Un oso rojo

If a movie's success is based on how much you care about the characters in it and relate to them, then this movie is a great success.

This is the story about a recently released convict Oso (Julio Garcia) trying to pick up the pieces of his life on the outside. He was cheated out of his share of the money from the crime he was jailed for and goes to collect it. But the head of the gang he worked for Turco doesn't want to pay and wants him to do another job.

He reconnects with his daughter and ex wife who has moved on with her life.

There was one hole in the plot that bothered me--Oso the main character after doing the second robbery would surely have left finger prints all over the stolen car. It is minor. Obviously you also have to suspend some disbelief when Oso knocks off about a dozen armed thugs outnumbered 10 to 1....but by this time you have gotten to like the guy and champion him on.

Unlike Hollywood in Argentina sometimes crime pays. GREAT.

It is enjoyable and of course its venue BA is fun too.

Last but not least the sound track was quite good. Usually I only notice the sound track when it really bad or good.

RECOMMEND

It is a standard movie enhanced by the performances and some dialogs. 'El oso' comes out of prison after having been convicted for armed robbery and homicide , and finds his wife and 10 years daughter in a new family with Sergio. Sergio isn´t passing good times, unoccupied and with debts.

The love of 'El oso' for his daughter becomes almost an obsession, as the idea of repair the time not passed together. 'Is it true you killed a cop?' she ask him. 'Of course is not true. That's a very bad thing to do', is his answer. And he try to collect the money of a previous robbery from some old colleagues. 7/10

What can I say about a film from one of the best filmmaker of the last decade in Argentina? The answer is: ALL. Caetano is a master, but in Un oso rojo only shows that he can manage a cinematogrephic language in an easy way, and that he can build an story with only two or three good ideas. Chavez is like Al Pacino, or better, like Beat Kitano: he goal one of the best interpretation of the argentinian history. A must see for thriller fans.

In Un Oso Rojo, Adrian Caetano creates a character who can be very destructive and can only be tamed down by his wife and daughter. Oso is a family man whose lifestyle drove him right to prison for a number of years. Upon his return to the outside world, he finds himself wanting revenge from a boss and a renewed relationship with his daughter Alicia. Although these desires are not precisely in line with each other, the director does a great job at capturing the character's two sides, the tender hearted dad and the killing machine. Caetano definitely reaches the hearts of the audience by creating the image of a tough man who has lived a life of mistakes but yet is able to redirect his future. The love for one's family is a major theme which comes about from this character, as it is the force which influences Oso the most when it comes to making the right choices for the right reasons.

Un oso Rojo is the best Argentinian film ever, Why? Respect. The movie respects the spectator and is a full emotional ride between Bear trying to make an effort to give her daughter a value. He is a criminal, but he has codes and never will cheat a partner. This movie is the first Urban Western made in my country and is breathtaking. The main actor Julio Chavez gave the performance of his life composing a trouble antihero that fights in his own perspective to be the good guy in the movie. The music is great and the scenario couldn't be better. Adrian Caetano shows us again how to make a true movie about marginality with out low blows and respecting the spectator. Try to see this movie thinking you are an ex convict in a south American country with no skills that the ones the streets gave him. the final scene is one of the best action scenes ever in Argentinian movies. The hero is a man of law in a world of criminals. The bes Argentinian film ever