Aggiungi una trama nella tua linguaThis affectionate documentary examines the turbulent partnership of Peter Cook and Dudley Moore, the double act that re-defined the comedy genre. It follows their beginnings in London's West... Leggi tuttoThis affectionate documentary examines the turbulent partnership of Peter Cook and Dudley Moore, the double act that re-defined the comedy genre. It follows their beginnings in London's West End through their rise to stardom which won them accolades but forced a wedge between the... Leggi tuttoThis affectionate documentary examines the turbulent partnership of Peter Cook and Dudley Moore, the double act that re-defined the comedy genre. It follows their beginnings in London's West End through their rise to stardom which won them accolades but forced a wedge between them.
- Regia
- Sceneggiatura
- Star
- Ha vinto 1 BAFTA Award
- 2 vittorie e 4 candidature totali
Recensioni in evidenza
I remember Peter Cook from my youth and I thought it uncanny how Ifans reproduced the frustrated genius of the man. As for the production as a whole, it was a very insightful look into how Cook had difficulty coping with Moore's success away from him, and his own problems with matching his earlier career later on in life. (Personally I think he was extremely bright, but was handicapped by idleness.)
Now, I've seen a number of films that have featured Ifans. Perhaps I have been unlucky and only caught the bad ones, but this has to be the first I've seen him in that I've enjoyed. The films incidentally were: Love, Honour and Obey (where he was quite good as a bad-tempered gangster, but the film itself was pretty dire), Twin Town (awful), 51st State (a nightmare) and Notting Hill (sugary nonsense where Ifans was playing a sort of "Uncle Tom" slob of a Welshman to Hugh Grant's sophisticated Englishman - why does scriptwriter Richard "Blackadder" Curtis laugh at the Welsh so much?).
But until last night, the best thing I've seen Ifans in was on stage - in Accidental Death of an Anarchist (admittedly Dario Fo's play is one that an actor can have a lot of fun with) at the Donmar Warehouse a few years ago. Hopefully, he will be more discerning choosing his parts in future. If he does then I reckon he could be a future Guinness (but please don't get involved with Star Wars).
For those not aware, Not Only But Always details the comedy duo of Peter Cook and Dudley Moore, who might well have invented comedy itself with the subsequent influence they had. The film takes the viewer on a journey from their first meeting to Cook's death, spanning the length of their comedic partnership.
Certainly relying primarily on its characters, Not Only But Always gives an objective portrayal of the highs and lows of their tumultuous pairing. The relationship between Cook and Moore is accurately shown as desperate, frustrated, anger-ridden and brilliant, the uglier sides of the story never avoided. Their alternations between teary eyed laughs and teary eyed screams provide an excellent portrayal of this infamously difficult couple. Both leading actors do a fantastic job in creating this fascinating and heartbreaking dynamic, the irritating pitfalls of Cook's personality splendidly relived by Rhys Ifans. It is impossible not to sympathize with both characters in their respective plights; laugh at the audacious brilliance of Cook's one-liners; and wet oneself in delight at the hilarious exchanges between the two. The story is informative and entertaining, mixing well the real life recorded incidents with the filmmaker's perceptions of the likely conversations and incidents occurring behind closed doors.
A faithful and compelling biopic, Not Only But Always moves a little too fast at times, its storyline feeling rushed at points. In spite of this, the combination of hilarity and difficulty in watching these men tear each other apart provides us with an unmissable viewing experience which will hopefully lead all who see it to fall in love with the work of these two great men.
Johno Hartigan
Lo sapevi?
- QuizMany who knew the real Peter Cook and Dudley Moore objected to the way their long partnership was depicted in this heavily-fictionalized TV movie. Alan Bennett pointed out with considerable acerbity that Dudley Moore, far from being victimized by his university peers because of his working-class origins, was, in fact, enormously envied by them, partly because he was already a success in show business whilst still an undergraduate, and more especially because of his phenomenally active sex-life.
- BlooperThe film states that Cook and Moore's movie Il mio amico il diavolo (1967) went into production in 1969. In fact, it was released two years earlier.
- Citazioni
[Peter discovers Dudley shagging a young woman in his dressing room when he should be getting ready to go on stage]
Peter Cook: If you *do* decide to come on stage, Dudley, make sure you take her off your penis first.
- ConnessioniReferences Not Only... But Also (1965)