Dead Man's Cards

I happened upon this movie by chance on Amazon late night recently. It is reminiscent of many of the small-scale British movies that came out in the 2000s. It does not have extravagant cinematography or anything extreme as far as sex or violence goes. Despite being unremarkable, this film still manages to be entertaining.

The two leads are well-cast and do the bulk of the acting in the movie. There is enough backstory provided for the audience to believe in the two leads. The villains of the movie who turn up at the bar are forgettable. The bar owner who dresses like a "Yank" had some good lines.

The fight scenes are very quick. They do happen with enough frequency to keep the viewer engaged with the story, though.

This is not a must-see film by any means. If you enjoy watching men be men on screen drinking, fighting and coming to terms with their mistakes in life, then this is a film for you.

Thought that nightclubs were run by nice charming businessmen who wouldn't hurt a fly? Although Dead Man's Cards is one of the grittiest crime thrillers in British cinema since the gold standard of Lock, Stock and Two Smoking Barrels, it should be enough to at least make you wonder if nightclubs aren't really controlled by the long arm of nasty criminal types, whether in knuckle dusters or smart suits.

I started watching this movie not expecting to like it, and there being more f-words in the first few minutes than my mother could have endured without fainting, felt my expectations were going to be fully realised, but it wasn't long before I had to admit I'd got it wrong. Dead Man's Cards breathes life into a genre that too often sags under the weight of its own excesses, and comes up with a hand of aces.

Ex-boxer Tom gets a job as a bouncer at a dive, much to his wife's disgust, and is soon initiated into the refined way of doing things. "If you wanna do someone in, take 'em out the back - no cameras," advises fellow doorman Paul. This being an age of political correctness, they undergo one of the legally required courses in non-violent restraint, which provides more opportunities for grim humour as Paul shows the instructor how to get out of his judo holds. Club manager Billy (Tom Bell) dresses as a cowboy, lives in fantasy land, and likes to think he's in charge until there's some argument about the going rate for security, at which point he hastily backtracks. Tom's wife wants to "do something like a normal couple" and whisks hubby off to communion, but he's still recovering from the night before and has to rush outside the church to vomit. He and Paul try to maintain their decency by brute force in the face of pressure from bigger club owners, but there's a limit to everything, including how many conflicting loyalties you can juggle especially with drug-fuelled hangovers and a slutty gun-toting barmaid determined to take advantage.

Many British gangster movies since Lock Stock (with the notable exception of Sexy Beast) foundered on too much comedy, complex and unrealistic plots, unconvincing characterisation or simply lack of talent. Dead Man's Cards cleverly succeeds where others have failed. Its only fault is that you could possibly struggle with the Liverpudlian accents, or it may be too violent for some viewers, but if the subject matter offends, you've been warned! There's no overriding message that I could discern, no lingering Oscar-worthy close-ups where we are invited to admire some unspoken subtext, just thumpingly honest entertainment that doesn't pull its punches. Director James Marquand's has scored a hit with first feature film, and we can only hope that, rather than be tempted to make Dead Man's Cards II, he goes on to make more equally original and incisive work.

Very watchable, Brit crime drama, with a decent cast of actors and the fine Tom Bell, as a club owner called Billy the Cowboy. I really like the gritty feel to this one where others will no doubt see low budget. it has a realistic, low level Gangster vibe and when the retribution is dished out, it pulls no punches. I really miss the great acting talents of Tom Bell, in my mind the finest ever, British Actor.

Liverpudlian ex-boxer, Tom Watts (James McMartin), one day finds himself impotent, jobless and burdened with a wife that is intent on leaving him. His life takes a twist, however, when he is hired as a bouncer and is immediately sucked into a dark and violent world of drugs, guns and gangsters who do a lot of unpleasant shouting and swearing. Conducted by James Marquand and funded by his own production company (Stray Dogs Films) 'Dead Man's Card's' resembles a drunk boxer: it certainly cracks a mean punch, but it lacks direction. The amateurish acting is not helped by an unimpressive script; however, the sinister and seedy setting is still competently created by Marquand. And although the story takes a dive in the closing rounds, the film is still a commendable debut from Stray Dog Films.

Dead Man's Card's is a very good vs bad sort of London East End Western. It even has a saloon. The set up of the bar/nightclub, gave me some pause. It seemed too small to need two obviously A-grade bouncers. But I stayed with it and saw that, on certain nights, they somehow fitted in large crowds. By then I was starting to admire all the different characters. This is a very well cast and acted British crime movie, with an authentic script. I liked how the picture became more and more complicated. There was one character, a former mate of one of the bouncers, whom I thought the writers must have added in order to make up a full hand of character types, the problem being his story never really made any sense at all. In fact the premise for the movie fell a little short in my opinion. Like I said, a little bit too Western, but enjoyable if you like British realism and certainly worth a 7.