Aggiungi una trama nella tua linguaA matriarch organizes a feast with her family, in which she will name her successor.A matriarch organizes a feast with her family, in which she will name her successor.A matriarch organizes a feast with her family, in which she will name her successor.
- Regia
- Sceneggiatura
- Star
- Premi
- 7 vittorie e 12 candidature totali
Paki Cherrington
- Pater Francis
- (as Te Paki Cherrington)
Recensioni in evidenza
A rough gem but a gem nonetheless. Slow going at first, as you wonder what it is with these people. Is there any hope? Has this extended family (apparently) totally lost their way in life? Then as you learn bits of the family history, the high walls and broken bridges separating the family start making sense, and you can see possibilities of reconciliation.
Ruby Dee plays (magnificently) the Polynesian matriarch, living in Mt. Roskill, Auckland NZ, for most her life, who knows what's wrong with her scattered cantankerous family and can see the one path that just might set things right -- a little "tough love", Polynesian style. Even though no one else can see the sense in it, they obediently carry out her demand for a family feast in the backyard, to happen that same evening, at which she will announce her successor. All must attend, even those who never come round.
Preparation for the improbable feast involves everyone, and in the process forces communication that's been avoided for years. But they pull it off, because after all, Mama may have lost her marbles but she is still the matriarch. The result is memorable, and validates her foresight.
The film is also, by the way, a great glimpse of suburban New Zealand life, Samoan (or Tongan, not sure) style. See it just for that, and enjoy the story too.
Ruby Dee plays (magnificently) the Polynesian matriarch, living in Mt. Roskill, Auckland NZ, for most her life, who knows what's wrong with her scattered cantankerous family and can see the one path that just might set things right -- a little "tough love", Polynesian style. Even though no one else can see the sense in it, they obediently carry out her demand for a family feast in the backyard, to happen that same evening, at which she will announce her successor. All must attend, even those who never come round.
Preparation for the improbable feast involves everyone, and in the process forces communication that's been avoided for years. But they pull it off, because after all, Mama may have lost her marbles but she is still the matriarch. The result is memorable, and validates her foresight.
The film is also, by the way, a great glimpse of suburban New Zealand life, Samoan (or Tongan, not sure) style. See it just for that, and enjoy the story too.
There are films and there are films with a soul. No. 2 is a film with a big soul and needs no special effects no big budgets or big names to be a big little film.
It takes the time that is necessary to tell a story so unusual in nowadays cinematic landscape, a story that makes the audience feel and touches the souls of those who are willing to listen to it.
There are wonderful performances of several actors to observe and No.2 shows how a wonderful script has no need for a big budget. It's not a tearjerker or going for the easy laughs, it's not a black and white movie but shows the shades of grey that make life life.
I laughed, frowned, had tears in my eyes, cringed, smiled and felt touched so many times.
It is one of these films that can be distinguished from the majority of films by its ability to make you feel and that somehow cause your whole being to be uplifted by the time you leave the cinema.
It's one of the films that linger and hold the audience so captive that only after the credits have been rolling for quite a while, the first people start to reluctantly file out of the theatre.
It takes the time that is necessary to tell a story so unusual in nowadays cinematic landscape, a story that makes the audience feel and touches the souls of those who are willing to listen to it.
There are wonderful performances of several actors to observe and No.2 shows how a wonderful script has no need for a big budget. It's not a tearjerker or going for the easy laughs, it's not a black and white movie but shows the shades of grey that make life life.
I laughed, frowned, had tears in my eyes, cringed, smiled and felt touched so many times.
It is one of these films that can be distinguished from the majority of films by its ability to make you feel and that somehow cause your whole being to be uplifted by the time you leave the cinema.
It's one of the films that linger and hold the audience so captive that only after the credits have been rolling for quite a while, the first people start to reluctantly file out of the theatre.
I saw this movie last night, and was very very impressed with the quality of the shots, the genuine actors, and the awesome writing of the film. Such an authentic combination of humor, drama, family ties, history, and culture, it made this movie truly worth watching. It's not often that you get a "nz" film that has you glued to the story the whole way through, so Number 2 stood out because it managed to do that. And even though I recognised some actors from NZ TV show's, they were enough in character in this film to let me see them as their new characters.
A genuine story, with a great local cast. it exceeded my expectations. I would recommend this movie to anyone, and I look forward to seeing what other great work Toa Fraser brings to us in the future!
A genuine story, with a great local cast. it exceeded my expectations. I would recommend this movie to anyone, and I look forward to seeing what other great work Toa Fraser brings to us in the future!
I went to school in Mt. Roskill, where the film is set; I drive through the suburb everyday to and from work; and my mother is from Polynesia. On several levels I could relate to this film and was proud to see Auckland, and it's Polynesian culture, represented in such an accurate and endearing way.
No. 2 centers around Nana Maria (a great performance by Ruby Dee), who wants her grandchildren to organize a feast for her at which she will name her heir, who will take over the house when she dies. Tense relationships both amongst and between generations are slowly and subtly introduced, and over the course of the day the family struggles to negotiate their Fijian culture within the New Zealand context.
The acting was superb (although notably, I think a minority of the actors were actually Fijian), the story subtle but beautiful, and Auckland was represented very accurately and stunningly. A feel-good film that makes you want to get in contact with your long lost cousins and reminisce about days gone by.
Great characters, great acting, and an enjoyable film.
No. 2 centers around Nana Maria (a great performance by Ruby Dee), who wants her grandchildren to organize a feast for her at which she will name her heir, who will take over the house when she dies. Tense relationships both amongst and between generations are slowly and subtly introduced, and over the course of the day the family struggles to negotiate their Fijian culture within the New Zealand context.
The acting was superb (although notably, I think a minority of the actors were actually Fijian), the story subtle but beautiful, and Auckland was represented very accurately and stunningly. A feel-good film that makes you want to get in contact with your long lost cousins and reminisce about days gone by.
Great characters, great acting, and an enjoyable film.
I was at the premier of this film out in the open air on Auckland's harbor...NZ's Prime Minister was there as she is a great supporter of the arts...I might add unannounced at first. This film can all remind us of someone(s) in our family and is a "feel good" in the end. Way to go NZ and I hope this film does a great showing worldwide...and no I am not from NZ...Canada! The way this country(NZ) has evolved into a great wealth of artistic talent speaks volume for its people and its isolation geographically. Must say I am most impressed with this film...was't sure what to expect and was pleasantly surprised...GO SEE IT!
Lo sapevi?
- ConnessioniFeatured in On the Set of No. 2 (2007)
- Colonne sonoreThe Medicine
by Tha Feelstyle
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
Botteghino
- Budget
- 4.324.000 NZ$ (previsto)
- Lordo in tutto il mondo
- 433.904 USD
- Tempo di esecuzione1 ora 34 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti