Nanny McPhee - Tata Matilda

Emma Thompson fearlessly works with seven children and a barnyard of animals -- not to mention ugly-face make-up -- and she never once is upstaged.

My only complaint is about Colin Firth, who has a thankless role, but I've never found him all that interesting anyway.

My 9-year-old daughter, an avid Harry Potter fan, enjoyed the magic of the story and its rich layers of morality. At a key moment, creative obedience to an adult instruction leads to a slapstick showdown that delighted every kid in the theater, including me.

There are moments of peril and cruelty, a villain worthy of Dickens, even corpses in the father's place of business, but nothing presented here is worse than everyday life that all children endure. One of the most poetic understatements in any kid film occurs with the first shot: an empty chair, once occupied by a loving mother.

Nanny McPhee arrives to teach the unruly children, but the grown-ups have the most to learn about loss, honesty, and true love.

This definitely has to be one of the best films of the year and is something that can be enjoyed by the whole family, from the wee tot to grandparents. Based upon the 'Nurse Matilda' books by Christianna Brand, the film revolves around seven motherless children who have frightened off seventeen nannies much to their over-wrought father's dismay. The children are unruly and their father has his own stresses of desperately searching for a wife before his mean-spirited great aunt cuts off his allowance and everything is falling apart at the seams...until Nanny McPhee enters the house to sort things out. Think of 'Mary Poppins' if Roald Dahl had written the character and you have an idea of what happens next!

The best thing about this film is that while it will appeal to children, it doesn't dumb down or indulge in cavity-inducing sweetness that you tend to see in films produced by Hollywood. There is much humour and fun to be had but there is also a darker tone, what with children being threatened with the Work House and their father speaking to corpses!

The actors are all excellent. Colin Firth was perfect as this dithering man who may be meek but will do anything for his children and Emma Thompson is totally unrecognisable as the lead character of Nanny McPhee (she also deserves much recognition her skills in script-writing this film). But it's Angela Lansbury, as snooty Great Aunt Adelaide, who steals the show with the way she spends much of the film with such a sour face that could curdle the milk! The children also deserve much praise, especially when you consider most of them are not only very young but had never acted before. I certainly hope to see more of young Raphael Coleman, who played the middle son Eric, in future films as he totally threw himself into his character and was the most engaging of the children.

I'd highly recommend this to people who enjoyed 'Charlie and the Chocolate Factory' (both old and new versions) and 'Matilda'. I doubt many will be disappointed with this film!

Seven children, seventeen nannies. Poor dad Cedric Brown (Colin Firth) has all but given up. Suddenly, enter Nanny McPhee (Emma Thompson) using her magical powers (both emotionally and literally) to kick them into shape. Remind you of something? I'd be concerned if it didn't. But thankfully, as Nanny McPhee progresses, it twists and turns in such a pleasant fashion that by the end, you'll be wondering 'Mary who?' Adapted for the screen by Thompson herself, this is a fun and inventive kids film that is guaranteed to make you smile. Firth does his usually stuttering British man shtick, but given he has little to do, makes the most of it. Imedla Staunton, Angela Lansbury and Celia Imrie ham it up shamelessly and are loads of fun. But most of the attention should be directed towards Thompson, an ugly but constantly entertaining lead.

The art direction, visual effects and Patrick Doyle's fabulous score all soar in a confident over-the-top direction, as is the tone of the film. The score, by-the-books though it may be, is perfect and bodes well for Doyle's work on the new Harry Potter movie.

Rather than basing its entirety on the naughty kids storyline, McPhee jumps from plot point to plot point, stuffing a whole lotta characters and twists into it's 97 minute running time. Thanks to this, Thompson's endearing loveliness and a cute array of kids (lead by Thomas Sangster, the kid from Love Actually), Nanny McPhee emerges triumphant as one of the better kids movies in recent memory, mostly because the adults will love it too. And anyone who isn't enchanted by the magical ending has to have a stone for a heart.

Saw the film this morning at a Sunday Times preview and I'd like to think that more than a few of you will be eating your words when you see the finished product. It's beautifully put together, with lots of humour, the attractive Colin Firth and many superb performances. Celia Imrie creates a colourful character in Mrs Quickly, Imelda Staunton is fantastic as the cook (Mrs Blatherwick) and Angela Lansbury is expertly cast as Aunt Adelaide (despite the feathered dress making her look like a turkey!) As guessed at on another thread, Nanny McPhee does teach the children - that manners matter, you should be responsible for your actions, and that actions have consequences. It isn't dumbed down, there's certainly no 'dopey dialogue' - and there's also no annoying Americanisms as beset Charlie & the Chocolate Factory.

At first glance, you could imagine Emma Thompson giving a very over the top performance, given the warts, over-sized nose and tooth. Instead she gives a careful and considered performance - everything in the right measure.

Enjoy Nanny McPhee for what it is - a large dose of magical escapism with plenty of laughs for good measure. A few rude words and food fights to keep the kids (and parents) happy, oh and a dancing donkey, but overall a film that is lots of fun. Can't wait for the DVD.

I almost missed this one because I was turned off by the commercials and previews, with their emphasis on the silliest parts (the dancing donkey, etc.). What a mistake that would have been -- I'd have missed one of the driest, archest, loveliest scripts in years. Emma Thompson can do more with a slightly quirked eyebrow and a quiet "Hm" than most actresses can with an entire Shakespearean soliloquy. The whole cast, children and adults alike, is pretty near perfect, some of the best of the British theater even in the tiniest roles (Derek Jacobi, Imelda Staunton et al). The kids are tough and tart, without a simper in the lot, unlike most US child stars.

Don't let the trailers keep you away -- this is well worth seeing, sort of what Lemony Snicket should have been but wasn't.