Clean - Quando il rock ti scorre nelle vene

To get the full, globe-trotting flavor of "Clean," one need simply note that Emily Wang is a Chinese immigrant living in Paris with her British rock star boyfriend, and that their child is being raised by the young man's parents in Vancouver, Canada. All I can say is that "Babel" clearly has nothing on this film when it comes to international story lines spanning widely varying cultures and time zones.

Though a French film, "Clean" actually begins in the English-speaking section of Canada where Emily and her husband, Lee Hauser, both heroin addicts, are desperately attempting to jumpstart Hauser's fading music career. The couple seems to be patterned somewhat after John Lennon and Yoko Ono, since everyone around them seems to think that Emily's undue influence on him is bringing him down both personally and professionally. When Hauser dies of a drug overdose, Emily - who earned some renown of her own as a music show hostess on an MTV-style interview show on French TV a decade or so back - is arrested for heroin possession and sentenced to six months in prison. Upon her release, she returns to Paris, agreeing not to have any contact with her son until she can kick her drug habit and make a decent life for herself.

As a cautionary tale about drug addiction in the music business, "Clean" doesn't show us anything we haven't already seen in countless films (and VH-1 specials) on this very same subject before. Yet, although the movie is a bit too scattered in its focus at times, when it is zeroing in on the things that really matter - Emily's attempts at overcoming her addiction and her efforts at forging a meaningful relationship with her young son - it is poignant, profound and deeply touching. The movie is blessed with a pair of outstanding performances by Maggie Cheung as Emily and Nick Nolte as Hauser's father, a kindhearted soul who believes in forgiveness and who offers a helping hand to a woman whose life, despite all her best efforts, is constantly teetering on the edge of disaster. Their scenes together, as the two characters reveal their fears, insecurities and even tentative hopes to one another, are both spellbinding and breathtaking, and show us what fine movie acting is really all about.

Saw Clean today at the 2004 Toronto International Film Festival, starring Maggie Cheung and Nick Nolte. Cheung and director/screenwriter Olivier Assayas were present to introduce the movie and showed up afterwards for a Q&A session. Clean stars Cheung as the drug-addicted wife of a once-good rock musician who, after a tragedy, must clean herself up and set her life back on track to regain custody of her son from his grandparents (played by Nick Nolte and Martha Henry). Don McKellar also makes an appearance early in the film as a business associate of Cheung's husband. The movie moves between Hamilton (!), Vancouver, Paris, and London as Cheung struggles to redefine her life. Clean was a great movie, and it's easy to see how Maggie Cheung picked up the best actress award at Cannes this year. And Assayas even made a dingy, industrial shoreline in Hamilton appear as a beautiful backdrop to one scene of Cheung taking drugs to escape the conflict in her life.

Some tidbits from the Q&A:

• The script was written for Maggie Cheung by the director, Olivier Assayas. The two had worked together previously on Irma Vep, and Assayas wanted to find a story that would fit Cheung, but it took several years.

• Cheung's character in the movie is much like her real-life self, in that it is a character between cultures, with roots in many countries.

• Maggie Cheung likes singing, which influenced the storyline.

• Nick Nolte was not the first choice to play the grandfather; another actor had been selected, but shortly before shooting, his doctor called to say that he was ill and could not participate in the movie, and in fact died not long afterwards. When recasting, Assayas told his casting director that he wanted someone like Nick Nolte for the role, and it was suggested that he just contact Nolte, who quickly accepted.

• Assayas couldn't believe that Nolte was actually in the movie until he saw him in front of the camera.

• When casting in Canada, the first set of tapes sent to Assayas for each of the characters were all wrong, with the exception of the one for the grandmother, which was Martha Henry. Assayas said she was the ideal choice for the role.

• Many people who make appearances in the movie are real-life musicians, which lends an air of verisimilitude to the movie. Included are Tricky and David Roback. Cheung's husband in the movie is also a musician, and is currently working with Nick Cave.

• When casting Cheung's son in the movie, Assayas said that he must have seen every Eurasian child in North America. :-) He eventually picked a boy with no previous acting experience, because he felt child actors are generally spoiled and lack spontaneity.

• When asked about her realistic portrayal of a recovering drug addict, Cheung mentioned that it is not based on her own experiences, but both she and Assayas have had friends in various stages of recovery, some entering it, some in it, and some coming out of it.

• Assayas said he didn't want to sentimentalize the problem, and that he wanted to be more balanced and not have anyone purely good or purely bad.

• He was a bit nervous showing the movie in Toronto since much of it was shot here or in the area, and that the audience could easily compare it to the real-life version (in fact, one shot that is supposedly in Hamilton is actually on Bathurst Street in Toronto).

• For the festival, he is staying in the same hotel in which he stayed while filming the movie, which he found weird. :-)

Wonderful characters and beautiful images, on a plot that supports them well, without grabbing too much attention. Assayas shows great skill in timing and in choosing when to pursue and when to cut off a scene, delivering the smoothest storytelling and the most delicate way to bring characters to life. Balibar, Dalle and Tricky provide a rich, clever, contrasting universe where Cheung's brilliant performance and Notle's strong presence can shine. If a bit over-dramatic at times, the use of music is rather moving: no formal perfection, no bland, formatted entertainment, but the sound of real people pouring their life in their songs. Subtlety, sensitivity and humanity in filming life's meanderings make this movie a real treat. 9/10

The former successful forty-two years old rock star Lee Hauser (James Johnston) is decadent and his friends blame his girlfriend Emily Wang (Maggie Cheung) for the fall in his career due to excessive use of drugs. Their son Jay (James Dennis) is raised by his grandparents Albrecht Hauser (Nick Nolte) and Rosemary Hauser (Martha Henry) in Vancouver. When Lee dies of overdose in a motel room, Emily is sentenced to six months in jail. She moves to Paris where she unsuccessfully struggles to keep clean. When she decides to retrieve the guard of he son, she is supported by her father-in-law and finds the necessary strength to rebuild her life.

"Clean" is a heavy drama of second chance in life with great performances of Maggie Cheung and the boy James Dennis, who probably has the strongest lines with the rejection to his mother. Nick Nolte performs an experienced nice man that believes in forgiveness, but he, actor, seems to be tired. The inconclusive end makes the optimistic viewer like me believes in a final redemption of Emily, but it is open to different interpretations. My vote is seven.

Title (Brazil): "Clean"

Emily Wang (Maggie Cheung) is in Toronto with her rocker boyfriend Lee. They're both drug addicts and have a son together. Everybody blames her for his drug addiction. Lee dies of heroin overdose. She gets caught for possession. After getting out of jail, Lee's father Albrecht Hauser (Nick Nolte) visits her. She agrees not to visit her son Jay who is living with Albrecht in Vancouver. In Paris, she tries to stay clean while waitressing but she has become addicted to methadone.

It's interesting to see Maggie speak English and French. She seems capable. Her acting is fine but there is a grittier level that she doesn't quite get to. The indie style and her acting don't quite drop down into the gutter. Her desperation isn't visceral enough. Nick Nolte is doing his gruff acting. The movie starts in Toronto. Although I love Metric, it would be more cinematic to start in someplace more glamorous like New York. This is definitely the best non-Chinese dramatic acting that I've seen from Maggie. I kept expecting this to go to a much darker place.