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IMDbPro

Thief: The Dark Project

  • Videogioco
  • 1998
  • M
VALUTAZIONE IMDb
8,8/10
770
LA TUA VALUTAZIONE
Thief: The Dark Project (1998)
ActionAdventureCrimeDramaFantasyHorrorSci-FiThriller

Aggiungi una trama nella tua linguaUnbeknownst to him, a cynical but witty master-thief Garrett will become a key player in the secret war between the cult of builders and the cult of pagans in a medieval city where certain t... Leggi tuttoUnbeknownst to him, a cynical but witty master-thief Garrett will become a key player in the secret war between the cult of builders and the cult of pagans in a medieval city where certain types of magic and advanced technology exist.Unbeknownst to him, a cynical but witty master-thief Garrett will become a key player in the secret war between the cult of builders and the cult of pagans in a medieval city where certain types of magic and advanced technology exist.

  • Regia
    • Daniel Thron
    • Josh Randall
  • Sceneggiatura
    • Terri Brosius
    • Dorian Hart
    • Ken Levine
  • Star
    • Stephen Russell
    • Joffrey Spaulding
    • Terri Brosius
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    8,8/10
    770
    LA TUA VALUTAZIONE
    • Regia
      • Daniel Thron
      • Josh Randall
    • Sceneggiatura
      • Terri Brosius
      • Dorian Hart
      • Ken Levine
    • Star
      • Stephen Russell
      • Joffrey Spaulding
      • Terri Brosius
    • 9Recensioni degli utenti
    • 9Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
  • Vedi le informazioni sulla produzione su IMDbPro
  • Foto7

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    Interpreti principali16

    Modifica
    Stephen Russell
    • Garrett
    • (voce)
    • …
    Joffrey Spaulding
    • Constantine
    • (voce)
    • …
    Terri Brosius
    • Viktoria
    • (voce)
    Daniel Thron
    • Ramirez
    • (voce)
    • …
    Randy Smith
    • Murus
    • (voce)
    Geoffrey Stewart
    • Guards
    • (voce)
    • …
    Andy Meuse
    • Prisoner
    • (voce)
    Nate Wells
    • Keepers
    • (voce)
    Josh Randall
    • Keepers
    • (voce)
    Emil Pagliarulo
    • Opera singers
    • (voce)
    Karen Wolff
    • Opera songstress
    • (voce)
    Mike Romatelli
    • Thieves
    • (voce)
    Mike Chrzanowski
    • Thieves
    • (voce)
    Ian Vogel
    • Mages
    • (voce)
    Fred Galpern
    • Mages
    • (voce)
    • (as Fred S. Galpern)
    Karen Saltus
    • Servant
    • Regia
      • Daniel Thron
      • Josh Randall
    • Sceneggiatura
      • Terri Brosius
      • Dorian Hart
      • Ken Levine
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti9

    8,8770
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    Recensioni in evidenza

    8TBJCSKCNRRQTreviews

    Not only a leap forward, one that holds up to this day

    A steampunk world of magic(that does ironically rob the focus from the concept) and 19th century technology has a conflict between the religious factions of The Hammer(who value scientific progress, and represent order) and The Pagans(who value untouched nature, and represent chaos). Maintaining a balance between them are the Keepers, who work unseen. One can understand both philosophies, and neither is entirely right or wrong - they are extremes.

    You are not assigned to either side... you're Garrett. Growing up on the streets, he got a snarky, pragmatic personality, and became a thief. He received training from last-mentioned group, and is thus quite possibly the best in the field. And he's hired for the most important, and potentially profitable, job of his career...

    This has inspired the major entries in its genre since(Hit-man, Splinter Cell, the list goes on - daring to push the throttle on the less-popular approach of thinking and planning approach, over a direct, mindlessly destructive "action" one), and its impact is felt in the whole medium to this day. How the latter? With its introduction of a proper physics engine(highly impressive if not flawless), and a world where everything can be interacted with, not merely that which you're "supposed to".

    This is largely non-scripted, with the path and pace up to the individual player; neither bogged down by poor, constrictive mechanics, nor rushed ahead by the developers taking charge. Direct(and well-guarded!), or take the long way(that is safer)? Leave no trace, surreptitiously knock out foes(with the Blackjack, an iron night-stick)... or even kill them(such as with your sword, which, with its three blows and ability to block, allows for actual fencing, as anyone you're up against will dodge and strike... just keep in mind they have armor and are there to fight, you're sleek and not a warrior)? Last option is not allowed on higher of the 3 difficulty settings, mind you... yes, they'll restrict/give more to do, the further up you go; replayability is also aided by how open this is, how well you want to "do" - this has emergent gameplay, if you are spotted, you can "fix it", deal with those who know of you. You're not punished(only provided stats), just keep in mind you're vulnerable when exposed.

    This is one of the games that get it right: the amount you put into it equals the amount you get out of it. Want to rush through it? You can. Looking to immerse yourself in this full, richly detailed world, where everything goes together, see every area? Sure. Neither are encouraged more than the other - while exploration leads to treasure-gathering, and you can buy equipment with that, it's possible to do without that(it can be picked up along the way, as well).

    You always have a map, albeit these get increasingly outdated, cryptic and vague. Applying your compass to it, you can find your way, if you do at times have to "just try" some of the possible doors, hallways and the like - I sincerely feel that this is not where the challenge of stealth should be, you should know where to go, and worry about not being detected on the way; it is however rare, and the organic, always connected design of the levels both ensure that you can reason your way to where you're going, and that if you are just carelessly slogging around, you can get lost. You're in a mansion, come on! Well, that, and a prison, some ruins, graves, etc.

    The sneaking seldom gets repetitive, because of how varied the objectives are(you're always getting in, affecting something secretly, then leaving... not always stealing - second mission has you breaking your fence out of jail; he has to pay you, after all), how much it's up to you how you approach it, and the earlier mentioned tools of the trade.

    Potions of healing, breath(for long swims, with few pockets of air), speed, your bow(where you tighten the string over the course of seconds... be sure you can stand still safely; if you release immediately, it won't go far, like in real life) with its sniper-like precision has Hawkeye-ish special arrows, ones with heads of water(create shadow by putting out a torch), fire(think tiny rocket), moss(quiet footsteps) and rope(and yes, it is every bit as pure awesome as that sounds... and they use this immensely well; you can attach it to any wooden surface), flashbangs, proximity mines, lockpicks... yes, two kinds, and their use is as simplistic as a lot in this, creating a whole that allows you to sit right down and play.

    Do you know how to control a FPS? Then you can try this. You need to know little else, and the great training tells you all of that. Center the screen on the static object you want to "Use"(it'll brighten to let you know it's selected), and right-click. Done. You can also scroll to an item or tool in the inventory before you do so, and you'll use the two together.

    The key to getting far without anyone knowing you're there is being aware of light and sound. If you're in a brightly lit room, you'll be seen; the opposite is also true, you can stand inches away in the darkness and remain hidden(provided you and the enemy don't bump into each other).

    Movement speed(walk/march/run... and you do have a crouch function), distance between you and those who can hear, and the surface you're on dictate if you can be heard. Carpets are silent, wood, stone, and especially marble are increasingly loud.

    Not only do AI listen for you, you do the same for them; you lack the luxury of a mini-radar, and have to keep aware of the positions of them.

    There is a lot of blood and disturbing content(and some graphic material in text descriptions) in this. I recommend this to anyone who enjoys guerilla tactics and avoiding attention in VG's. 8/10
    10davidow-1

    the best video game ever

    Thief The Dark Project isn't just a video game it's much more than that. I think it is a revolution in entertainment and truly a real masterpiece given to the masses. Everithing is made perfectly-the story, the style and atmosphere, the sound and even the graphics. I remember every mission that I completed and the more I got into the thief world I couldn't stop playing day and night, the whole thing was so gripping. Garret, the main character of the game is one of the greatest game heroes ever created. This is a one of it's kind and a must to anyone who loves stealth and adventure games. So don't doubt to get this because it's totally worth the money.
    10dullfinboy

    Second best game in the series

    This is one of the best games ever made. It is scary, addicting, has hours of game play. You rob crypts, mansions, and even haunted cathedrals. The game is loaded with zombies, hammer haunts, hammerites, guards, spiders, ghosts, bug men, and a great plot twist. The best level is the sword where you must get a sword from a crazy mansion owned by Constantine. It is a dark game. Sometimes you may need to turn the gamma up. It takes patience and skill. It is a really stealth game. It is the most fun to play on the expert setting. It is fun not to kill or knock out anyone or anything. It has a dark and mature atmosphere. Definitely a great game.
    newnoir

    Sneaksie Friends Garrett Lives!

    This game brought about a whole new revolution in video gaming. It was the first ever first person sneaker. Yes, finally a game where stealth is involved. Up until that time all there was was first person shooters. Though you may find yourself getting fed up with sneaking around at times and just want to slaughter all your enemies like any other FPS. But hey, whatever floats yer boat.

    It is game that follows the adventures of the cynical thief Garrett and combines medieval fantasy with 19th century technology. The game's a cool hybrid much like how the TV show Wild, Wild West combined Westerns and Science Fiction. As is the sequel Thief II.

    There are great monsters and enemies to battle. Guards, spiders, and the great ratmen. I loved the off the wall, A Clockwork Orange-esque way of talking the ratdudes had. And their eerie catch phrases like calling each other "sneaksie friends" and the game's hero, the cynical Garrett, "manflesh". And you will too, sneaksie friends!

    Plus my favorites the Hammerites, a religious nut group of knights, are terrific foes too. The Hammerite prison level is absolutely kickarse. Sneaking about the Hammerites in the shadows as they go about their duties, talking to themselves, singing songs, reciting Hammerite scripture, evading their medieval style motion detectors, blackjacking or shooting an arrow into an unsuspecting Hammer, it's great fun!

    And major kudos goto the programmers and Stephen Russell as the voice of our beloved hero Garrett. Adios two times...
    10gelziabar

    Groundbreaking

    Thief isn't the game for people who are more tuned to frantic action offered by so many other games. However I'd still recommend thief to the mentioned audience due to how well the game has been developed. You'll have to completely rely on stealth and sneaking past enemies or hitting them from the back. The atmosphere in the levels are truly brilliant. You don't get too many weapons though and the most powerful weapon is just a bow and arrow for longer range attacks. For once, there is also a decent story told through some cutscenes. The ingame voice acting has also been done very impressively and adds to the atmosphere. I also recommend its sequel, Theif-2, which is an even better game than the first.

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    Trama

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    Lo sapevi?

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    • Blooper
      On the level the haunted cathedral you can destroy the three haunts in the cathedral through the hole in the cathedral but when you return there 3 missions later the 3 haunts are back.
    • Citazioni

      Garrett: I Went to Cutty's place to deliver the spetar but Cutty wasn't there he had been arrested by the hammerites apparently they didn't approve of his occupation , and I doubt they approve of mine so hopefully they will never catch sight of me when I break them out of there prison which is what I'm going to do. They are holding Cutty in a mining complex carved out of a quarry the quarry is flooded but the hammers still work the top level, and have converted part of the complex in to a penitentiary for those who have violate their tenants . An associate of mine was confined there and has provided me with a map. It would be difficult to get in by way of the main gate but there is another option the mines break the surface of a hill south of the quarry I will drop into the mines and head into the prison which will be found somewhere up hill and to the north. The Hammers don't venture into the lower mine levels because they are reputed to be haunted.

      [Angrily]

      Garrett: I'd rather not have to do this job but Cutty is a reliable fence, and I don't appreciate the Hammerites abducting him,and he

      [Cutty]

      Garrett: still owes me money for the Bafford job!

    • Connessioni
      Featured in Troldspejlet: Episodio #20.12 (1999)

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    Dettagli

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    • Data di uscita
      • 3 dicembre 1998 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Sito ufficiale
      • Official site (United States)
    • Lingua
      • Inglese
    • Celebre anche come
      • Dark Project: La Guilde des voleurs
    • Azienda produttrice
      • Looking Glass Studios
    • Vedi altri crediti dell’azienda su IMDbPro

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