Un giovane mago si trova a competere in un pericoloso campionato tra scuole di magia rivali, ma è distratto da incubi ricorrenti.Un giovane mago si trova a competere in un pericoloso campionato tra scuole di magia rivali, ma è distratto da incubi ricorrenti.Un giovane mago si trova a competere in un pericoloso campionato tra scuole di magia rivali, ma è distratto da incubi ricorrenti.
- Candidato a 1 Oscar
- 13 vittorie e 48 candidature totali
Stanislav Yanevski
- Viktor Krum
- (as Stanislav Ianevski)
Recensioni in evidenza
I must say I am extremely sick of this movie, though not for conventional reasons. Nine reels is a lot to put together and screening a three hour movie can be exhausting, especially when you're trying to write several term papers during the same week it is coming out. You see, I am a projectionist and getting this movie ready for a midnight show was part of my job. I realize that the fact that I was paid $14.50/hr to watch this movie on Wednesday night might give rise to feelings of jealousy among some, but I am currently wishing I could manage to get more than five hours of sleep sometime soon.
All that said I must say this was by far the greatest Harry Potter film so far. Although it was long, it did not drag on. It had a nice, tight feel to it. It progressed from scene to scene with a smoothness that I find to be lacking in many movies adapted from books. The acting has noticeably improved from the first three, and the more adult feel to this one really drew me in. Perhaps the most interesting aspect of this movie was the fact that it felt like a mix of genres. It had an epic feel to it. After all it is about good v. evil and battling the dark wizards, etc. This movie,however, also felt like a high school movie. It had the issues of coming of age, which makes sense as the characters begin to mature. Ultimately it came off a lot more loyal to the book in theme than I think the last one did. (The first two, while loyal, I found to be relatively campy and childish.)
This movie, like many, does have its shortfalls. I believe that Dumbledore was portrayed as a little too intense, like an old Al Pacino. Instead of the benevolent, kind, and good-humored old man I have always loved in the books. As someone that has read the books, I must say another shortfall is that this movie banks on familiarity with the story. Having read the books, I found it very easy to follow, but I could understand how one who has not read the books may feel a bit lost, as some important information was left out and some back-story was left mostly unexplained.
All in all I would say this is definitely the best movie in this series so far, and if the next three are on par with this one then I would be content.
All that said I must say this was by far the greatest Harry Potter film so far. Although it was long, it did not drag on. It had a nice, tight feel to it. It progressed from scene to scene with a smoothness that I find to be lacking in many movies adapted from books. The acting has noticeably improved from the first three, and the more adult feel to this one really drew me in. Perhaps the most interesting aspect of this movie was the fact that it felt like a mix of genres. It had an epic feel to it. After all it is about good v. evil and battling the dark wizards, etc. This movie,however, also felt like a high school movie. It had the issues of coming of age, which makes sense as the characters begin to mature. Ultimately it came off a lot more loyal to the book in theme than I think the last one did. (The first two, while loyal, I found to be relatively campy and childish.)
This movie, like many, does have its shortfalls. I believe that Dumbledore was portrayed as a little too intense, like an old Al Pacino. Instead of the benevolent, kind, and good-humored old man I have always loved in the books. As someone that has read the books, I must say another shortfall is that this movie banks on familiarity with the story. Having read the books, I found it very easy to follow, but I could understand how one who has not read the books may feel a bit lost, as some important information was left out and some back-story was left mostly unexplained.
All in all I would say this is definitely the best movie in this series so far, and if the next three are on par with this one then I would be content.
I liked this film very much. It is much darker than the previous outings, but not as faithful to the source material. The only thing I didn't like so much about the book, was the subplot about Hermione trying to help house elves. It was cute, but interfered too much with the dark overtones of the narratives. The film looks dazzling, especially the ballroom scene. Speaking of that scene, I adored that dress that Hermione was wearing, Emma Watson looked unrecognisable in that scene.Also the music by Patrick Doyle this time was beautiful. I don't think it's as dark as the book, and I wasn't too keen on some of the casting. Roger Lloyd Pack and David Tennant were fine in their roles as the Crouches, but their characters were changed significantly. I did wish they made Crouch's disappearance more mysterious, instead of giving it away, ruining the suspense that was quite compelling up to that scene. I am not too keen on Michael Gambon's Dumbledore, I just don't remember Dumbledore being violent as they made him. As I've said already, I much prefer Richard Harris as the character. I am also on the fence about Mad Eye Moody. Brendan Gleeson is a very talented actor, evident in films like In Bruges and The General. He looked the part, but his voice wasn't exactly what I had in mind for Moody. I have listened to the audio tapes by Stephen Fry, and I imagine Moody's voice as low and gravelly. Although Gleeson mostly succeeded with his role, I personally think he tried too hard. My brother also noted that he didn't like the execution of the three tasks. I didn't like the third task, and the other two were fine. I did think on a positive note that Ralph Fiennes as Voldemort was suitably scary, and with the exception of Dumbledore everyone else was well done. All in all, a flawed but quite engrossing film, that doesn't quite live up to the darkness of the book. 8/10 Bethany Cox
Based on one of the best books of the Harry Potter series, the film adaptation of 'Harry Potter and the Goblet' had a lot to live up to and I think it succeeded. As Potter fans will know, in GoF, Harry is now fourteen and in his Fourth Year at Hogwarts. When an ancient tournament between Hogwarts and two other European wizarding schools is held that year, a Seventh Year contestant is chosen from each school to compete but things go dramatically awry when Harry, three years too young to even be entered in the dangerous and challenging tournament, is somehow also chosen after his name is mysteriously nominated. GoF is a sharp turning point in the books as the tone darkens considerably and the characters themselves change from being rather wide-eyed innocent children to adolescents thrust the turbulent, uncertain adult world where being 'good' or even an innocent will not guarantee your survival. This shift is also reflected in the film, which was rated 12A (PG13 for Americans), the first of the HP films to be rated so high.
I have to say I did enjoy this film, although Prisoner of Azkaban remains my favourite of the four. Unlike the first two films, this did not attempt to condescend as much to small children in the audience. The tasks of the Triwizard tournament captured most of the thrills of the book, particularly the second water-based task where the merpeople were suitably creepy (now we know why none of the kids go swimming in the summer term!), but the first task over-ran for a minute or two more than needed. Light romance was touched upon yet wasn't over-emphasised and the Yule Ball will please those who enjoyed the scenes in the book but audience members over the age of sixteen might find teens ogling each other a tad dull (Hermione is very out-of-character and the scene does drag).
The acting of the adult cast is, of course, exemplary as always. Alan Rickman's Snape may only have had four or so scenes but he definitely made his presences known while Maggie Smith really captured the essence of McGonagall. Many people do miss Richard Harris' Dumbledore but I found that Michael Gambon has done an excellent job of moulding the role to make it his own. In GoF, Dumbledore feels very human in the way he carries the weight of the wizarding world on his shoulders and though he struggles at times, his concern for his pupils is paramount. I finally felt the close rapport between Dumbledore and Harry in this film that was missing in the previous three HP flicks. However, the prize has to go to Brendan Gleeson for his scene-stealing depiction of Mad-Eye Moody. Gleeson clearly enjoyed illustrating Moody's dangerous, feral edge.
The younger cast have also grown into their roles, improving from their previous outing. Rupert Grint, usually used to playing a comical and stupid Ron, had the chance to cut his acting teeth and show Ron's darker, bitter side and he did well. The Phelp twins have also improved dramatically. No longer do they come across as wooden cut-outs just reading from a cue-card and instead they are able to show the mischievous spontaneity of the Weasley twins. And I look forward to seeing more of Matthew Lewis, who was great at showing Neville's sensitive side without making him too klutzy. Out of the younger cast, though, Dan Radcliffe is the one who has progressed the most. In PoA, he was awful in the 'he was their friend' scene so he seems like another boy in the harrowing graveyard scene and the aftermath, depicting Harry's anger, feelings of vulnerability and grief. He still stumbled on occasion in other scenes but I, at last, have faith he might be able to do the Harry of 'Order of the Phoenix' justice when the time comes.
The film did lose points on a few issues. Although most of the young cast have expanded their acting skills as they have gone on, Emma Watson is waning. She has a tendency of over-enunciating her lines and being too melodramatic, which worked in 'The Philosopher's Stone' when Hermione was condescending and childishly bossy, but is just annoying by this point. She spent most of the film sounding as if she was on the verge of tears or in a hormonal snit, even in scenes which were not remotely sad or upsetting. There was also a choppy feel to the film, as if Steve Kloves struggled to properly condense the book into a two-hour film. Those who haven't read the books will have missed quite a bit and those who have read the books will feel the film is very rushed. Molly Weasley and the Dursleys were also missed, especially since I think Julie Walters would have been exceptional in the Molly/Harry interactions that take place aftermath of the graveyard scenes of the novel as the film didn't round off in a manner that reflected a boy had died and Harry would be traumatised by what he saw.
I think most Potter fans will enjoy this although they will remark that it could have been better. Non-fans will also get something from this film as I imagine it is hard not to be captivated by the many action and dramatic events but they may find themselves muddled by the story. I would recommend that parents of young children either keep away or, at the very least, check out the film firstly before deciding if their child is old enough to cope with it. When I went to see it, there was a small lad of four or five being dragged along and in the middle of a particularly fearsome incident, the silence of the moment was cut by a wee voice crying, 'Mummy, I'm scared' so, parents, be warned.
I have to say I did enjoy this film, although Prisoner of Azkaban remains my favourite of the four. Unlike the first two films, this did not attempt to condescend as much to small children in the audience. The tasks of the Triwizard tournament captured most of the thrills of the book, particularly the second water-based task where the merpeople were suitably creepy (now we know why none of the kids go swimming in the summer term!), but the first task over-ran for a minute or two more than needed. Light romance was touched upon yet wasn't over-emphasised and the Yule Ball will please those who enjoyed the scenes in the book but audience members over the age of sixteen might find teens ogling each other a tad dull (Hermione is very out-of-character and the scene does drag).
The acting of the adult cast is, of course, exemplary as always. Alan Rickman's Snape may only have had four or so scenes but he definitely made his presences known while Maggie Smith really captured the essence of McGonagall. Many people do miss Richard Harris' Dumbledore but I found that Michael Gambon has done an excellent job of moulding the role to make it his own. In GoF, Dumbledore feels very human in the way he carries the weight of the wizarding world on his shoulders and though he struggles at times, his concern for his pupils is paramount. I finally felt the close rapport between Dumbledore and Harry in this film that was missing in the previous three HP flicks. However, the prize has to go to Brendan Gleeson for his scene-stealing depiction of Mad-Eye Moody. Gleeson clearly enjoyed illustrating Moody's dangerous, feral edge.
The younger cast have also grown into their roles, improving from their previous outing. Rupert Grint, usually used to playing a comical and stupid Ron, had the chance to cut his acting teeth and show Ron's darker, bitter side and he did well. The Phelp twins have also improved dramatically. No longer do they come across as wooden cut-outs just reading from a cue-card and instead they are able to show the mischievous spontaneity of the Weasley twins. And I look forward to seeing more of Matthew Lewis, who was great at showing Neville's sensitive side without making him too klutzy. Out of the younger cast, though, Dan Radcliffe is the one who has progressed the most. In PoA, he was awful in the 'he was their friend' scene so he seems like another boy in the harrowing graveyard scene and the aftermath, depicting Harry's anger, feelings of vulnerability and grief. He still stumbled on occasion in other scenes but I, at last, have faith he might be able to do the Harry of 'Order of the Phoenix' justice when the time comes.
The film did lose points on a few issues. Although most of the young cast have expanded their acting skills as they have gone on, Emma Watson is waning. She has a tendency of over-enunciating her lines and being too melodramatic, which worked in 'The Philosopher's Stone' when Hermione was condescending and childishly bossy, but is just annoying by this point. She spent most of the film sounding as if she was on the verge of tears or in a hormonal snit, even in scenes which were not remotely sad or upsetting. There was also a choppy feel to the film, as if Steve Kloves struggled to properly condense the book into a two-hour film. Those who haven't read the books will have missed quite a bit and those who have read the books will feel the film is very rushed. Molly Weasley and the Dursleys were also missed, especially since I think Julie Walters would have been exceptional in the Molly/Harry interactions that take place aftermath of the graveyard scenes of the novel as the film didn't round off in a manner that reflected a boy had died and Harry would be traumatised by what he saw.
I think most Potter fans will enjoy this although they will remark that it could have been better. Non-fans will also get something from this film as I imagine it is hard not to be captivated by the many action and dramatic events but they may find themselves muddled by the story. I would recommend that parents of young children either keep away or, at the very least, check out the film firstly before deciding if their child is old enough to cope with it. When I went to see it, there was a small lad of four or five being dragged along and in the middle of a particularly fearsome incident, the silence of the moment was cut by a wee voice crying, 'Mummy, I'm scared' so, parents, be warned.
Mike Newell is forgiven for cutting out so much detail from the book, and JK Rowling is forgiven for writing wonderfully rich books. However, fans of the book cannot help but feel like riding a roller coaster that is so fast there is no time to enjoy the ride. I predict the huge void between book and movie will spur remakes in about 10 to 20 years. Even if the movies must be 5 hours long, Harry Potter fans are willing to sit through them. This movie doesn't get a 10 because it leaves me feeling like something is missing, but it does deserve a 9 for being the best possible portrayal of the book given a 2.5 hour limitation. All said and done, this is the shortest 2.5 hour movie I have ever watched.
Goblet of Fire is of course, well done and beautifully shot. Not having read any of the Potter series, I wasn't disappointed in the movie at all. From what I have heard, many underlying plots and characters may have been skipped to streamline the movie and keep its focus, so the readers might be disappointed, I don't know. "Fire" is darker than the rest of the movies. Seemed to lack some of the humor that gave the previous films some levity. Great storyline, fabulous effects. LONG though. It's about 2.5 hours long, so make time for it. It's worth it to watch and goes quickly. Throughly enjoyed it, but not my favorite of the bunch so far.
Lo sapevi?
- QuizDirector Mike Newell was not aware that Alan Rickman wore black contact lenses for the role of Snape until one day when he was complimenting him on the amazing shade of his eyes. Rickman leaned over and popped one of the lenses out.
- Blooper(at around 1h 50 mins) Before the cannon fires for the third task, Amos Diggory can be seen hugging Cedric. He then says "my boy" even though his mouth is seen not moving.
- Citazioni
Dumbledore: No spell can reawaken the dead, Harry. I trust you know that. Dark and difficult times lie ahead. Soon we must all face the choice between what is right and what is easy.
- Curiosità sui creditiIn the end credits, it says that "No Dragons Were Harmed in the Making of this Movie."
- Versioni alternativeDVD includes several deleted scenes:
- Dumbledore asks his pupils to welcome Durmstrang and Beauxbatons students. All the Hogwarts students then start to sing the school song.
- A Durmstrang student asks a girl to go with him to the Yule Ball. She says yes, and two of their friends make gestures in the background.
- Harry tries to speak with Cho Chang, but as she is constantly surrounded by friends, he doesn't get the opportunity.
- Flitwick introduces the Weird Sisters at the Yule Ball. The lead singer speaks with the audience and then starts the first song.
- Karkaroff tells Snape about the mark of his arm. Snape ignores him and removes house points from Fawcet and Stebbins, who briefly appear in the scene. Snape doesn't care about what Karkaroff has to say.
- Mr. Crouch and Harry are speaking. Mad-Eye appears and Barty quickly leaves.
- The trio speak about the death of Mr. Crouch. Ron thinks that Fudge will prevent the story from leaking out to the public. Hermione believes his death, Harry's scar burning, and the Dark Mark at the Quidditch World Cup are related. She recommends Harry goes to visit Dumbledore.
- The trio speak about what Karkaroff was showing Snape on his arm. Hermione asks Harry which potion ingredients Snape accused him of stealing and realizes they are the ingredients needed for the Polyjuice Potion.
- ConnessioniFeatured in Today: Episodio datato 25 ottobre 2005 (2005)
- Colonne sonoreHedwig's Theme
Written by John Williams
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Harry Potter y el cáliz de fuego
- Luoghi delle riprese
- Glenfinnan Viaduct, Fort William, Highland, Scozia, Regno Unito(Hogwarts Express)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 150.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 290.469.928 USD
- Fine settimana di apertura Stati Uniti e Canada
- 102.685.961 USD
- 20 nov 2005
- Lordo in tutto il mondo
- 897.468.207 USD
- Tempo di esecuzione2 ore 37 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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