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You've probably read the glowing remarks about this film, so I won't be too repetitious. The film moves slowly along and where the story is going to take us isn't revealed for a while. It's like peeling the onion but with rewards in each layer. I was thinking about differentiating here but, as does the onion, this film also brings tears.

I liked the way we find out that our protagonist is from Denmark and has a past that drove him away and into a new life. He is certainly more of a giving human being that when he left the country. The story then follows a course that to a large degree his former life created.

One of the aspects I especially enjoyed in the film is the use of some Dogme 95 rules. It's not a Dogme film but the director makes good use of many parts of that approach. The camera is hand held and it's use here made me feel more involved with the characters. The use of available light made the film much more beautiful and warm. One of the good results of the Dogme use here is that the director has made a film that, even for its' slow pace, dispenses with non-important fluff that would most certainly have been added if it had been made in the USA. There was a reason for every scene.

So be prepared for a slow paced film loaded with beauty and revelation. You'll be rewarded with a wonderful film experience. Prior to seeing it I had thought Pan's Labyrinth would win an Oscar, but not anymore. Then I saw The Lives of Others and moved both of the films down a notch. They were my top three films of 2006, in fact none of my top three were American made. What a year for imports!

This is one of the best movies I've seen in a long while. I am lucky that I was able to see it at a screening, and I will certainly look out for other movies from the director and writer.

It starts off low key and you're not sure where it is going to go. Then things get very intense dramatically. In a lesser movie this would be near the end, but in this movie it is just the beginning. At times it gets emotional with very excellent acting. The plot keeps changing in unpredictable ways, and who the plot is revolving around keeps changing also. Really well designed story and well directed production.

Apparently it is on the verge of release in the US. The version I saw in a US screening was subtitled (one of the forum posters asked if it would be dubbed).

I greatly admired the previous films by Susanne Bier (" Open Hearts" and "Brothers"), so my expectations were very high.Luckily they have been fulfilled.Like the other two the film is a sociological and emotional experiment.It's about one's place in the world (the crucial phrase in the film is Jorgen's "Can one expect from you help only on the other side of the globe" ), about responsibility and the making of painful decisions.The film starts quite slow,but after half an hour it's getting more intensive,mostly supported by 4 extraordinary actors and actresses.While I already knew the qualities of Mikkelsen,Knudsen and Lassgard,I was really blown away by Fischer Christensen as the daughter.There were 4 real-life characters and I could follow their psychological turmoil.Some may find the script too constructed,but life turns out to be full of unexpected twists.The film is no popcorn-entertainment,but for anyone,who appreciates a human,deeply moving drama with the concentration on the characters instead of superficial action,I can only say: Go and watch this movie!

As may be expected of Susanne Bier, and as may be expected of Scandinavian films in general if you ask me, this film is really great. The acting is so good it's hard to call it acting. Mads Mikkelsen (Jacob) puts up a terrific performance with acting that is as credible as it is subtle. Not the over-the-top stuff that we are familiar with from Hollywood, but acting that actually makes you think "yes, this is how real flesh and blood people would react". I was also pleasantly surprised by Sidse Babett Knudsen (Helene). She has a lot of scenes with little or no dialog, but the way she tells everything with subtle face expression is simply mind blowing. And let's not forget Rolf Lassgård (Jörgen) and Stine Fisher Christensen (Anne), who both remind us what real flesh and blood emotions look like in a way that really hits you in the face.

Anyway, I'm a fan of Scandinavian films for reasons mentioned above, and I'm almost ashamed to say that in that light this film was really nothing new, and luckily so: just more of the same wonderful stuff! What really stuck with me about this film however is the story. It is so ...human in all aspects. I won't reveal any spoilers, but as the story unfolds, it just gets so much more complex than you expect at first. In the first 15 minutes, I expected the movie was mainly going to be about the struggle between Jörgen and Jacob. The struggle between these two "stereotypes" really... one being the cool business man who solves everything with money, and the other being the idealistic but clumsy social worker. I was pleasantly surprised however that it got even better after that. What I mainly like about the movie, is that it doesn't offer any simple solutions. In the end, there are no perfect happy endings that solve every puzzle; the main characters have to make decisions, but it's not all black and white like we see in a lot of other movies. People have to do things they might not have done initially, but in the end, there may be upsides as well. You know... that sounds an awful lot like real life, and that's a good thing for a film if you ask me.

Sometimes some films go unnoticed. Either because they come from countries we don't exactly positioned on the world map, or because those gems are directed by none mainstream directors, or maybe because those films don't have a wide distribution and sometimes because the title or the story's pitch is not that engaging… "After the Wedding" might has gone unnoticed for all these bad reasons so let's first clear them up.

Denmark is in northern Europe, capital Copenhagen. This country gave us the 1987 Oscar winning "Babette's Feast" by Gabriel Axel and the 1988 Oscar winner, "Pelle the Conqueror" by Bille August. As per Susanne Bier who directed "After the Wedding" if she is not a mainstream director she also is not exactly a junior director. In fact she already directed a dozen of films, all emotionally engaging like Brødre (2004) aka Brothers or Sekten (1997) aka Credo.

In the city I was leaving in at that time only 2 or 3 cinemas were showing "After the Wedding". And quite frankly when I first red the synopsis I thought the movie would likely be a bore fest: a manager of an orphanage (Mikkelsen) in India is sent to Copenhagen, Denmark in order to discuss sponsoring with a billionaire (Lassgård) but what he discovers is a life-altering family secret. Fortunately my better half convinced me to go see this complete cinematic experience in which the depth of the characters, the originality of the scenario, and the outstanding acting concur to make this film one of the greatest films of 2006/07 and a true emotional experience.

The strength of "After the Wedding" resides in its dynamic based on our faculty to extrapolate and judge promptly. Indeed the film first 20 minutes builds stereotypes only for us to pull them down in the last hour and a half…terrific…

Do you know what realistic acting is? Well after witnessing Mads Mikkelsen and Rolf Lassgård answering, analyzing each other you'll understand what true acting is. The kind that feels so real you think you are witnessing stolen slice of life on screen. If those two actors really epitomized great performance, Sidse Babett Knudsen as Helene and Stine Fischer Christensen as Anna deserve a mention.

But a well directed well played film does not necessary triggers emotions. "After the Wedding" does. The film moves you in a way few films do. We don't identify but we relate and as the gap between the protagonists shrinks, the distance between the audience and the characters fades away. Profoundly "humanist" the film proposes another definition for the word "Gift"…The gift of oneself, the ultimate Love. Susanne Bier succeeds in triggering this Generosity not only on the screen but also in our soul.