Ripper - Lettera dall'inferno

When people ask me what are some of the best things in life, I being a horror guru reply, a good direct-to-video horror flick. Straight on the heels of above average (or well above average) direct-to-video horror movie such as, Cube, Ginger Snaps, Cut, and The Truth About Demons, comes the latest DTV installment, Ripper: Letter From Hell. While one may find the premise to be undeniably cliched (it is), the film comes off stylish and ultimately becomes engaging as the body count increases in a most elaborate fashion.

Now for that all-too-familiar premise: Molly Cook, young woman who survives the attack of a sadistic killer now finds herself in a college course studying serial killer theories. When the people around her begin to die, she believes a new serial killer is hunting them down, imitating the slayings of Jack the Ripper.

The killings in Ripper: Letter From Hell, are much more extensive than the average slasher film. Horror fans are used to seeing the killer show up, swing his weapon of choice, and then the scene is cut, going back to the more boring part of the movie. In Ripper, the killer spends more time with his victims, making them scream in agony, stabbing them to death, and then heaving them through a window, or ramming them off a cliff and leaving them to hang onto a rock before finishing them off.

The direction by John Eyers keeps the film moving along at a brisk pace. While the editing tends to be a little MTV-ish at times, it is not overdone. The fast action editing actually works well and adds to the brutality of the killings in the movie. The beginning comes off as a Brothers Grim-like fairy tale with the serial killer's pursuit of Molly through a dark, rainy, forest. The scene in the club where the camera follows the trail of blood from the ceiling and onto the dance floor, is one of the most stylish murder scenes I have seen in a while and dare I say it, reminded me of those elegant murder scenes from the Italian giallos of yesteryear.

There are some major set backs in the film such as a highly unlikeable cast of characters. A.J. Cook (Molly) holds her own and is a convincing lead character. She gets support from veteran actor Bruce Payne. The script has more than a dozen ridiculous lines as one user pointed out, "Shut up!"..."No! You shut up!" However, dialogue in the class lecture scenes about Jack the Ripper are impressive and well researched.

The ending is a grand showdown as the killings become even more graphic and intense. The handful of suspects begin to wind down, and although you may have it figured out who the killer is, you'll be flip-flopping back and forth until the final scene. It's a beautiful scene, without giving anything away, as we are given a glimpse of 1800 London. It's an ending you will either love or hate or just not grasp entirely.

Ripper: Letter From Hell is a stylish, well orchestrated effort and deserves a spot with the recent array of worthy direct-to-video horror movies.

I paid £1.49 for this and I'd say I got my moneys worth. As you'd expect it's very derivative of most films of this genre and treads a fine line between credibility and hokum.

However it's not cringe-inducing bad and I'd probably rate it a lot higher if it weren't for the lack of a clearcut resolution at the end. Even the Director's Commentary failed to shed any light on the definitive solution, basically saying it's up to the audience to decide for themselves - acceptable in a more highbrow production but a bit annoying for a film of this level.

Still I've seen a lot worse and it's worth the small change from anyone's pocket!

Ripper" (2001) is a B-grade slasher that, despite its flaws, manages to stay engaging thanks to a well-crafted atmosphere and a couple of strong performances. Bruce Payne stands out as the mysterious professor, bringing a compelling presence to every scene he's in. The dark, rainy, and gothic city setting adds an eerie tone that works well. A. J. Cook also delivers a solid lead performance. However, the rest of the cast falls short, and the kills are far too tame and lacking in gore, especially when compared to its slasher contemporaries. The visual direction is uneven, with jarring cuts and underwhelming staging. With a grittier approach and better direction, the film could have had a stronger impact. Still, it's an entertaining thriller that keeps the mystery alive and is worth a watch for late-90s horror fans.

This is another one let down by some horrible acting from certain cast members and some clunky script work.

Story wise I really enjoyed it. It's the sort of film that in the right hands would of been great but it got someone elses hands so it was more just ok.

Girl-running-in-a-thunderstorm-with-killer-close-behind-girl-trips killer-gets-her kind of story. Lots of blood, no originality. One would expect more from a movie which promises serial psycho killers copying Jack the Ripper. No real motivation for the blood bath, least of all a psychological one. Except for the ending which at least creates a little bit of confusion, one could predict every scene at least 10 minutes before it unfolds. Everything in this movie has been done, redone and overdone. It's like watching Scary Movie and taking it seriously. It's been a real disappointment. Where are the calculated blood thirsty psycho killers? What happened to movies like Seven or Silence of the Lambs, with original plots and motifs? Because personally I'm tired of watching helpless blonds being butchered like cattle while instead of defending themselves they scream in agony and then always manage to trip and fall.