VALUTAZIONE IMDb
7,2/10
58.380
LA TUA VALUTAZIONE
In un manicomio di epoca napoleonica, un detenuto, l'irrefrenabile marchese De Sade, combatte contro un dottore tirannicamente prudente.In un manicomio di epoca napoleonica, un detenuto, l'irrefrenabile marchese De Sade, combatte contro un dottore tirannicamente prudente.In un manicomio di epoca napoleonica, un detenuto, l'irrefrenabile marchese De Sade, combatte contro un dottore tirannicamente prudente.
- Candidato a 3 Oscar
- 18 vittorie e 45 candidature totali
George Antoni
- Dauphin
- (as George Yiasoumi)
Bridget McConnell
- Madame Bougival
- (as Bridget McConnel)
Recensioni in evidenza
A baroque and quite entertaining film about the Marquis de Sade (Geoffrey Rush) and the conflicting reactions (disgust, titillation, excitement, abhorrence) his ideas and writings fostered in those exposed to them.
Rush jumps into the character of de Sade with mad glee, and hardly any scenery is left after he's done chewing it all. He's a marvelous actor and one whose work goes slightly underrated. Also doing a fine job in this film is the ever-reliable Kate Winslet, and providing the ick factor he brings to every movie he's in is Joaquin Phoenix as a religious man who's disturbed by the naughty thoughts de Sade makes him realize he has.
The costumes and production design are a delight and earned Oscar nominations, as did Rush for his performance.
Grade: A
Rush jumps into the character of de Sade with mad glee, and hardly any scenery is left after he's done chewing it all. He's a marvelous actor and one whose work goes slightly underrated. Also doing a fine job in this film is the ever-reliable Kate Winslet, and providing the ick factor he brings to every movie he's in is Joaquin Phoenix as a religious man who's disturbed by the naughty thoughts de Sade makes him realize he has.
The costumes and production design are a delight and earned Oscar nominations, as did Rush for his performance.
Grade: A
I originally went to see this one in a movie theater on a whim - I was feeling spontaneous, so I bought a ticket for a movie I knew nothing about, and went in free of preconceptions or expectations.
The cleverness of the very first scenes brought a smile to my face, and I knew I was in for a rare treat; off the top of my head, I can't think of a movie with a better conceived, audience grabbing opening sequence.
And the impression lasted throughout this great film. Quills is a passionate (and entertaining!) cry in defense of artistic freedom, and the fundamental freedoms of speech and religion; and it is a deliciously clever movie, both in dialog and in plot. It is actually a movie that has something to say, and does it in an entertaining, engaging way that doesn't leave the audience feeling that they are being lectured to or talked down to.
A few scenes are gruesome and unpleasant, but they, I think, are a necessary evil for the telling of the story, not a gratuitous shock-tactic.
The performances are excellent throughout, and the storyline is will firmly claim and keep your attention. Quills is the sort of movie that you don't forget, and that'll linger on in your mind long after you've seen it.
I would heartily recommend this movie to anyone - even if it doesn't sound like the type of movie you'd normally go for. I for one am very glad that I happened to be feeling spontaneous the day I went to see it, because otherwise I would most likely have missed it. So give your spontaneity a chance if you happen upon Quills in your local movie rental place.
The cleverness of the very first scenes brought a smile to my face, and I knew I was in for a rare treat; off the top of my head, I can't think of a movie with a better conceived, audience grabbing opening sequence.
And the impression lasted throughout this great film. Quills is a passionate (and entertaining!) cry in defense of artistic freedom, and the fundamental freedoms of speech and religion; and it is a deliciously clever movie, both in dialog and in plot. It is actually a movie that has something to say, and does it in an entertaining, engaging way that doesn't leave the audience feeling that they are being lectured to or talked down to.
A few scenes are gruesome and unpleasant, but they, I think, are a necessary evil for the telling of the story, not a gratuitous shock-tactic.
The performances are excellent throughout, and the storyline is will firmly claim and keep your attention. Quills is the sort of movie that you don't forget, and that'll linger on in your mind long after you've seen it.
I would heartily recommend this movie to anyone - even if it doesn't sound like the type of movie you'd normally go for. I for one am very glad that I happened to be feeling spontaneous the day I went to see it, because otherwise I would most likely have missed it. So give your spontaneity a chance if you happen upon Quills in your local movie rental place.
As someone who doesn't know too much about the Marquis De Sade, I guess that I'll have to rely on "Quills". Played by Geoffrey Rush, De Sade comes across as sort of a misunderstood man with a perverted mind. Of course, if he was a "pervert", then one might interpret him as the bane of society. Certainly here he's the bane of the people running the mental institution. Even if he's just a "pervert", then he's not the only one: watch what the Abbe du Coulmier (Joaquin Phoenix) does to Madeleine LeClerc (Kate Winslet) in one scene.
Overall, I don't know how accurate this movie is, but you're sure to like it nonetheless. Don't blame Geoffrey Rush if you feel a little sadistic after watching it.
Overall, I don't know how accurate this movie is, but you're sure to like it nonetheless. Don't blame Geoffrey Rush if you feel a little sadistic after watching it.
This was a good movie, but I thought it had somewhat of an unsatisfsying ending (well, to me anyway). Sad too. It moves nicely, though and you don't want to be interrupted. It can get rather graphic at times, but that's mainly because of the subject material, I guess. Geoffrey Rush is brilliant.He has a real knack for bringing strange and twisted characters to life. Michael Caine is doing his usual job of being superb as well. Every new role Kate Winslet performs is different from the previous and she excels every time. She expresses emotion very well. And my goodness, Joaquin Phoenix. I wouldn't say that I was ever a *fan* of his, but damn, now I am. If there was ever a performance that just made me melt, this was it. The restrained emotions and frustration of unfulfilled desires of his character were just performed brilliantly. This guy's an amazing actor.
The Marquis de Sade (Geoffrey Rush) is locked up in the Charenton Insane Asylum run by Abbé du Coulmier (Joaquin Phoenix). Laundress Madeline LeClerc (Kate Winslet) falls for the lascivious Marquis de Sade and helps him smuggle out his writings. Emperor Napoléon Bonaparte wants him stopped and sends Dr. Royer-Collard (Michael Caine) with his tortuous treatments. Royer-Collard marries the young Simone (Amelia Warner) who lived in a convent.
Geoffrey Rush is absolutely brilliant as the Marquis de Sade. The acting in this is first rate. I wish Rush get more screen time as the lead character. He's nominated for the Oscar as lead actor but he's more as one of the cast. Royer-Collard's hypocrisy is interesting but the movie spends a little too much time on him. I would rather the movie stay with Geoffrey Rush from start to finish and more Kate Winslet.
Geoffrey Rush is absolutely brilliant as the Marquis de Sade. The acting in this is first rate. I wish Rush get more screen time as the lead character. He's nominated for the Oscar as lead actor but he's more as one of the cast. Royer-Collard's hypocrisy is interesting but the movie spends a little too much time on him. I would rather the movie stay with Geoffrey Rush from start to finish and more Kate Winslet.
Lo sapevi?
- QuizGeoffrey Rush's real-life wife, Jane Menelaus, played de Sade's wife.
- BlooperWhen guillotining someone, a wooden piece called a lunette is placed above the neck so the condemned can't move it. No lunette was used in the opening scene.
- Citazioni
Marquis de Sade: Why should I love God? He strung up his only son like a side of veal. I shudder to think what he'd do to me.
- Colonne sonoreAu clair de la lune
Written by Jean-Baptiste Lully
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Dettagli
Botteghino
- Budget
- 13.500.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 7.065.332 USD
- Fine settimana di apertura Stati Uniti e Canada
- 249.383 USD
- 26 nov 2000
- Lordo in tutto il mondo
- 17.989.227 USD
- Tempo di esecuzione
- 2h 4min(124 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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