moments. Surprising and very funny, with a perfect part for Willis who finds just the right tone for a gangster with heart. ***
Is a guy who has killed seventeen people necessarily a `bad' guy? Not a question everybody is going to have to ask themselves, to be sure, but what if that guy moved in next door to you? It's a situation that just may induce an introspective moment or two. Which is exactly what happens in `The Whole Nine Yards,' directed by Jonathan Lynn and starring Bruce Willis and Matthew Perry. Hit-man Jimmy `The Tulip' Tudeski (Willis) ratted out his boss in Chicago, and now he's on the lam. He makes his way to Canada, where he buys a house next door to a hapless dentist, Nicholas `Oz' Oseransky (Perry), who is suffering from inherited debts and a shrew of a wife, Sophie (Rosanna Arquette), not to mention a mother-in-law from Hell (Carmen Ferland). When he realizes who his neighbor is about to be, his first instinct is to run, but Sophie has other ideas. It seems there's a price on Jimmy's head; one Janni Gogolack (Kevin Pollak) would like to take his revenge on the guy who's responsible for his father going away for a long, long time. So Sophie squeezes Oz into a corner until he agrees to go to Chicago and meet with Janni to put the finger on Jimmy. Not a great idea, Oz thinks, but it at least sounds like a nice vacation, so he goes. But, of course, he should have stayed with his instincts, because he soon finds himself looking down the barrel of trouble. And the only way out, it seems, is down...
What Lynn put together here is actually a fairly light-hearted, black comedy; the nature of the story dictates that there will be violence in it, and there is, but much of it is implied rather than graphic. The pace is good, and Lynn develops the characters enough to let you know exactly who they are and what they are all about. There's not a lot of depth, but it's not necessary; the actors have each made their respective characters unique to a point that puts them beyond stereotype, and it works perfectly for this film and the story. Some of what happens is inevitable, though not necessarily predictable, and certain aspects will keep you guessing right up to the end. Typical of a comedy that leans to the dark side, nothing in this story is cut and dried.
Willis is perfect as Jimmy The Tulip, giving a rather reserved, subtle performance that puts Jimmy's guarded but confident manner into perspective. Underneath it all, this guy is really rather cold-blooded (he has to be, given his choice of employment), but his relationship with Oz gives it some warmth, at least externally. Like Chow Yun-Fat in `The Killer,' Jimmy is likable, but when you consider at arm's length who he is and what he is capable of, it's a bit disconcerting. And that's one of the aspects of the film that is so interesting-- because you know who and what Jimmy is, you never really know which way things are going to turn.
Perry is excellent, as well, as `Oz.' Henpecked and in dire straits, he is something of an updated version of the W.C. Fields character in `It's A Gift' or `The Bank Dick,' although a bit darker. Perry is charismatic, has impeccable timing with his delivery and uses physical comedy to great effect. His reactions to Willis and the situations in which he finds himself are brilliant and hilarious, and he seems to instinctively know just how far to take it to make it work. And it's the little, seemingly insignificant things he brings to the character that give the film that extra something and creates some memorable moments.
The supporting cast includes Michael Clarke Duncan (Frankie Figs), Natasha Henstridge (Cynthia), Amanda Peet (Jill St. Claire), Harland Williams (Special Agent Hanson) and Serge Christianssens (Mr. Boulez). It may not be the most original movie ever made, but `The Whole Nine Yards' is funny, has a great cast of actors who have taken characters you've basically seen before and made them their own, and does exactly what a film like this is supposed to do: Entertain. It's not going to make you ponder the universe or the state of the world today, but it's going to give you a couple of hours of laughs and some residual chuckles. Which, when you think about it, is not such a bad deal. It's the magic of the movies. I rate this one 7/10.
What Lynn put together here is actually a fairly light-hearted, black comedy; the nature of the story dictates that there will be violence in it, and there is, but much of it is implied rather than graphic. The pace is good, and Lynn develops the characters enough to let you know exactly who they are and what they are all about. There's not a lot of depth, but it's not necessary; the actors have each made their respective characters unique to a point that puts them beyond stereotype, and it works perfectly for this film and the story. Some of what happens is inevitable, though not necessarily predictable, and certain aspects will keep you guessing right up to the end. Typical of a comedy that leans to the dark side, nothing in this story is cut and dried.
Willis is perfect as Jimmy The Tulip, giving a rather reserved, subtle performance that puts Jimmy's guarded but confident manner into perspective. Underneath it all, this guy is really rather cold-blooded (he has to be, given his choice of employment), but his relationship with Oz gives it some warmth, at least externally. Like Chow Yun-Fat in `The Killer,' Jimmy is likable, but when you consider at arm's length who he is and what he is capable of, it's a bit disconcerting. And that's one of the aspects of the film that is so interesting-- because you know who and what Jimmy is, you never really know which way things are going to turn.
Perry is excellent, as well, as `Oz.' Henpecked and in dire straits, he is something of an updated version of the W.C. Fields character in `It's A Gift' or `The Bank Dick,' although a bit darker. Perry is charismatic, has impeccable timing with his delivery and uses physical comedy to great effect. His reactions to Willis and the situations in which he finds himself are brilliant and hilarious, and he seems to instinctively know just how far to take it to make it work. And it's the little, seemingly insignificant things he brings to the character that give the film that extra something and creates some memorable moments.
The supporting cast includes Michael Clarke Duncan (Frankie Figs), Natasha Henstridge (Cynthia), Amanda Peet (Jill St. Claire), Harland Williams (Special Agent Hanson) and Serge Christianssens (Mr. Boulez). It may not be the most original movie ever made, but `The Whole Nine Yards' is funny, has a great cast of actors who have taken characters you've basically seen before and made them their own, and does exactly what a film like this is supposed to do: Entertain. It's not going to make you ponder the universe or the state of the world today, but it's going to give you a couple of hours of laughs and some residual chuckles. Which, when you think about it, is not such a bad deal. It's the magic of the movies. I rate this one 7/10.
"The Whole Nine Yards" is a comedy that is what it is ... A Comedy
This is not a epic movie or a Oscar nominee, it is a pure entertaining movie. Whit Action star Bruce Willis in a different role. (You haven't seen him like this since "Blind Date" or "Death becomes her")
Matthew Perry is hilarious in this move, and the rest of the cast has their moments, and they are using them good.
"The Whole Nine Yards" is funny and entertaining like a comedy of this sort should be.
I mean that this is a good move, and I will recommend it to others. But I also say: "Either you like this movie or you don't".
This is not a epic movie or a Oscar nominee, it is a pure entertaining movie. Whit Action star Bruce Willis in a different role. (You haven't seen him like this since "Blind Date" or "Death becomes her")
Matthew Perry is hilarious in this move, and the rest of the cast has their moments, and they are using them good.
"The Whole Nine Yards" is funny and entertaining like a comedy of this sort should be.
I mean that this is a good move, and I will recommend it to others. But I also say: "Either you like this movie or you don't".
Lo sapevi?
- QuizThe three kids who run between Jimmy and Oz when they are standing next to the flower cart are Bruce Willis's three daughters, Tallulah Willis, Scout Willis, and Rumer Willis.
- BlooperDental records cannot be faked. It isn't just a matter of matching up dental work on a couple of Panellipse films (as shown in the movie). There is also everyone's unique bone density/structure, unique root structure, individual tooth sizes and variations in shape to be considered. These are things that cannot be altered. Moreover, those are the things that they look at when identifying someone from dental records.
- Curiosità sui creditiLeanna McOemmecon is listed in the credits as the stand-in for Rosanna Arquette. It should read "Leanna McLennan.": "I worked as a stand in for Rosanna Arquette while filming in Quebec. The correct spelling of my name is Leanna McLennan. Each day, my name would be spelled differently on the call sheet--McLean, etc. Each day, I would correct it. In the end, I am listed in the credits as Leanna McOemmecon, which I find quite amusing."
- Versioni alternativeOn most TV broadcasts, including TBS, Jill, although naked, has her left arm covering her breasts.
- ConnessioniFeatured in Siskel & Ebert & the Movies: The Beach/Snow Day/Holy Smoke (2000)
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is The Whole Nine Yards?Powered by Alexa
Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Un vecino peligroso
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 41.300.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 57.262.492 USD
- Fine settimana di apertura Stati Uniti e Canada
- 13.731.070 USD
- 20 feb 2000
- Lordo in tutto il mondo
- 106.371.651 USD
- Tempo di esecuzione
- 1h 38min(98 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti