Southern Belles

Quirky redneck central. Friends belle and bell work in the far, far suburbs of georgia. But they are dying to get to atlanta and leave their small town behind. Someday. But things keep getting in the way... one meets a boy. And they don't have any money. It's pretty low key. It's mildly interesting. Best friends through thick and thin. A couple funny bits, but the script could have used some work. The store manager and the customers get all the funny stuff Fine acting by all, but it just needed some jazzing up. Small role for judah freidlander, who had a pretty big role on 30 rock. Written and directed by myers and shroff.

This review has been influenced by those already posted, so please expect some unoriginal comments.

First off, this would be a 9 or 10 if it had the big budgets previously mentioned. Even so, its perfect as it is. Bang for the buck, its probably really an 11/10.

Someone else mentioned "Raising Arizona," and that's a dead on balls accurate good comparison. If you liked that, you'll love this. Also, the movie includes both the Confederate flag and black people, just like the actual south. It does not, in my opinion, mock the south. The south is fully capable of doing that for itself. Georgia is just as "cliched" as New York City. Take my word for it. Margery, Duane, Hampton are hilarious, Rhett is likable and the Belles are indeed, both hot. The only possible improvement might be a continuation of the themes expressed in the rest stop scene. Some exploration there might be interesting, but it also might change the movie too much. Just a thought.

As for any mockery of Christians, remember, "even Jesus farted."

This gem of a film is intelligent without taking itself too seriously, effortlessly hilarious, and genuinely touching, without the emotional manipulation so common to romantic comedies. With tongue-in-cheek homages to Gone with the Wind, Thelma and Louise and other screen gems, these debut screenwriters show depth of knowledge of southern life, and deep compassion for their characters. The true joy of the film, however, is in watching such talented young actors! Laura Breckenridge and Anna Faris bring their characters subtly and beautifully alive.

I am generally not a fan of romantic comedies or buddy-pictures, which I usually find to be predictable and forgettable. This is one of those rare films that combines the story of a beautiful, believable friendship, and a love story with complexity and chemistry.

This film has been a hit at film festivals all over the country; it is clear that audiences have fallen for a visually beautiful, brilliantly acted, and thoroughly entertaining film.

In southern Georgia, two "belles" are floundering in their twenties. Belle Scott (Anna Faris) works for the local warehouse store, where she must hawk customers in the hot July 4th sun, dressed in patriotic garb. HER most fervent wish is to move to Atlanta and start life over again. Her closest friend, Bell Granger (Laura Breckenridge) is a more content resident of their small town but has been having problems with her country-rap boyfriend who treats her with little respect. This Bell may decide to move north with Belle after all. That is, until she is stopped for a minor traffic violation from a handsome trooper, Rhett Butler (Justin Chambers). What luck to find the second coming of a famous literary man! Yet, even then, problems arise and the ladies try to raise funds for their move to Atlanta. They babysit, they sell cosmetics door to door and try hard to fill a money jar to purchase their tickets to the Big City. Will it be so for these beautiful belles? This independent film has its moments but, as a first effort for the writer-director, has problems, too. Its story is uneven and similar to various other get-out-of-Dullsville story lines. However, there are very humorous moments. Paris and Breckenridge do great as the put-upon belles while the rest of the cast is fine, too. Add on nice sets and costumes and the final result is a film indie-flick lovers might embrace. Folks in the deep South might get a kick out of it, too.

With all due respect to jessicacarter7, I think she (?) missed the point here. This was a very good movie in the vein of Raising Arizona. It might not be as ingenious but it's close. In a movie that purposefully over states the stereotype of southerners you simply can't say that someone is using clichés. That's the point. The performances of the leads were far above 'barely good' and the movie was very good if you have an open mind. I'm not sure about her take on the directing; I don't know what 'inspired' or 'uninspired' directing is. I'm also not sure about the 'very loose' editing. What does that mean? If you liked Raising Arizona I think you'll find it to be a quite enjoyable film. It's not meant, I think, to be a serious work of art, just something to enjoy.