Seukaendeul - Joseon namnyeo sangyeoljisa
- 2003
- 2h 4min
VALUTAZIONE IMDb
6,8/10
2817
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaIn late-1700s Korea, Lady Cho challenges playboy Lord Jo-won to seduce and sleep with her husband's young virgin concubine and agrees to sleep with him if he succeeds.In late-1700s Korea, Lady Cho challenges playboy Lord Jo-won to seduce and sleep with her husband's young virgin concubine and agrees to sleep with him if he succeeds.In late-1700s Korea, Lady Cho challenges playboy Lord Jo-won to seduce and sleep with her husband's young virgin concubine and agrees to sleep with him if he succeeds.
- Regia
- Sceneggiatura
- Star
- Premi
- 9 vittorie e 14 candidature totali
Bae Yong-jun
- Jo-won
- (as Yong-jun Bae)
Jo Hyeon-jae
- Kwon In-ho
- (as Jo Hyun-jae)
Jeon Yang-ja
- Vice-minister's Wife
- (as Yang-ja Jeon)
Na Han-il
- Nobleman Yoo
- (as Han-il Na)
Lee Mi-ji
- So-ok's mother
- (as Mi-ji Lee)
Seong-min Choi
- Slave
- (as Sung-min Choi)
Yi-bin Han
- Eun Sil-i
- (as Seon-nyeo Yoon)
Min Kyeong-ok
- Woman from Andong
- (as Kyeong-ok Min)
Seo Yoon
- Jeong Geum-i
- (as Yoon-ah Seo)
Kong Ho-seok
- Elder 3
- (as Kong Ho-suk)
Recensioni in evidenza
I believe this is the best version of 'Dangerous Liaisons' yet filmed.
Going in, I expected nothing from this movie, as it had to compare with the other three versions of the story I have seen: The classic Dangerous Liaisons (Close/Malkovich/Pfeiffer), the more entertaining but less memorable Valmont (Bening/Firth/Tilly) and the worthy but inferior Cruel Intentions.
However, this Korean version was so stunningly well-produced in every way that it has to be pronounced the superior version of all. The cast was attractive and skillful, the sets and production values were so slick and artful that "perfection" is the only word that comes to mind. The story was thoroughly captivating from beginning to end, and I was moved to tears on several occasions, esp. of course towards the end.
I find that the story is becoming a classic and a favorite of mine (and I intend to move on to the original book very soon). It is about the wages of cynicism; a tragedy where the wicked are justly punished by experiencing on their own bodies and souls the effects of their ruthless actions. It shows how people's actions have consequences, and how those consequences will eventually come full circle, to slap the perpetrators in the face. It is a movie about human nature, saying that cynicism goes against our nature and can destroy us all if running unchecked. A morality tale. A good and true one. A Classic.
My rating: 9 out of 10.
(P.S. Yes, of course Jo-Won *let* that guy stab him in the back. He was killed by his own conscience.)
Going in, I expected nothing from this movie, as it had to compare with the other three versions of the story I have seen: The classic Dangerous Liaisons (Close/Malkovich/Pfeiffer), the more entertaining but less memorable Valmont (Bening/Firth/Tilly) and the worthy but inferior Cruel Intentions.
However, this Korean version was so stunningly well-produced in every way that it has to be pronounced the superior version of all. The cast was attractive and skillful, the sets and production values were so slick and artful that "perfection" is the only word that comes to mind. The story was thoroughly captivating from beginning to end, and I was moved to tears on several occasions, esp. of course towards the end.
I find that the story is becoming a classic and a favorite of mine (and I intend to move on to the original book very soon). It is about the wages of cynicism; a tragedy where the wicked are justly punished by experiencing on their own bodies and souls the effects of their ruthless actions. It shows how people's actions have consequences, and how those consequences will eventually come full circle, to slap the perpetrators in the face. It is a movie about human nature, saying that cynicism goes against our nature and can destroy us all if running unchecked. A morality tale. A good and true one. A Classic.
My rating: 9 out of 10.
(P.S. Yes, of course Jo-Won *let* that guy stab him in the back. He was killed by his own conscience.)
Moving this story from the French aristocracy to the Korean during Chosen dynasty when everyone held up a mask of decency in daytime and let it fall together with the hanbok at night was quite the trick to re-liven this story. Everything is done so well from the flow to the brilliant actresses/actors. Most notably is Lee Mi-suk as the sly older cousin/fox. The backdrop of Korean castles is quite fitting, and as they sneak around at night like teenagers we sit on the edge of the seat hoping they wouldn't get caught.
The charm of "Jeon-sama" is lost on me, but I know it wouldn't be for hordes of "women in their best age". So if you're one of those, catch it!! Must be a big hit in all of East-Asia now.
The charm of "Jeon-sama" is lost on me, but I know it wouldn't be for hordes of "women in their best age". So if you're one of those, catch it!! Must be a big hit in all of East-Asia now.
I was privileged to see "Untold Scandal" earlier this evening as a member of the Trenton Film Society. First of all, this is one of the best films of 2004, and I hope it gets a wider release in America. Why did the Korean film, "Spring, Summer, Winter, Fall...and Spring" get a significant release in the USA, but "Untold Scandal" has not? "Untold Scandal" is the far better of the two. Secondly, I felt this version of "Dangerous Liasons" was FAR superior to the American version that was made a number of years ago with Glenn Close and John Malkovich. This version was played more as a love story, more of a Shakespearean tragedy, and infinitely more heartbreaking. While all the performances are strong, the woman playing Lady Sook (the Michelle Pfeiffer role in the American version) was by far the most moving of all the performances. As someone noted earlier in their comment, I didn't see this as a comedy at all. But again, this was absolutely tremendous, and I hope it gets a wider release in America, so that more will have the opportunity to see it.
I've seen the previous films based on Les Liaisons Dangereuses, and I have to say that this one is surely the most subtle of the bunch, with wonderfully nuanced performances from all concerned. The story is familiar, of course, to anyone acquainted with the material, but it's the way it's told here, with such profound restraint, that separates it from being merely derivative. I haven't seen that many films from Korea, but based on this one, I would definitely like to see more, particularly from director Je-yong Lee.
Can't imagine why Elvis Mitchell (in his Times review) called this a comedy (and it's even listed here at IMDb as a drama/comedy) - perhaps if you're a first-class sadist, it would come across as amusing, this tragic story of disillusionment, heartbreak and ultimate death. I wasn't laughing.
(7 - the equivalent of a high *** - see my review of AI for my IMDb number/star equivalents, unique to this site)
Can't imagine why Elvis Mitchell (in his Times review) called this a comedy (and it's even listed here at IMDb as a drama/comedy) - perhaps if you're a first-class sadist, it would come across as amusing, this tragic story of disillusionment, heartbreak and ultimate death. I wasn't laughing.
(7 - the equivalent of a high *** - see my review of AI for my IMDb number/star equivalents, unique to this site)
This film is an interesting one. The story is adapted from the French novel Les Liaisons Dangereuses (Dangerous Liasans). It's an 18th (maybe 17th?)century French novel of intrigue and scandal and the movie is set in... 18th century Korea, during the Chosun period. If you've seen Dangerous Liasans or a modern-day adaptation, Cruel Intentions, you've basically got the plot down. Male womanizer and scheming female near relative make a bet that womanizer can't seduce a pure woman. And stuff goes crazy from there.
So I decided to watch this film because it was a massive box-office opener in Korea, beating out all of its competition at the time. A few things that I noticed: 1) I like watching Korean period films, especially those of older Korea because the costumes and set design tend to be very aesthetically pleasing. The art direction is beautiful.
2) The acting was actually quite impressive--certainly better than Cruel Intentions, which is the only other version of this film that I've seen.
3) There are a few graphic sex scenes (and many suggested ones), so if you can't handle that, don't watch the film.
4) The tragedy is tragic and the love story is surprising. The ending was quite moving and was tragic because the flaws of the characters led to their own demise and loss of the things that they love.
5) Cinematography and direction are very strong and the primary actresses are particularly strong.
In the end, this was a well rendered adaptation, so much that I'm curious as to what the original source material is like. I really like the plot lines and the story because it converges so many different themes into a tragic tale of human weakness and yet manages to paint the weak, fallible and sometimes wicked characters in such a way that you still have some sympathy for them, showing that there is something in everyone that was or is beautiful, but it can get buried under the vices of this world.
All the actors are not strong and the film suffers a little from slow pacing, but in the end, it's a very watchable film that has a lot of strengths, even if the film isn't one of the great films of all time. If you can handle the content, I recommend this film. 8/10.
So I decided to watch this film because it was a massive box-office opener in Korea, beating out all of its competition at the time. A few things that I noticed: 1) I like watching Korean period films, especially those of older Korea because the costumes and set design tend to be very aesthetically pleasing. The art direction is beautiful.
2) The acting was actually quite impressive--certainly better than Cruel Intentions, which is the only other version of this film that I've seen.
3) There are a few graphic sex scenes (and many suggested ones), so if you can't handle that, don't watch the film.
4) The tragedy is tragic and the love story is surprising. The ending was quite moving and was tragic because the flaws of the characters led to their own demise and loss of the things that they love.
5) Cinematography and direction are very strong and the primary actresses are particularly strong.
In the end, this was a well rendered adaptation, so much that I'm curious as to what the original source material is like. I really like the plot lines and the story because it converges so many different themes into a tragic tale of human weakness and yet manages to paint the weak, fallible and sometimes wicked characters in such a way that you still have some sympathy for them, showing that there is something in everyone that was or is beautiful, but it can get buried under the vices of this world.
All the actors are not strong and the film suffers a little from slow pacing, but in the end, it's a very watchable film that has a lot of strengths, even if the film isn't one of the great films of all time. If you can handle the content, I recommend this film. 8/10.
Lo sapevi?
- QuizReplaced 2046 (2004) as the closing film at the Edinburgh Film Festival.
- ConnessioniFeatured in Les liaisons scandaleuses (2021)
I più visti
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 63.332 USD
- Fine settimana di apertura Stati Uniti e Canada
- 6015 USD
- 17 ott 2004
- Lordo in tutto il mondo
- 5.762.801 USD
- Tempo di esecuzione
- 2h 4min(124 min)
- Colore
- Proporzioni
- 1.85 : 1
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