Qualcosa nell'aria

It's a fascinating period, late 60s France from the perspective of the student movement.

The violence of the police, the underground press, the graffiti, protests, the connection and disagreements with the other socialist groups, the independent cinema collectives.

With the backdrop of the music and art of that era.

What this film is really about though is wanting to support a cause but also trying to decide upon your own future. I think they pull this off well by following the characters individually rather than just when they are a group.

It's beautifully shot and in some very picturesque locations.

I think it is a very good film.

A miniature portrait of the student movement, that focuses around a group of few passionate youngsters.

They do not just want better rights and more acknowledgment; they are prepared to fight in order to get it. It feels the world is at a turning point and so are their lives. If they do not fight for a better world, then what is it all for?

The struggle begins full of zeal, passion and fervour. The time, being unforgiving to all, changes everything. The views of society change, ideals and lives. Through fighting, facing consequences and experimenting with free love and drugs our heroes find themselves facing new realities and challenges. The goal seem to have been achieved, what now? The existential question in everyone's minds.

Though low key, it has enough youthful energy that exhumes passion, inspiration that can stir the audience's thought process expecting from all of us to not lose sight of our ideals, the very thing that makes us human.

There's revolution on the mind in Something in the Air, as we watch a group of young idealists rage against the injustices in the world whilst also trying to figure out their own lives. Set in the early 1970s, this film looks and sounds the part, with a beautiful washed-out colour palette matched by a cracking soundtrack.

The storyline of Something in the Air feels a little uneven as it lurches between revolutionary activities and the human drama of the characters, however there's an underlying warmth to this film that makes it an enjoyable watch. The characters feel real, to the extent that this feels like just a snapshot of their lives, and that they lived before and after the small period we spend with them.

This isn't a flawless film. I would've liked to have spent a bit more time with some of the characters, getting to know their motivations deeper. However, provided you don't find the politics off-putting it's a pleasant way to spend a couple of hours.

The problem with autobiographical cinema is that it can be very self-indulgent or just downright dull depending on the life being portrayed. Olivier Assayas made "Apres Mai" in 2012, looking back to his student days in the Paris of 1971. To give the film its English title it was a time when there was "Something in the Air", revolution mostly. It was a time when France, indeed the world, was changing. Assayas himself went on to have a very successful and productive career in cinema but you would never guess it from this film in which he is a callow youth , (played by newcomer Clement Metayer), going through the motions most of us went through at the time without realising we only made a difference if we were part of a much larger picture. Autobiographical cinema is better when it makes that larger picture the centre of attention. Of course, maybe I'm just an old cynic who now finds that period of student revolution not so much 'something in the air' as something in the past. Fundamentally this is a film for Assayas acolytes and old hippies who want to relive their youth, very well done for what it is, but ultimately adding little to the Assayas canon.

Gilles is an interesting character, a political activist studying to be an artist. But it's frustrating that beyond his political beliefs we get to know little about him. Conversations are short. What do any of the people feel? There are a lot of opinions and judgments made about society, authority, each other - usual for French films. But left me unsatisfied. Warning: Ironically, be prepared to meet many dissatisfied people, even majorly unhappy ones, during the course of this film. Wonderful evocation of times ('70s) and attention to detail though.