L'ultimo inquisitore

The film is set in 1792 ,it deals with eclectic people during a convulsed era from Spain history . It starts with the Inquisition and some years later with the encroachment by Napoleon Army and finishes with the French defeat and restoration of the Spanish monarchy with Fernando VII , after the victory by general Wellington (Cayetano M. Irujo) . The painter (1746, born Fuentedetodos and deceased 1828,Burdeos) Francisco de Goya (Stellan Skarsgard) , quintessential Spanish artist , becomes involved with the Spanish Inquisition , when his muse named Ines (director cast Natalie Portman after noticing her likeness to the girl in Goya's painting "Milkmaid of Bordeaux") who painted her like an Angel in the church of Saint Antonio of Florida and he's now portraying , she then is framed as a heretic . His daddy named Thomas Bilbatua (Jose Luis Gomez) ask him help , hoping what his relationship with the monk Lorenzo (Javier Bardem) can achieve the freedom for his daughter . Meanwhile , Goya is dedicated the painting of the portrait the royal family : Carlos IV (Forman cast Randy Quaid as the King of Spain after seeing his work in ¨Elvis¨ by phoning him and saying, "You are a great actor , you must be my King or I must repaint Goya") , Mª Luisa (Blanca Portillo) and children .

The film is a touching drama added with historic elements and formidable performances . The movie creates a canvas upon a turbulent epoch concerning specially with Inquisition . It was created by Pope Sixto IV in 1478 , its creation is supposedly caused for threat by Jewish and Moors becoming Christianism but practically disappeared with the Borbons Kings (Felipe V,Fernando VI and Carlos III) and was definitively abolished by the Court of Cadiz though spontaneously restored by Fernando VII in 1814 . The sentences were executed by means of a public event called ¨auto of faith¨(thus happens on the final) . Near the end, when the king appears in the balcony at the execution scene, some people yell "Vivan Las Cadenas!" (Long live the chains!). This salute was coined in 1814 by Spanish monarchists when Fernando VII was restored to the throne with absolute powers, thus abolishing the Constitution of Cadiz, which was established by Napoleonic authorities.

The flick displays an interesting showing the means are manufactured the famous Goya's engravings : ¨The war disasters¨ , ¨bullfighting¨ and ¨Caprichos¨ . Besides , recreating historical happenings such as ¨Charge of Mamelucos¨ and ¨Execution on mountain of Principe Pio¨. The movie contains a top-notch star-studded cast , as Skarsgard , Portman , Bardem give a sensational interpretations . Scenarios are luxurious and impressive , being designed by the prestigious Patrizia Von Brandenstein , the sets including palaces , rooms , interiors and outdoors are mesmerizing . Lush and brilliant costume design by Ivonne Blake (Oscar for Doctor Zhivago and Nicholas and Alexandra). Colorful cinematography by expert Spanish cameraman , Javier Aguirresarobe , (The others) . The film was lavishly produced by the brothers Saul and Paul Saentz , Forman's usual producers .The motion picture was well directed by the classic Milos Forman , an expert about biographies of notorious characters such as ¨Amadeus¨ , ¨Larry Flynt¨ , ¨Andy Kauffman¨ (Man on the moon) ; besides filming a lot of successes like are ¨Ragtime¨ ,¨Hair¨, ¨Valmont¨ , and of course , his greatest hit ¨Someone flow the Cucko nest¨.

The acting and production values are of the highest order in "Goya's Ghost". Because I don't get around much anymore, I had not seen Ms Portman in a movie until "Ghost", and was very impressed, for like all the roles in this movie, her's was challenging. Javier Bardem is tough to equal in any movie, and as the 'heavy', (another heavy?!) he is outstanding; Stellan Skarsgård has come a long, long ways since "The Ox", and he has had a mixture of roles, some of them pretty thankless. As Goya, he does very well--a great actor. Natalie Portman--as I was a first timer regards seeing her work, I was bowled over--her role requires a terrible transformation, and makeup only goes so far, acting must be the key ingredient. So, along with the outstanding set designs and production values, Forman created another outstanding period piece. By the way, the actress Blanca Portillo who does the Spanish queen has a key small part--and you'll know her best scene when you see it! The story? It is about a wretched time and wretched people in a position of trust who violate that and prey on whomever they can. I think "Ghost" might not be for those who are not really into period pieces, but I am!

A film by Milos Forman is always an event. This will probably not remain as one of the best in his career, and was surrounded by a level of controversy, not the least among critics who received it very differently. Yet, it is certainly a film to watch.

The story actually does not have Goya (Stellan Skarsgård) in the center. It is rather the story of a corrupt morality policeman of the 18th century (Javier Bardem) imprisoning a young girl (Natalie Portman) on the unjust suspicion of practicing Judaism in secret. It is the story of a police state built on social injustice relying on pretended moral puritanism in order to save the system. This happens at the price of huge human suffering like the drama in the center of the story, and here is the painter as a witness, living the dilemma of becoming involved as a human or remaining a witness as an artist. We know what path Goya chose.

I was not unhappy neither with the acting, nor with the story line, although it is a little bit too melo-dramatic and too much prone to coincidences. Forman is not so much focused on the drama or better say melo-drama, or even in the historical detail, although he seems to be on familiar ground getting back to the period in 'Amadeus'. What he is busy with seems to be more re-creating some of Goya's paintings and prints and tracing back the origin of inspiration of these masterpieces. In a way the film can be read as justification of the choice Goya made in life.

There is one great flaw here that almost everyone mentions... and it's true. The accents of the non-Spanish actors clash terribly with the Spanish ones, as well as with each other. That's a real flaw, but if you can get past that, there's a great film waiting to be seen. I found I forgot all about it after the first 10 minutes. The critics just don't get this film. A lot of regular people seem to miss it too. They want a film with a typical "leading" role. They want their morality tales (which this certainly IS) delivered in easy shades of Black and White... no gray. They don't understand films where the title character is primarily an Observer. Sometimes that CAN be dissatisfying, but here the Observer is a genuine genius. Some people want him to be a moral giant, but he's not, he's simply an observer who has actualized the doctor's oath: First, do no harm. This is a brilliant story, and a morally complex one, too. There are some parallels to America in Iraq, though that is not the primary goal. This story illuminates the folly of any regime, liberal or conservative, as each picks its friends and foes, taking 180 degree turns from whoever was last in power. Javier Bardem gives an incredibly canny performance! Natalie Portman is totally unsentimental and totally committed to her multiple roles: just great! Stellan Skarsgard threw me off at first with the sound of his voice, but builds a performance of power and truth, in spite of it. Randy Quaid was a small revelation. And of course the film looks and sounds spectacular, with it's numerous and detailed textures, compositions and sounds. If you want to think; if you like having pat assumptions challenged; if you love people and history and art: see it!

I think Goya is after all just a pretext. What Forman wanted to talk about is how people are overwhelmed by history. It's a difficult idea to be grasped for people who live in wealthy societies where nothing much happens and the biggest problems are having more money than you already have and what to do on Saturday night. But Forman manages to show you how you can be powerless and doomed when history moves fast--too fast. The real protagonist of the story is not the painter, but the former Dominican priest, whose life is totally changed--and ultimately destroyed--by the big historical events (the French Revolution, the French invasion of Spain, the English invasion of Spain, the Restoration). The same may be said for the other characters in the story. Goya is there as a witness, and as the symbolic figure of the artist who manages to create something even out of utter destruction. One could say that Goya's Ghosts are exactly those people and events Goya witnessed and can't get rid of, so that he has to turn them into drawings and paintings; but the term "ghost" also refers to what individuals are like in those moments when everything is changing and moving towards God knows what goal. The priest and the young girl and all the other people in the story are just pawns of history, who strut and fret on the stage and then disappear. Ghosts, because they can be annihilated in any moment. It's a sad truth, but it's truth, notwithstanding Hollywood's mythologies of super-heroes that can win against all odds. Joyce said that history is a nightmare one tries to wake up from; Forman showed us the nightmare, and the last nightmarish scene of this movie is one of those you can't forget.