Lara Croft: Tomb Raider - La culla della vita
Titolo originale: Lara Croft: Tomb Raider - The Cradle of Life
VALUTAZIONE IMDb
5,5/10
149.347
LA TUA VALUTAZIONE
L'avventuriera Lara Croft intraprende una missione per impedire che il vaso di Pandora finisca nelle mani sbagliate.L'avventuriera Lara Croft intraprende una missione per impedire che il vaso di Pandora finisca nelle mani sbagliate.L'avventuriera Lara Croft intraprende una missione per impedire che il vaso di Pandora finisca nelle mani sbagliate.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 3 candidature totali
Chris Barrie
- Hillary
- (as Christopher Barrie)
Fabiano Altamura
- Jimmy Petraki
- (as Fabiano Martell)
Jonny Coyne
- Gus Petraki
- (as Jonathan Coyne)
Raymond Ofula
- Village Leader
- (as Raymond Offula)
Recensioni in evidenza
This second movie in the 'Tomb Raider' series was a disapointment for me. I was not a great fan of the first one either. Certainly Angelina Jolie is as sexy as you can get, but there is too little else in her character to make her the female James Bond that the authors of the series want her to be. Even the sentimental track in this second movie does not succeed to make her more real. Director Jan de Bont succeeded much better with the original story in 'Speed' or the reality-TV like effects in 'Twister'. In 'Tomb Raider 2' he is just mixing a potion of James Bond with a little bit of Indiana Jones, without too much of a result. If you did not see it yet, you may as well wait for the DVD. 6/10 on my personal scale.
The movie centers on Lara Croft (Angelina Jolie) who is assigned by the British Intelligence -MI6- to discover the Pandora box that the baddies (Ciaran Hinds and Til Schweiger) want to find with the purpose of ruling the world . She is helped by an imprisoned mercenary (Gerard Butler) that will be freed , and two sympathetic underlings who appeared in the first part (Noah Taylor and Christhopher Barrie) . They'll have to confront amount of dangers , adventures and risks until reach their aims .
Run-of-the-mill action film because from the beginning to the final the frenetic action , thrills and fast movement are continued and unstopped . The picture blends emotion , intrigue , thriller , suspense , rip-roaring scenes and a little bit of violence when the fights happen . It is a film pretty bemusing and entertaining . It's a typical modern action film : continuous struggles in leaps and bounds , running men while are shooting and interminable pursuits . Besides , there are spellbound landscapes of various countries where the starring are traveling around the world to resolve the enigmas . The ending confrontation amongst the protagonists and enemies on the Kilimanjaro's skirts is breathtaking . The picture is similar to previous part with the difference in this latter there is an adventure chum (Gerard Butler) playing a type of ¨buddy movie¨ role. Thus , the storyline is basically a rehash of the former picture . Just as in the first film, there are several scenes in which the live-action Lara mimics are mingled with the computer generator effects . The film attained moderated success at box office , less than the first one , and not as good as the anterior . I don't know if the producers are going to make a third part .
David Tattersall's cinematography is glittering and glimmer as is well reflected on the awesome and impressive outdoors in charge of the production designer Petruccelli . Alan Silvestri's music is atmospheric and marvelous . The motion picture was well directed by Jan De Bont (Speed) . It is very spectacular , it is a film for adrenaline lovers . The yarn will appeal to Angelina Jolie and Lara Croft videogames fans.
Run-of-the-mill action film because from the beginning to the final the frenetic action , thrills and fast movement are continued and unstopped . The picture blends emotion , intrigue , thriller , suspense , rip-roaring scenes and a little bit of violence when the fights happen . It is a film pretty bemusing and entertaining . It's a typical modern action film : continuous struggles in leaps and bounds , running men while are shooting and interminable pursuits . Besides , there are spellbound landscapes of various countries where the starring are traveling around the world to resolve the enigmas . The ending confrontation amongst the protagonists and enemies on the Kilimanjaro's skirts is breathtaking . The picture is similar to previous part with the difference in this latter there is an adventure chum (Gerard Butler) playing a type of ¨buddy movie¨ role. Thus , the storyline is basically a rehash of the former picture . Just as in the first film, there are several scenes in which the live-action Lara mimics are mingled with the computer generator effects . The film attained moderated success at box office , less than the first one , and not as good as the anterior . I don't know if the producers are going to make a third part .
David Tattersall's cinematography is glittering and glimmer as is well reflected on the awesome and impressive outdoors in charge of the production designer Petruccelli . Alan Silvestri's music is atmospheric and marvelous . The motion picture was well directed by Jan De Bont (Speed) . It is very spectacular , it is a film for adrenaline lovers . The yarn will appeal to Angelina Jolie and Lara Croft videogames fans.
Angelina Jolie returns as a distaff Indiana Jones in "Lara Croft Tomb Raider: Cradle of Life," an action/adventure film (based on a video game character) that is just goofy enough and inane enough to be almost entertaining.
In this follow-up adventure - which is designed to give historians and social studies teachers a severe case of the heebie-jeebies - Lara, the world-famous archaeologist and adventurist, finds evidence that the mythical Pandora's Box is really no myth at all, but rather an actual object loaded with enough plague and pestilence to wipe the entire human race off the face of the planet. It lies buried somewhere, hidden by Alexander the Great in the 4th Century B.C. when he discovered how virulent and deadly the contents of the box really were. Now, twenty-four centuries later, Lara has to try and prevent an evil billionaire capitalist from locating the container, prying open the lid, and bringing an end to civilization as we know it.
Though the storyline is clearly not one to be conjured with, all that really matters in a movie such as this one is that the action move quickly and the stunts be sufficiently enterprising to engage the audience. Credibility is the last prerequisite in a Lara Croft adventure, as evidenced by the fact that if Lara isn't parachuting smack dab onto the deck of a ship or into the passenger seat of a moving jeep, she's hitching a ride on the back of a great white shark and riding it to safety. Ah well, it's all in good fun, I suppose, and Jolie not only looks stunning in all the outfits she's been given to wear, but seems to be having a fine time playing along with the joke.
The ending is inevitably anticlimactic, but viewers can have a pretty good time getting there at least.
In this follow-up adventure - which is designed to give historians and social studies teachers a severe case of the heebie-jeebies - Lara, the world-famous archaeologist and adventurist, finds evidence that the mythical Pandora's Box is really no myth at all, but rather an actual object loaded with enough plague and pestilence to wipe the entire human race off the face of the planet. It lies buried somewhere, hidden by Alexander the Great in the 4th Century B.C. when he discovered how virulent and deadly the contents of the box really were. Now, twenty-four centuries later, Lara has to try and prevent an evil billionaire capitalist from locating the container, prying open the lid, and bringing an end to civilization as we know it.
Though the storyline is clearly not one to be conjured with, all that really matters in a movie such as this one is that the action move quickly and the stunts be sufficiently enterprising to engage the audience. Credibility is the last prerequisite in a Lara Croft adventure, as evidenced by the fact that if Lara isn't parachuting smack dab onto the deck of a ship or into the passenger seat of a moving jeep, she's hitching a ride on the back of a great white shark and riding it to safety. Ah well, it's all in good fun, I suppose, and Jolie not only looks stunning in all the outfits she's been given to wear, but seems to be having a fine time playing along with the joke.
The ending is inevitably anticlimactic, but viewers can have a pretty good time getting there at least.
Let's face it, the James Bond franchise has become rather limp lately. "The World Is Not Enough" was a debacle of miscasting and an an endless parade of meaningless subplots and tertiary characters. "Die Another Day" suffered from much of the same, but was also saddled with an inexplicable amount of stereo feedback and one of the oddest (if catchiest) theme songs in recent memory. The series has been re-energized with the new entry "The Cradle Of Life," a high-spirited, far-reaching film that doesn't quite succeed but is such an improvement on the originals that you're ready to overlook all that.
Actually, this is a review of "Lara Croft Tomb Raider: The Cradle Of Life", the sequel to 2001's abysmally dull video-game-based film "Tomb Raider." Angelina Jolie is back as sexy, gun-toting archeologist Lara Croft, and at first glance, it's easy to mistake her for Bond, Jane Bond. Lara is a British citizen of refined taste, highly competent in various forms of weaponry, travels around the globe to exotic locations, has friends (and lovers) in virtually every port, uses a wide variety of nifty gadgets, has an amusing yet dry form of wit, looks fabulous, and routinely saves the world from a madman bent on global domination. She's a better 007 than Timothy Dalton in any case.
The film begins with Lara diving into a sunken temple off the coast of Greece. While there, she is attacked by Chinese mercenaries, her support crew killed and left for dead, the mercenaries making off with a mysterious glowing orb. Seems that mad scientist Jonathan Reiss (Ciaran Hinds) is looking for Pandora's Box, and the orb is the key to finding it. Lara is appointed by MI:6 with stopping Reiss because opening the box would unleash an amazingly nasty plague upon the world. Besides her support staff of Hillary (Chris Barrie) and computer expert Bryce (Noah Taylor), Lara joins forces with ex-lover Terry Sheridan (Gerard Butler), a shifty mercenary and the only person who knows how to get to the mercenaries who stole the orb in the first place. And of course, time is running out.
Jolie is excellent as Lara Croft, and there probably isn't an actress around who would be better cast in the role. Jolie has the physicality, the look, the voice, and the attitude to pull off the role effortlessly. She was the only redeeming factor in the first film, and she's great to watch here. The supporting cast is a mixed bag. Hinds refrains from chewing up too much of the scenery, but he brings to mind some of the more notable Bond villains of recent times. Butler is great to look at, but his performance is far too low-key and deadpan for a movie as bombastic as this one wants to be, especially when he's paired with Jolie, who enters each seen with a relishing look in her eyes. Taylor again acts as a dry kind of comic relief, and he displays far more chemistry with Jolie than Butler does.
One of the biggest improvements in this film is the director. Replacing Simon West (responsible for the monotonous "Con Air") is Jan de Bont ("Speed"), a much more competent director even if some of his films are only barley entertaining ("The Haunting"). de Bont has a knack for action on a small scale, most vividly in a gun-fight staged in a laboratory/office, but his large scale pieces, like Lara body-gliding off of one of Hong Kong's tallest buildings, lack drama. Still, de Bont has chosen good locations and sets for the film, and there is a blessedly welcome lack of the "Matrix"-style visuals and candy-colored bombast so popular in action films of recent memory. He is nothing if not up to task. The film operates well within its own set of rules and physics, unlike many other films that tend to sacrifice internal logic for cheap stunts.
As much of an improvement on the first film as this is, there are still flaws. The script, while improving ten-fold on the original, still falls flat on several occasions, sometimes held up only by Jolie's confident line readings. At almost two hours, the film displays a desperate need for tighter scenes and a quicker pace while simultaneously leaving some scenes cut too quickly. The movie can be very easily divided into stages, which may hold true to the spirit of the video game's levels, but often leaves the audience doing nothing more than predicting when the DVD chapter cuts will occur in six months. Also, like the James Bond films, there is rarely any doubt that Lara will escape any dire situation she finds herself in. Like 007, we always know the hero will prevail in the end, which robs some scenes of the tension needed to excite the audience.
Despite some of these flaws, "The Cradle Of Life" is a fine movie and a good way to spend 2 hours on a summer afternoon. Jolie obviously enjoys the role, and if nothing else, the film is worth it for that alone. Here's hoping the third entry into the series is even better than the this one. 7 out of 10.
Actually, this is a review of "Lara Croft Tomb Raider: The Cradle Of Life", the sequel to 2001's abysmally dull video-game-based film "Tomb Raider." Angelina Jolie is back as sexy, gun-toting archeologist Lara Croft, and at first glance, it's easy to mistake her for Bond, Jane Bond. Lara is a British citizen of refined taste, highly competent in various forms of weaponry, travels around the globe to exotic locations, has friends (and lovers) in virtually every port, uses a wide variety of nifty gadgets, has an amusing yet dry form of wit, looks fabulous, and routinely saves the world from a madman bent on global domination. She's a better 007 than Timothy Dalton in any case.
The film begins with Lara diving into a sunken temple off the coast of Greece. While there, she is attacked by Chinese mercenaries, her support crew killed and left for dead, the mercenaries making off with a mysterious glowing orb. Seems that mad scientist Jonathan Reiss (Ciaran Hinds) is looking for Pandora's Box, and the orb is the key to finding it. Lara is appointed by MI:6 with stopping Reiss because opening the box would unleash an amazingly nasty plague upon the world. Besides her support staff of Hillary (Chris Barrie) and computer expert Bryce (Noah Taylor), Lara joins forces with ex-lover Terry Sheridan (Gerard Butler), a shifty mercenary and the only person who knows how to get to the mercenaries who stole the orb in the first place. And of course, time is running out.
Jolie is excellent as Lara Croft, and there probably isn't an actress around who would be better cast in the role. Jolie has the physicality, the look, the voice, and the attitude to pull off the role effortlessly. She was the only redeeming factor in the first film, and she's great to watch here. The supporting cast is a mixed bag. Hinds refrains from chewing up too much of the scenery, but he brings to mind some of the more notable Bond villains of recent times. Butler is great to look at, but his performance is far too low-key and deadpan for a movie as bombastic as this one wants to be, especially when he's paired with Jolie, who enters each seen with a relishing look in her eyes. Taylor again acts as a dry kind of comic relief, and he displays far more chemistry with Jolie than Butler does.
One of the biggest improvements in this film is the director. Replacing Simon West (responsible for the monotonous "Con Air") is Jan de Bont ("Speed"), a much more competent director even if some of his films are only barley entertaining ("The Haunting"). de Bont has a knack for action on a small scale, most vividly in a gun-fight staged in a laboratory/office, but his large scale pieces, like Lara body-gliding off of one of Hong Kong's tallest buildings, lack drama. Still, de Bont has chosen good locations and sets for the film, and there is a blessedly welcome lack of the "Matrix"-style visuals and candy-colored bombast so popular in action films of recent memory. He is nothing if not up to task. The film operates well within its own set of rules and physics, unlike many other films that tend to sacrifice internal logic for cheap stunts.
As much of an improvement on the first film as this is, there are still flaws. The script, while improving ten-fold on the original, still falls flat on several occasions, sometimes held up only by Jolie's confident line readings. At almost two hours, the film displays a desperate need for tighter scenes and a quicker pace while simultaneously leaving some scenes cut too quickly. The movie can be very easily divided into stages, which may hold true to the spirit of the video game's levels, but often leaves the audience doing nothing more than predicting when the DVD chapter cuts will occur in six months. Also, like the James Bond films, there is rarely any doubt that Lara will escape any dire situation she finds herself in. Like 007, we always know the hero will prevail in the end, which robs some scenes of the tension needed to excite the audience.
Despite some of these flaws, "The Cradle Of Life" is a fine movie and a good way to spend 2 hours on a summer afternoon. Jolie obviously enjoys the role, and if nothing else, the film is worth it for that alone. Here's hoping the third entry into the series is even better than the this one. 7 out of 10.
This movie was all right, kept me entertained for the most part, but it needed more and less. The story is a bit better this time in parts, but it is also worse in others. I was kind of hoping I would hate this movie as most critics and people seem to, but I enjoyed it so now I suppose I will get private messages from people saying I should hate the movie. Well don't bother writing me please. The movie starts out with a cool underwater temple scene, and this is the highlight of the movie. It is also the only part in the movie that feels like the tomb raider video game. The rest of the movie has some good stuff, but it doesn't feel like tomb raider, more like a spy movie or something. At one point there is a scene with monsters that look like they belong in the Lord of the Ring movies. For what it was worth it was ok, but these monsters were kind of out of place. At least the stone warriors from the first movie have actually appeared in the game. I would also love to see Lara go into an actual tomb for once. Sure the underwater temple was cool, but it was just one room. Like the first one all the tombs here are usually one room. Can't they have here go through a really long tomb with multiple traps and stuff for her to shoot at? Also, I wish she would have used her guns more. I shoot more in five minutes of the video game than she does in this entire movie, and she always loses her weapons too. Not that I don't want to see character development and stuff, but this is a movie based on a game, it should be a bit more action packed than what we get. All in all though it was okay, I enjoyed it, but it just wasn't as good as the first for me.
Lo sapevi?
- QuizIn Lara Croft: Tomb Raider (2001), Angelina Jolie had to wear bra padding, in order for her bust size to measure up to the videogame character. Jolie wears considerably less (and possibly no) padding in this film, as the decision was made to give Lara more realistic dimensions.
- BlooperLara's face is forced down onto broken glass by Reiss' henchman Sean causing her to bleed on the table. When she comes up there are no marks, scratches or blood on her face.
- Citazioni
Terry Sheridan: I don't suppose either of you know how to fly a helicopter?
Bryce: I can.
Terry Sheridan: What?
Hillary: What...?
Bryce: Yeah. I've got over 150 hours between flight simulation games, models.
Terry Sheridan: And in the real thing?
Bryce: Two.
Terry Sheridan: Two? Well, you're only going to fly it once I'm out, so I hope you remember your two hours well.
- Curiosità sui creditiThe opening logos for Paramount and Mutual Films are projected onto water.
- ConnessioniFeatured in Lara Croft Tomb Raider: The Angel of Darkness (2003)
- Colonne sonoreDid My Time
Written and Performed by Korn
Produced by Korn and Jonathan Davis
Additional production by Frank Filipetti
Korn performs courtesy of Epic Records
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Dettagli
- Data di uscita
- Paesi di origine
- Lingue
- Celebre anche come
- Lara Croft - Tomb Raider: La cuna de la vida
- Luoghi delle riprese
- Santorini, Grecia(Opening scene)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 95.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 65.660.196 USD
- Fine settimana di apertura Stati Uniti e Canada
- 21.783.641 USD
- 27 lug 2003
- Lordo in tutto il mondo
- 160.099.222 USD
- Tempo di esecuzione
- 1h 57min(117 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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