VALUTAZIONE IMDb
4,2/10
3420
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaIn a world ravaged by disease, he's the only cure... and the last hope for human-kind.In a world ravaged by disease, he's the only cure... and the last hope for human-kind.In a world ravaged by disease, he's the only cure... and the last hope for human-kind.
- Regia
- Sceneggiatura
- Star
Topaz Hasfal-Schou
- Davis
- (as Topaz Hasfal)
Christopher Redman
- Daniel Haywood
- (as Chris Redman)
Recensioni in evidenza
OK - seen this one this afternoon with my girlfriend. As usual, Brad Mirman delivers an interesting Cyberpunk-like script (even if some plot- holes are "intriguing" - to say the least), as usual, Christopher Lambert is the only one in the cast to be a little bit involved. The photo is okay too and the score has its moments (even if the "Absolon Theme" by Howie B. is almost without interest). Some good FX (very few in fact).
But for his directional debut, David Barto overused already outdated effects (slow/fast effects in the editing for example), made some serious continuity mistakes (the car chase in the 2/3 of the movie for example) and directed it like a poor TV-movie. That's it : Absolon is no more than a (very cheap at times) TV-film : the female cast is terrible - even if enjoyable to see, Lou Diamond Philips looks like he's not really enjoying his part (he needs a new agent) and overplays it, Ron Perlman plays it simply bored (i'm sure he was on the set one day only : he always stays at the same place). Some secondary characters are far more better (dialogues, characterization), that is counter-balancing a little bit but not enough to save the film from oblivion.
I'm very sorry to type this but some things are definitely missing here : a cast, a budget (twice would have been enough i think - how much it cost : no more than 5M$ i'd say), some more concerned "stars" (with the exception of Lambert), a good editor and finally a director with some idea and motivation.
But for his directional debut, David Barto overused already outdated effects (slow/fast effects in the editing for example), made some serious continuity mistakes (the car chase in the 2/3 of the movie for example) and directed it like a poor TV-movie. That's it : Absolon is no more than a (very cheap at times) TV-film : the female cast is terrible - even if enjoyable to see, Lou Diamond Philips looks like he's not really enjoying his part (he needs a new agent) and overplays it, Ron Perlman plays it simply bored (i'm sure he was on the set one day only : he always stays at the same place). Some secondary characters are far more better (dialogues, characterization), that is counter-balancing a little bit but not enough to save the film from oblivion.
I'm very sorry to type this but some things are definitely missing here : a cast, a budget (twice would have been enough i think - how much it cost : no more than 5M$ i'd say), some more concerned "stars" (with the exception of Lambert), a good editor and finally a director with some idea and motivation.
I watched this movie mainly because of the actors that were in it, namely Lambert, Perlman, Philips. The plot is not entirely original (which ones are?) but interesting in detail and certainly good enough to support a good movie. Had the budget been bigger, this move could have been so much more. Fight sequences are the worst part - silly and unbelievable. If you removed most of them the movie would be much better. The cast are mostly good actors but the script and other aspects of the movie let them down - they mostly do the best they can with what they have been given. Lou Diamond Philips would have had more impact if he had toned down his performance - its too over the top. I tend to blame the script/director for this rather than the actor. He certainly has the looks and talent to play a great bad guy - but hes not great here. Of the three name actors he comes out worse. (If you want to see what he can really do Courage Under Fire.) Perlman does well in his rather limited role. Lambert is OK some of the time, but rather wooden the rest. Brook is great too look at and sort of OK but the script gives her no opportunity to stretch herself. I liked the actress who plays the Scotts partner - an interesting performance. She looks great too. I hope to see her more often (I resisted the temptation to say "see more of her" - it could be misconstrued). In many ways a bad movie but it has some unexpected good points that kept me watching despite the lows. One commenter on this forum says watching this movie is a waste of time. Perhaps, but then really watching any movie is strictly speaking a waste of time. This is especially so today, when hardly any modern movies have anything but laughable plots. There are many worse ways to waste your time than this movie.
As far as direct-to-video sci-fi, it hardly gets worse than Absolon, and that's saying a whole lot. As with about 97.9% of the people who have seen this movie, I rented it because Christopher Lambert was in it. This movie was bad even by Christopher Lambert direct-to-video standards. The plot is a ludicrous story of viruses and big business in the "future". This future doesn't look very futuristic, but this is explained away in the prologue by telling the viewer that because so many people died in a plague, the world's population has enough goods to last another 100 years. I guess that's why everyone drives 2001 Tauruses and Explorers then, not budget constraints, right? Lambert comes out OK here, as he once again rises above his awful material to give what is at the very least an acceptable performance. Other than that, watch out. Lou Diamond Phillips hams it up like never before, and even Ron Perlman is stunningly awful in his small role (I guarantee he wasn't on set for more than a day or two, as his character never leaves his desk, and about halfway through the movie he stops interacting in person with the other characters, instead using video conferencing). Additionally, I'm pretty sure that in this future, anyone can be a cop, because one of Lambert's fellow cops looks like she is about 10 minutes removed from a Ramones show (with dark red streaks in her jet-black hair) and another appears to be wearing some sort of Indiana Jones Halloween costume (fedora included). Kelly Brook is gorgeous as Lambert's love interest, although her acting talent is limited as is her willingness to do nude scenes apparently. I've never felt so teased by a female character's lack of nudity in my life.
The direction is awful, I'm sure half of the people that read this, if not more, could make a better movie. Barto uses some of the most ridiculous editing techniques I've ever seen, including an incredibly obnoxious fast-forward/slo-mo combination that hurts my eyes every time it comes on screen. Even worse than the direction is the music. It's one thing to have the John Carpenter-esquire simplistic synth score, it's quite another to try to make it sound complex. The score was obviously recorded entirely on a synthesizer on "Strings" setting to emulate an orchestra, and the effect is hilarious, giving every second of music in the film a Casio Keyboard quality. This is not the only problem with the sound, however, as I swear there was one point in a chase sequence when Brook moved her mouth as if speaking and no speech accompanied it.
One of the worst movies I've ever seen, and maybe THE worst, but I'm giving it 3/10 because it is unintentionally funny to the point of actually being watchable all the way through, if only to wait for the next misstep.
The direction is awful, I'm sure half of the people that read this, if not more, could make a better movie. Barto uses some of the most ridiculous editing techniques I've ever seen, including an incredibly obnoxious fast-forward/slo-mo combination that hurts my eyes every time it comes on screen. Even worse than the direction is the music. It's one thing to have the John Carpenter-esquire simplistic synth score, it's quite another to try to make it sound complex. The score was obviously recorded entirely on a synthesizer on "Strings" setting to emulate an orchestra, and the effect is hilarious, giving every second of music in the film a Casio Keyboard quality. This is not the only problem with the sound, however, as I swear there was one point in a chase sequence when Brook moved her mouth as if speaking and no speech accompanied it.
One of the worst movies I've ever seen, and maybe THE worst, but I'm giving it 3/10 because it is unintentionally funny to the point of actually being watchable all the way through, if only to wait for the next misstep.
I think this movie has enormous potential as a cult film. I was baffled by the first half of the movie. I found myself laughing out loud at the second half. You could almost hear the director coaching the lead actress - "Okay, in this scene you are once again feeling warm and feel the need to take off your jacket and arch your back." I half expected the actors to start laughing at themselves as they all seemed to be reading the terrible dialogue off cue cards. I would like to think this movie was made in under 24 hours and there was no time for writing, reading, or memorizing a script.
Even though the story was basically over after an hour, the plot dragged along - just to make this into the feature-length category. Even the actors and cameraman seemed bored with the actual plot. I have never seen a movie make more ridiculous use of sunglasses, hair extensions, and gratuitous chest shots.
I dare you to sit through the whole thing.
Even though the story was basically over after an hour, the plot dragged along - just to make this into the feature-length category. Even the actors and cameraman seemed bored with the actual plot. I have never seen a movie make more ridiculous use of sunglasses, hair extensions, and gratuitous chest shots.
I dare you to sit through the whole thing.
Exactly that, this film had potential to be good. Alas it sucked. Kelly Brook may be hot but her acting is luke warm. And why is it that lamberts voice never changes, totally mono.
Avoid the film unless youre planing on re-making it, becuase it has a good enough Sci-Fi story line to work with.
Avoid the film unless youre planing on re-making it, becuase it has a good enough Sci-Fi story line to work with.
Lo sapevi?
- QuizDavid De Bartolome's first studio film.
- BlooperWhen Scott turns on the gas in Greer's apartment, he turns the valve perpendicular to the pipeline. That would actually turn a gas line off. The valve handle must be parallel to the pipeline to be in the on position.
- ConnessioniReferenced in Unikal'noe pozdravlenie (2014)
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- Absolon
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 8.000.000 USD (previsto)
- Lordo in tutto il mondo
- 7016 USD
- Tempo di esecuzione1 ora 36 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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Divario superiore
By what name was Absolon - Virus mortale (2003) officially released in Canada in English?
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