Familia rodante

Unusual, fresh, entertaining and interesting would be the words to describe this movie. It isn't a classic, but it IS a good watch. As I've never been to Argentina, I think it says a lot about the film's quality that it was able to evoke a strong sense of place, and of Argentinian life, and I felt as if I was there.

I see some of the other commenters have complained there was no development or drama - and to some extent they're right, but they're also missing the point that this movie isn't about thrills and surprises Hollywood-style. It's about one normal family doing something unusual, and how they deal with the various problems that occur on the way. That was incredibly enjoyable, not to mention very involving. Lots of humour, some very moving scenes, great direction and acting - it's all good, really. Highly recommended.

I have to admit that I totally disagree with the unfair comments from the previous viewer as I thoroughly enjoyed watching this film. Obviously if you are a fan of fast pace films, such as American blockbusters, then this film will definitely not be your cup of tea. What this film does is to take an ordinary family out of their natural environment and explores their feelings and emotions. There are conflicts throughout and tension among most of their components. It is a journey of discovery. The fact that Grandmother is invited to a family wedding in Misiones (1,200 kilometres from her home in Buenos Aires) is an excuse for the director to deeply explore and investigate how the characters will react and come to terms with their own feelings. The caravan is a very small environment and it is hard for the family to live in such a close boundary. I did not find this film boring in anyway and I will highly recommend to anyone who is interested in human relationships (including mechanics! Haha). The only disappointing thing is that the subtitles does not always give a true representation of the dialogues from the original language and, if you do not speak Spanish, that may be a daring task to follow.

There are certainly some wonderful interesting roads in this movie and they certainly do engender the desire to get in a car and drive from Buenos Aires to Misiones; but really at core, this film is about interpersonal family dynamics. This movie is so beautifully observed and dare I say it, made with 'a love of family' perspective probably impossible in the UK. I found it utterly spellbinding. Call me an old soppy but just the opening shot of the great grandma sitting on her bed looking through her box of family photos had me sobbing tenderly. OK there was drama and incident along the route, but the way the family accepted each others foibles and gave each other space, seemed totally magical to me. I know they probably did know each other well in non-film reality, but the way it has been captured on screen is almost visceral. Hey man it was like you were there! I hope Mr Trapero goes on to make more Cool-Greatgrandma pictures and never hands over the casting of his films to an agency.

This Argentinian film follows a large family from Buenos Aires as they make the thousand kilometre journey to a remote village in Misiones Province. They are making the journey because eighty four year old Emelia has been invited to be maid of honour at her niece's wedding. Four generations of the family pack into a camper van for the journey. Along the way various things occur that effect the family. Some of these are comic, others lead to tension and there is even romance... between two teenaged cousins.

I found this film to be a real delight; it might not be full of action or hilarious moments but the characters feel real... not in the common sense of film/TV characters being described as 'real' just because their lives are miserable but because they are a fairly ordinary family. The journey in the cramped van provides some tensions but nothing excessive. The way director Pablo Trapero films the characters in the van adds a sense of claustrophobia but this is lightened by the outside shots of the various characters during the occasional forced stop. The cast, many not regular actors, do an impressive job. Overall I'd say this won't be for everybody but if you are looking for a relatively low-key film with humour, pathos and 'real' characters then I'd certainly recommend it.

These comments are based on watching the film in Spanish with English subtitles.

Pablo Trapero, one of the most recognized directors of the new Argentine cinema, has done three movies: "Mundo Grúa", which I haven't seen and seems to be the best; "El Bonaerense", a tale about a man who becomes a cop; and "Familia Rodante", which is not more than what it proposes.

His second film was characterized by focusing thoroughly in Buenos Aires' reality and the reality of the persons that try to survive there. This is repeated in "Familia Rodante", but with a family, that travels. It's a trip to Misiones, well-known Argentine province; and it is a trip because of a wedding. I don't want to think about the fact of making a two-day trip to come back after some hours and travel for two more days...And there are many members.

With Grandma Emilia (Graciana Chironi), her daughters Marta (Liliana Capurro) and Claudia (Ruth Dobel) travel with their husbands Oscar (Bernardo Forteza) and Ernesto (Carlos Resta), plus the kids of the first ones; Matías (Nicolás López), Gustavo (Raúl Viñona) and Sol (Sol Ocampo), and the daughter of the second ones; Yanina (Marianela Pedano) with her friend Nadia (Leila Gomez). Don't be fooled by the actors' names, just like Carlos Sorin, another master of the new cinema, Pablo Trapero uses non professional actors in his movies, therefore just some of them have done things before, and others, like Graciana Chironi (directly related with the director), have only acted in Trapero's films.

Trapero's magic lies in his camera, in how he cares for his story. A story, in this case, full of situations that I wouldn't like to tell because they occupy the whole movie. And they are wonderful like life itself; and messed up and crazy and even incredible sometimes.

Thinking about life as watching the film, it came to me: We fall in love like the characters do because we feel the same, we laugh out loud because we have experienced the same situations they experienced, or we have seen it. We fight like they do: something more realistic is impossible.

I even believe that Trapero directs so close to reality that we could be watching a documentary.