brotherfallout

Seven children, seventeen nannies. Poor dad Cedric Brown (Colin Firth) has all but given up. Suddenly, enter Nanny McPhee (Emma Thompson) using her magical powers (both emotionally and literally) to kick them into shape. Remind you of something? I'd be concerned if it didn't. But thankfully, as Nanny McPhee progresses, it twists and turns in such a pleasant fashion that by the end, you'll be wondering 'Mary who?' Adapted for the screen by Thompson herself, this is a fun and inventive kids film that is guaranteed to make you smile. Firth does his usually stuttering British man shtick, but given he has little to do, makes the most of it. Imedla Staunton, Angela Lansbury and Celia Imrie ham it up shamelessly and are loads of fun. But most of the attention should be directed towards Thompson, an ugly but constantly entertaining lead.

The art direction, visual effects and Patrick Doyle's fabulous score all soar in a confident over-the-top direction, as is the tone of the film. The score, by-the-books though it may be, is perfect and bodes well for Doyle's work on the new Harry Potter movie.

Rather than basing its entirety on the naughty kids storyline, McPhee jumps from plot point to plot point, stuffing a whole lotta characters and twists into it's 97 minute running time. Thanks to this, Thompson's endearing loveliness and a cute array of kids (lead by Thomas Sangster, the kid from Love Actually), Nanny McPhee emerges triumphant as one of the better kids movies in recent memory, mostly because the adults will love it too. And anyone who isn't enchanted by the magical ending has to have a stone for a heart.

Sure, Jodie Foster and the daughter don't play particualy likeable characters and nobody can relate with the movie, but it is a solid example of it's genre, with perfect suspenseful scenes, action and drama. Great.

This is one of the better British TV thrillers to emerge in a few good years. What initially attracted me was another varied acting choice by Matthew MacFayden, but on watching I found myself compelled. It does suffer from some unrealism, but the characters are so interesting, the plots so varied, it makes up for it. And yes, yes, it does rip off from 24, but it hasn't tried to hide it, so in my opinion that's a good thing, seeing as 24 used some of the most innovative effects. Also, some of the secondary casting, such as Hugh Laurie's nasty Jools and Peter Firth's big boss Harry. Also, guest appearances by Anthony Head and Tim Piggot-Smith just add to the strength of this show. I eagerly await the second series, after the excellent end of the first. If you are interested in MacFayden's performance (he is one of the strongest new English talents) then check out the worthy The Way We Live Now (where he plays a cad) and the absolutely wonderful Perfect Strangers.