VALUTAZIONE IMDb
6,9/10
2384
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaInspired by horrifying true events, Nothing Bad Can Happen follows Tore, a young lost soul involved with an underground Christian punk movement who falls in with a dysfunctional family who t... Leggi tuttoInspired by horrifying true events, Nothing Bad Can Happen follows Tore, a young lost soul involved with an underground Christian punk movement who falls in with a dysfunctional family who test his seemingly unwavering faith.Inspired by horrifying true events, Nothing Bad Can Happen follows Tore, a young lost soul involved with an underground Christian punk movement who falls in with a dysfunctional family who test his seemingly unwavering faith.
- Premi
- 9 vittorie e 11 candidature totali
Gro Swantje Kohlhof
- Sanny
- (as Swantje Kohlhof)
Recensioni in evidenza
Definitely I never want to see it again, which I never before thought about a actually well made film by the way, and it feels odd giving this a heart rating but I think this is very well done and provokes the right emotions. It's an unforgiving movie that does not hold back at all. There were many scenes where I really needed to look away, which usually never ever happens for me. It's a film about what happens when you just completely believe in the goodness of humanity. It is harsh, but for sure true. You're gonna get stepped on and you're gonna get messed up. You obviously can't blindly live with some strangers and think, this will all be good, people are such beautiful creatures. No. Surely not. Apparently this is even based on a real story, which in this case makes it even more sad, but I'll need to research this later. How the main character got to that point in his life, slight spoilers ahead, is never explained which I think was a smart choice. Tore tanzt made me sick to my stomach to be honest. It is deeply disturbing and despairing, but it is also a film you should watch anyway. The performances are very good, especially the lead is incredibly great in such a tough role to play. Just be prepared to be in a terrible mood afterwards. I need a palate cleanser flick right now. This film is horrible, but simply looking away from the evil that is happening all around us isn't gonna do any good either.
NOTHING BAD CAN HAPPEN takes us along with teenage "Jesus Freak", Tore (Julius Feldmeier), who is taken in by a family who aren't what they, at first, appear to be. By contrast, Tore is a genuine, gentle soul who truly believes that God is watching over him. Unfortunately, Benno (Sascha Alexander Gersak) seems driven to prove him wrong.
The best way to describe this film would be quietly disturbing. While there are a few jolts along the way, most of it is peaceful and calm, lulling you into a sense of safety, before drop-kicking you in the guts.
What is astonishing about this movie is that no matter how deeply degrading, even mind-destroying the situation becomes, it somehow ends in an unexpected place. In spite of it being utterly tragic. Tore is an unforgettable character, the only small ray of light in a dark, dismal scenario. Ultimately, this story manages to be more Christian than other, more preachy films. This is because it sticks to grim reality, showing the cost of faith through Tore's willingness to take it beyond all limits...
The best way to describe this film would be quietly disturbing. While there are a few jolts along the way, most of it is peaceful and calm, lulling you into a sense of safety, before drop-kicking you in the guts.
What is astonishing about this movie is that no matter how deeply degrading, even mind-destroying the situation becomes, it somehow ends in an unexpected place. In spite of it being utterly tragic. Tore is an unforgettable character, the only small ray of light in a dark, dismal scenario. Ultimately, this story manages to be more Christian than other, more preachy films. This is because it sticks to grim reality, showing the cost of faith through Tore's willingness to take it beyond all limits...
Going into movies as blind as possible, I often stumble on more misery than I bargain for. Since I had just seen The Snowtown Murders, I probably should have waited a bit longer on this movie. Given how similar they both are in tone and content, if you hated one, you should avoid the other, but if you liked one, definitely check out the other, just give it some breathing room for your own mental health.
Other films I'd put in this camp would be Hounds of Love and to lesser extent The Girl Next Door, though the later has more of a Hollywood sheen to the parts that don't wallow in depravity. The rest opt for a grimy realism that sinks you deeper into the filth of their content.
I often struggle with the merits of this genre though. On one hand, it is an achievement artistically. Between the acting and the authentic way everything is captured, they nail it. I'm fully immersed, I believe what's happening on screen, and I feel really bad about it. There are some interesting themes exploring issues of faith that stay sympathetic while leaning towards a bleak nihilistic outlook. They also pulled off one of the most disturbing scenes I've seen without an ounce of blood, so kudos there.
However, these films are often just this downward spiral of despair with no redemptive ark. As a viewer, you get just as pummeled as the characters, and I'm often left wondering why I do this to myself. I mean, I'm actively making the choice to never watch Slaughtered Vomit Dolls, so I've got to admit there is a line somewhere, I'm just not exactly sure where it is.
Other films I'd put in this camp would be Hounds of Love and to lesser extent The Girl Next Door, though the later has more of a Hollywood sheen to the parts that don't wallow in depravity. The rest opt for a grimy realism that sinks you deeper into the filth of their content.
I often struggle with the merits of this genre though. On one hand, it is an achievement artistically. Between the acting and the authentic way everything is captured, they nail it. I'm fully immersed, I believe what's happening on screen, and I feel really bad about it. There are some interesting themes exploring issues of faith that stay sympathetic while leaning towards a bleak nihilistic outlook. They also pulled off one of the most disturbing scenes I've seen without an ounce of blood, so kudos there.
However, these films are often just this downward spiral of despair with no redemptive ark. As a viewer, you get just as pummeled as the characters, and I'm often left wondering why I do this to myself. I mean, I'm actively making the choice to never watch Slaughtered Vomit Dolls, so I've got to admit there is a line somewhere, I'm just not exactly sure where it is.
I was shocked to discover this is the debut feature for Katrin Gebbe. 'Nothing Bad Can Happen' is such a sure footed and skillful piece I was expecting a much more experienced director to walk onto stage when I saw the film at the Melbourne International Film Festival.
Like any good film should, it drew larger themes from very simple scenarios and characters. The probing, but compassionate investigation of faith, trust and the insidious nature of violence kept me riveted. Though the main characters life would be hard for most people to relate to their own experience, his gentleness and his drive to be included in the world makes him quite universal.
Be warned, though the violence in the film is shown quite discretely, the psychological aspect of it is very confronting. That being said I wouldn't want to put anyone off seeing it, there isn't any kind of gratuitous reveling in any of the violence and all necessary for the plot.
Gebbe has masterfully constructed a film that illustrates how the horrors of the world stem from the banal jealousies and power plays that we all participate in. Her sensitivity to the dynamics of exploitation and how we treat the vulnerable in society is moving without resorting to sentiment or condescension.
I highly recommend this film and wait with anticipation with what Gebbe will come up with next.
Like any good film should, it drew larger themes from very simple scenarios and characters. The probing, but compassionate investigation of faith, trust and the insidious nature of violence kept me riveted. Though the main characters life would be hard for most people to relate to their own experience, his gentleness and his drive to be included in the world makes him quite universal.
Be warned, though the violence in the film is shown quite discretely, the psychological aspect of it is very confronting. That being said I wouldn't want to put anyone off seeing it, there isn't any kind of gratuitous reveling in any of the violence and all necessary for the plot.
Gebbe has masterfully constructed a film that illustrates how the horrors of the world stem from the banal jealousies and power plays that we all participate in. Her sensitivity to the dynamics of exploitation and how we treat the vulnerable in society is moving without resorting to sentiment or condescension.
I highly recommend this film and wait with anticipation with what Gebbe will come up with next.
I'm not even going to write a whole long review about this movie because I actually never want to think about it ever again. I've seen some messed up, vile and downright abhorrent films in my 40 years on this Earth, but this is the first time a movie has ever made me sick to my stomach. The entire last 30 minutes had my stomach in such a vicious knot, I actually considered turning the film off, and I really wish I would have.
Movies like Martyrs, Inside, and the like are difficult films to get through, but their over the top violence keeps them grounded. This film portrays the type of monsters that live among regular people, who wear their clothes and play their games. THIS is what true horror is; showing the vile nature of the degenerates that live in our neighborhoods.
I will never EVER watch this movie again, and anyone who is considering it, don't. It's a magnificently made film that no one should ever see. It will literally make you look at humanity differently.
People like this exist and live among us. God help us all.
Movies like Martyrs, Inside, and the like are difficult films to get through, but their over the top violence keeps them grounded. This film portrays the type of monsters that live among regular people, who wear their clothes and play their games. THIS is what true horror is; showing the vile nature of the degenerates that live in our neighborhoods.
I will never EVER watch this movie again, and anyone who is considering it, don't. It's a magnificently made film that no one should ever see. It will literally make you look at humanity differently.
People like this exist and live among us. God help us all.
Lo sapevi?
- ConnessioniFeatured in Women Make Film: A New Road Movie Through Cinema (2018)
- Colonne sonoreReligion, nein danke
Performed by Christcore
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Nothing Bad Can Happen
- Luoghi delle riprese
- Amburgo, Germania(town)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 470.000 € (previsto)
- Lordo Stati Uniti e Canada
- 4870 USD
- Fine settimana di apertura Stati Uniti e Canada
- 2853 USD
- 29 giu 2014
- Lordo in tutto il mondo
- 4870 USD
- Tempo di esecuzione1 ora 50 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1
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By what name was Tore tanzt (2013) officially released in India in English?
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