Harry Potter e l'Ordine della Fenice

Once again, I believe that the series is only getting better with each progressive movie. I attended a preview screening tonight and was completely blown away by the movie. While quite a bit of detail was lost in the movie, how can you really expect a three hour movie to capture what takes Rowling hundreds of pages to explain? This said, Yates did a great job capturing the spirit of the book, and he had me on my seat from the first scene all the way through the end of the movie. I cried, I laughed, and I am pretty sure there were a few times where I couldn't breathe from the tension.

What really made the movie for me was the talent of the actors. As expected, the older cast members deliver some of the best acting England has to offer. Sidenote: there is something about Emma Thompson where every time she cries in a movie, I start tearing up myself. I was especially impressed with how much Daniel, Emma (Watson), and Rupert have improved their acting since the last movie. Having come from seeing Daniel in Equus two weeks ago, I was expecting a lot from him. Even after seeing him display more intensity than I thought possible on stage, he surprised me in Phoenix. His emotions were so raw and genuine that I literally got goosebumps.

Well done to the cast and crew! I can't wait for the next one!!

Why do Harry Potter movies give me, but not the children, nightmares? I've been wondering this for the past few years. Today, watching Movie No. 5, Harry Potter and the Order of the Phoenix (Warner Bros., 2007), I got my answer. Simply: Harry's world is the real world. As Harry and his friends mature, the line between the world of wizardry, magic, and Hogwarts and the world of self-centered, manipulative, cruel adults thins to the point of almost magical invisibility.

Fantasy literature has since the beginning of time been about mediating and making sense of the real world; Harry Potter is part of this tradition.

Indeed, one of the movie's first big special effects embodies this idea. As the movie opens, Harry is the subject of a smear campaign that Valdemore has cooked up because darkness works tirelessly to triumph over the light; when his friends come to rescue him from the suburban horror show known as his adoptive family, they take him to the headquarters of the Order of the Phoenix, a place that doesn't exist until a row of Georgian homes stretches out to reveal it. It's there, but the neighbors are unaware of it. They have no idea their building grew a house that the wizards and witches of the world can solve an internal problem. Such is life; how seldom do we know the inner workings, the coping mechanisms, the interior life of the people around us? In The Order of the Phoenix, Harry Potter again does battle with evil to bring home the theme that when you fight, you fight well with and for your friends and to the death if necessary. Truth and goodness--call if love, if you want--are worth the trouble. The Gothic idiom of Harry Potter brilliantly takes the challenges Harry faces out of the present on one level even though these are very clearly 21st century characters facing contemporary challenges. Alongside the power of goodness over evil theme is the theme of the power of the imagination to find solutions to problems that are the same in every generation: politics, power games, jealousy, stupidity, growing up.

Always in Harry Potter is the clear distinction between the good guys and the bad ones right alongside the good kids and the annoying kids, who could very well become evil people if they so choose. They are tragic because they don't understand the long-range consequences of their petty cruelties--but then, as we learn in this movie, even the good kids are capable of petty cruelties that break souls. Always there is Snape, the middling Hogwarts employee who is not clearly good but not clearly bad but capable of both (until fate forces his hand in Book 6).

J.K. Rowling doesn't let anybody off of the hook of responsibility for their choices. But she does present the internal struggle for goodness and justice for the mess that it can be. Just as the Gothic world of Hogwarts helps Harry and his friends mediate the real world, so Rowling helps her readers see the world for what it is. This is a world that can give me nightmares, though not my daughter and my nephews. Perhaps because all they really need is an honest story.

After his fourth traumatic year at Hogwarts that ended with a showdown with the franchise's very own Mr Bad, Lord Voldemort, it doesn't seem too much for Harry Potter to be asking for a peaceful Summer. However, he doesn't get such a wish – from the opening scene in which Harry and his despised cousin Dudley have close encounters of the life-threatening kind with two dementors in an underground passage, it is clear that Voldemort has unfinished business with the scarred lad, and that he has every intention of finishing it. Plus, nearly everyone in Harry's school believe him to be a liar, Professor Dumbledore refuses to look him in the eye, his friends don't understand him, and, on top of that, Harry must grapple with the skills required in mastering his first kiss. My, my, aren't teenage lives complicated?!

A word of warning. This is not a film for the uninitiated. If "patronum", "Avada Kedavra" and "ministry of Magic" sound like code to you, then best avoid watching this. Harry Potter and the Order of the Phoenix makes no attempt to guide the newbies along the story (and rightly so, because any attempt at that would detract from the film and patronize its viewers). To fully comprehend the plot, you must have seen the four previous films as well as read the book from which this film is based.

The film itself is a wonderful jumble of goods, bads, and uglies. There is plenty to enjoy here, starting with the flawless turn from Imelda Staunton as the sadistic Dolores Umbridge. The woman who we are so used to seeing in roles as the sweet old lady, whether it be in Shakespeare in Love, or her Oscar-nominated turn in Vera Drake, her performance here is a shock and a half. Kitted out from head to toe in pink and sporting a sugary air, we soon find that Umbridge, whose methods of punishment include using quills that protract blood on her students, is anything but sweet. Staunton captures Umbridge's ruthless oiliness perfectly; never before has evil been such fun to watch.

Rupert Grint is also a joy. His ginger hair, large blue eyes, bumbling demeanour and spot-on comedy timing make him the true star of the show, and every scene that he features in benefits as a result of his appearance. Simply put, he is Godly. Sadly, the other two teen stars are nowhere near as good as Grint; Radcliffe, who gave an adequate performance in the West End's Equus, is back to his shoddy self here with an array of overreaching facial expressions and laughable deliveries of his lines. He is most embarrassing of all in the lead-up to kissing Cho Chang, in which everyone in my cinema was collapsing with laughter at his "performance." But it gets even worst, for Emma Watson, aspiring Cambridge student, World Peace Representative (probably) and general object of annoyance to average, frumpy teenage girls such as myself, gave a performance that was so awful, it damn near lost me the will to live. She just couldn't portray any of her emotions convincingly, and just settled for saying the lines that were written for her. Whereas Hermione was one of my favourite characters in the book due to her kindness, knowledge and appreciation for others' feelings, Emma's presentation of Hermione makes her insufferable and punch-worthy. It ain't good.

The two "actors" aside, my main other foible with this film was how it cut/altered some very important details of the book. For example, in the book, it is Kreacher who betrays Sirius and puts him in danger. The appearance of Snape's past as a hated and bullied student is also poorly put together and left to linger rather than properly dealt with. The Cho Chang storyline is pitiful, whereas in the book, we had been led to see that she wasn't all that she had cracked up to be as a person, in the film, she is the sketchiest of sketches and written off practically before she has begun. In terms of 2007 releases, only Pirates of the Caribbean III had more plot holes than this.

That said, I had a huge amount of fun in the 2 and a half hours that this film played, with three newcomers to this movie, Yates (director), Michael Goldenberg (screenwriter) and Hooper (composer). The direction was apt, not perfect, but acceptable. The score was acceptable. The visual effects were stunning, especially in the climactic finale between Dumbeldore's Army and Voldemort's Deatheaters, led by Jason Isaacs, where an entire storeroom containing shelved globes containing prophecies, one of which concerns Harry. It is here that Helena Bonham Carter emerges as Bellatrix Lestrange, one of the final and greatest joys of the film. Laughing manically and sporting long hair greasier than a Professor Snape-Cristiano Ronaldo mixup, she makes the most of her limited screen time to deliver one of the best performances in all the Harry Potter movies. Utterly haunting.

Thus, verily I say, Harry Potter and the Order of the Phoenix is a worthwhile outing. If you can put up with the abomination commonly known as "Daniel Radcliffe and Emma Watson trying to act", as well as the slightly pretentious over-editing of Harry's dream sequences, not to mention the ten thousand odd plot holes, then you should venture out to the cinema to see this. Not capital film-making, but, as I'm yet to see Ratatouille and The Simpsons movie, about as good as you'll get this Summer from the cinema.

Overall, not a bad film, especially the opening sequence which'll have you quivering behind the seat in front! Great effects as always.

For me, Imelda Staunton as Dolores Umbridge completely steals the show. Her character was fantastically well observed - the odd little hysterical titters of laughter she gave had superb comedic timing. Helena Bonham Carter had a star turn too as Belatrix - she's completely bonkers and HBC totally did her justice! Loved it!

For me, both their successes stood out conspicuously when compared to the horrendously awkward acting from the younger members of the cast. Sorry(!) but there were so many cringe worthy moments (especially the more intimate ones) where you kept begging the director to cut away from the acting. Tighter editing could have prevented these distracting moments from constantly reminding me I was watching actors on a set.

Hermione (Emma Watson), Luna (Evanna Lynch) , and Cho (Katie Leung) were the main culprits, with Daniel Radcliff not falling far behind. Okay, I know they're supposed to be awkward teenagers in the story, but hey! My suspicion is that these poor kids feel so caught up in the huge franchise that is HP that the pressure to perform must be enormous. Couple that with the screenplay's stilted dialogue, and being surrounded by what must have been a huge crew with them all staring at you, it's hardly a surprise that a few cracks were shown. Still, you'd have thought the editing might have been able to get around it.

These cringes aside, I enjoyed the film. Also, a huge congrats to all those involved in the hard work that obviously went into the post production too.

For the avid Harry Potter reader the whole suspense leading up to HP Order of the Phoenix can be summed up in the word "how". How are they going to translate a nearly 900 page book to the screen, how are they going to tie together a storyline that in the 5th book breaks into dozens of streams like a mighty river coming to its delta.

This seemingly impossible task is well accomplished by astute summation of plot and concentration of action. Also, the heart and soul of the book, i.e. the thematic spirit of the story and Rowling's shining gift for characterization are given the fullest support in this film more so than in any previous HP movie.

Harry Potter and the Order of the Phoenix basically involves Harry being persecuted by the government for telling a truth they refuse to believe all while dealing with the same feelings of teen angst and emerging love that any ordinary teen finds stressful and consuming. Only through the love and dedication of family and especially friends does Harry come across the means to fight back against the government, elude his enemies and make some sense of his emotional turmoil.

Most reader's will come out of the theater saying "I wish they had shown this or that." However, all will leave satisfied that they have been treated to a faithful rendering brilliantly acted and directed. All the HP movies are a "good watch" but in this one we get a great movie.

We have the advantage of going to our HP movies with a non-reader and she was, to say the least, blown away and pronounced it a near classic. My daughter and myself have read and reread the books many times over and came out limp from exhilaration, our keen anticipation very much fulfilled.

A few highlights: The acting is best ever. The three principles push themselves to a new level. My favorite new characters were Imelda Staunton as Delores Umbridge, excellent (you'll love to hate her) and Natalia Tena as Tonks. Natalia is sheer delight. She is the penultimate punk rock witch girl(think Dead Milkmen here). And Helena Bonham Carter is in her medium (she played the witch Morganna in the movie Merlin) as the dangerous and demented Bellatrix LeStrange.

Battle scenes: breathtaking. Commraderie: The only HP that actually caused me to get teary so heartfelt are the portrayals of friendship and family.

See the film knowing that unless you want a 10hour movie some things are going to have to go. Leave having enjoyed a film that takes the beans and water and instead of a nice large coffee treats one to a perfectly concentrated, most artfully brewed and extremely tasty espresso. It has been said before but truth is truth: BEST YET!