Les 7 jours du talion

Just finished seeing Les 7 jours du talion and I have to admit that words cannot begin to describe how that movie will affect you. The acting is superb, it is very much a "huis-clos" as we call it in French, a duel of actors in an enclosed space where no one else can see them.

I'm not a fan of torture porn, I've never seen the Saw and Hostel movies as they aren't my cup of tea personally. Warning here that the violence, though rare, is very graphic and realistic. But the characters are very convincing, especially in what they DON'T say aloud. And I agree with the choice not to add a soundtrack to that movie, it would detract from the tension in it.

I know that I normally buy a DVD of a really outstanding movie, but I'll pass on this one, though it is outstanding. It's just that the dark side of human nature does not always bear repeat contemplation.

Director Daniel Grou shows that he has much promise. First, a film without music is rare, and in this case was perfect. Secondly, the action, while graphic, moves smoothly. It is a story, a film, that you will remember seeing.

The film begins with an unforgivable crime—the rape and murder of a 8- year-old girl by a convicted sex offender. Her father, a wealthy surgeon (Claude Legault), chains the alleged killer in a secluded dungeon, savoring his captive's (Rémy Girard) slow torture.

The doctor, dismissing all he previously stood for, is torn by guilt as he proceeds. It is an excellent chance to reflect on the desirability of revenge. His last statement really drove that home.

This movie is a very intense psychological thriller filmed in very grey and depressive images and words that create a perfect atmosphere for this doom slow paced movie. The movie seems to be a simple vengeance story, but it goes far beyond this. Let me warn you first: There are not many torture scenes in this movie, so if you expect some gore stuff here, you may not be satisfied at all in the end. The title and trailer could be somehow misleading.

The film has in fact a very philosophical touch and questions about the sense of life and death as well as vengeance or forgiveness. The movie shows how difficult such topics are and has almost some documentary influences as it shows the reactions of the society, the police, the victim's families. But there are also metaphoric elements in this movie like the scenes with the dead deer body that represents the dead body of the raped and killed daughter that lead us slowly towards a melancholic end that many find unsatisfying but which fits perfectly to the whole atmosphere and intention of the movie. The story is surprisingly realistic. All those points I really like about this great Quebecker movie.

What I rather dislike is that there is something like a highlight missing. When the father has kidnapped the murderer of his daughter and the police is looking for him, you expect that the tension and action raises, that each character's profoundness may be developed and that there are some disturbing twists but nothing happens at all. The movie concentrates on the profoundness of the main character but I think that the characters of the murderer, the police officer or the kidnapper's wife could have been more developed. The movie also concentrates too much on the logical follow-up of the story and the tension goes really down at some point in the movie as there are no real surprises or turning points like in the heavier and more disturbing shocker "5150 on Elm Street", a movie based on the novel by the same author as this one. This movie's strength is its depressive atmosphere and the main actor's brilliant acting but it has too much of a one man show.

If you are looking for an alternative depressive psycho thriller with some philosophical elements, I highly recommend this movie for you. But if you are looking for a bloody shocker with a twisted ending, just forget about it.

When police arrest a man for the rape and murder of Dr. Bruno Hamel's 8-year old daughter, the distraught father (a strong performance from Claude Legault) seeks revenge, kidnapping the suspect and subjecting him to a week of unimaginable suffering while the police desperately attempt to track them down.

Revenge is sweet, as the saying goes, but 7 Days challenges this notion: after inflicting untold pain and suffering on his victim, Bruno doesn't feel any better—he is just as empty inside, his grief no less severe than before, his anger unabated. The film questions whether, despite our understandable wish to severely punish the human garbage who commit such evil crimes, revenge might not be the wisest route to take.

Superb performances, tight direction from Daniel Grou, and some truly disturbing imagery make this film hard to ignore, but it is its highly debatable central theme—to torture or not to torture— that makes 7 Days a more powerful viewing experience than many of the 'torture' films that we've had to endure post-Saw.

This movie is very disturbing, and I am used to violence in movies. In fact, it is not the violence that disturbed me, but rather the very, very tense atmosphere charged with various emotions. It feels so heavy, I am still uneasy, an hour and a half after watching it. Those who have watched Saw or Hostel will find the violence bearable, but this is not a gore movie like these two franchises; it is a psychological film. I believe that knowing these actors very well (not personally) made me biased towards this movie. I am convinced that if the movie would have featured different actors, or perhaps if it wasn't Québécois, I wouldn't be as troubled as I am right now. It is a weird feeling that I cannot really explain.

The movie itself is very well done, technically and artistically. Daniel Grou's direction is near perfect for that kind of movie, expect maybe a few shots which, in my opinion, were unnecessary. The movie has no soundtrack at all; long stills of the character(s) in silence help getting in the mood, help understanding, if that's possible. Which brings me to this point: this is a rather slow movie. It reminds me in many ways of Asian cinema, particularly (some) Japanese movies (maybe Yasujiro Ozu). There is minimal dialogue, but well delivered by the actors and I have to give a mention to Martin Dubreuil, who played Anthony Lemaire. I didn't know him before this movie and he delivers a terribly solid performance here. Claude Legault is also excellent.

All in all, this is a great film. There is one thing I recommend though; do not see this in the theatre, because of the damned food and plastic bags noises. The silences in this movie need to be respected and it is very annoying when you hear someone talk during this movie, even more so because there's no music. Rent it or buy the DVD (Blu-ray?).

This is my first review, I hope it makes sense.