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IMDbPro

Le regole dell'attrazione

Titolo originale: The Rules of Attraction
  • 2002
  • VM14
  • 1h 50min
VALUTAZIONE IMDb
6,6/10
54.545
LA TUA VALUTAZIONE
James Van Der Beek, Jessica Biel, Kate Bosworth, Kip Pardue, Ian Somerhalder, and Shannyn Sossamon in Le regole dell'attrazione (2002)
Theatrical Trailer from Lionsgate
Riproduci trailer2: 01
1 video
99+ foto
Dark ComedyComedyDramaRomance

Gli studenti incredibilmente viziati e troppo privilegiati del Camden College fanno da sfondo a un insolito triangolo amoroso tra uno spacciatore, una vergine e un compagno di classe bisessu... Leggi tuttoGli studenti incredibilmente viziati e troppo privilegiati del Camden College fanno da sfondo a un insolito triangolo amoroso tra uno spacciatore, una vergine e un compagno di classe bisessuale.Gli studenti incredibilmente viziati e troppo privilegiati del Camden College fanno da sfondo a un insolito triangolo amoroso tra uno spacciatore, una vergine e un compagno di classe bisessuale.

  • Regia
    • Roger Avary
  • Sceneggiatura
    • Bret Easton Ellis
    • Roger Avary
  • Star
    • James Van Der Beek
    • Ian Somerhalder
    • Shannyn Sossamon
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    6,6/10
    54.545
    LA TUA VALUTAZIONE
    • Regia
      • Roger Avary
    • Sceneggiatura
      • Bret Easton Ellis
      • Roger Avary
    • Star
      • James Van Der Beek
      • Ian Somerhalder
      • Shannyn Sossamon
    • 437Recensioni degli utenti
    • 113Recensioni della critica
    • 50Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 2 vittorie e 3 candidature totali

    Video1

    The Rules of Attraction
    Trailer 2:01
    The Rules of Attraction

    Foto164

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    Interpreti principali93

    Modifica
    James Van Der Beek
    James Van Der Beek
    • Sean Bateman
    Ian Somerhalder
    Ian Somerhalder
    • Paul Denton
    Shannyn Sossamon
    Shannyn Sossamon
    • Lauren Hynde
    Jessica Biel
    Jessica Biel
    • Lara
    Kip Pardue
    Kip Pardue
    • Victor
    Kate Bosworth
    Kate Bosworth
    • Kelly
    Joel Michaely
    Joel Michaely
    • Raymond
    Jay Baruchel
    Jay Baruchel
    • Harry
    Thomas Ian Nicholas
    Thomas Ian Nicholas
    • Mitchell
    Clifton Collins Jr.
    Clifton Collins Jr.
    • Rupert
    Clare Kramer
    Clare Kramer
    • Candice
    Faye Dunaway
    Faye Dunaway
    • Mrs. Denton
    Swoosie Kurtz
    Swoosie Kurtz
    • Mrs. Jared
    Russell Sams
    Russell Sams
    • Richard
    Colin Bain
    Colin Bain
    • Donald
    Eric Stoltz
    Eric Stoltz
    • Mr. Lawson
    Fred Savage
    Fred Savage
    • A Junkie Named Marc
    Eric Szmanda
    Eric Szmanda
    • NYU Film Student
    • Regia
      • Roger Avary
    • Sceneggiatura
      • Bret Easton Ellis
      • Roger Avary
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti437

    6,654.5K
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    Recensioni in evidenza

    8DeviousMrBlonde

    Pointless but then, that's the point!

    This movie will leave you feeling so empty. There are no likeable characters and no standard storyline construction (there is no beginning, middle or end as such). But, you see, that's the point. This certainly will not be everybody's "cup of coffee" so to speak. Too many people like their movies to wrap everything up at the end and have everything explained to them and for Lassie to save the day. If you are one of these people then don't bother. On the other hand if you like a movie to challenge you then I am sure you will find ROA superb.

    Based on the book of the same name by Bret Easton Ellis it is probably THE best book to film adaptation I have ever seen. It captures Ellis' tone perfectly. Take some morally corrupt but beautiful people and show how much of a waste they are. Nobody ever listens to one another and everybody is out for number one. They are all selfish, greedy, and self centred. You are given not one character to like. It is a dark dark comedy about the corruption of excess and moral vacuum left behind. It is in my humble opinion brilliant. You will physically feel that vacuum in your stomach after watching the movie. These people and their actions are the perfect allegory for our ME culture. One significant difference from the book is the timeline which is updated to more current times from the books 80's context.

    Roger Ebert went to see this twice because he was unsure how he felt about it. In the end he felt it was too unrealistic with regard to the nudity and attitude to it and he couldn't reconcile with the fact that there was no one to like in it. In response he received many letters from students saying that this is exactly how it is on campuses in the US, that this is what they do every weekend. That might give you an indication of the level of reality achieved here… and also an idea of the culture gap. This is another movie where older people may just not get it. When I read Ebert's review his main criticism's centred on the characters but personally I found myself throughout the movie saying for almost all characters `I know someone like that'.

    Go see it, but be prepared to feel nothing. It's decadent. It's great!

    P.S. I haven't read the other reviews but if you are silly enough to compare this to American Pie or such nonsense then you are WAAAAAY off the mark.
    poetellect

    sad. very sad. so very, very, very sad. a downer of a film.

    As a college student, I can't quite put into words how depressing watching this movie was for me. Because even though a part of me wants to believe that this isn't how good-looking rich kids treat each other, another part of me has to acknowledge that this is, that there are people out there who truly don't care about themselves enough to respect other people in relationships, sexual or otherwise, that we as a society still find it acceptable to portray gay men as ONLY sex-obsessed, self-deluded persons swooning over strait counterparts and that it's one of the only representations we have in popular or cult films/culture, especially in this one, and that the death of romance has not only been portrayed, but that it's been slaughtered in full-force. Watching this film leaves you with a frozen kind of emptiness inside of you. The reverse-sequences interspersed throughout the film, as annoying and tiring as they are, remind you how backwards and unhealthy these kind of lifestyles are- lifestyles that base relationships (seemingly) on lust only, that don't seem to appreciate friendships formed along the road, that continually define life as one big shopping list of bedmates. I don't know...I hope the film is seen as a warning as to the disconnection and ultimately dissatisfying result being this way leads to. It's kind of rare for me to become so negatively opinionated about a movie, but this movie just struck me in a very cold, unfeeling place. It should be called "the rules of desolation."
    9fmarchione

    Brilliant adaptation of Ellis novel

    Roger Avery succedes brilliantly in this impressive and horrifying adaptation of Bret Easton Ellis' first novel. I read the novel 4 years ago as a Freshman in college after being blown away by 'American Psycho' and wanted to make 'Rules' into a film myself thinking no one would ever try. So much for that. Anyway, Avery impressed me alot. The series of Patrick Bateman references are also quite amusing for readers/viewers familiar with 'American Psycho'

    Some reviewers have tended to comment on Avery's use of visual gimmicks, but he puts them to use well. The split screen where Sean meets Lauren is perfect, showing the seperation between them. The backwards film also works, showing how relatively meaningless many of the actions are, while drawing attention to them at the same time.

    One last thing. People, including here on the IMDB have been criticizing the characters for being one-dimensional. THAT IS THE POINT. Ellis' characters ARE one-dimensional. What you get is a boat-load of information about all of these people and what you are left with is an empty being, soulless, if you will. It works. YOU aren't SUPPOSED to be attached to these characters because THEY are not attached to themselves or anyone else.

    Brilliant film. Very well acted. Very well done.

    Frank
    7bellino-angelo2014

    A different college movie, that's for sure!

    I heard for years about THE RULES OF ATTRACTION because of the cast and the subject but somehow I always kinda avoided it. Well, last January I left my fears behind and finally saw it and, while I didn't loved it, I still liked it for what it was.

    The movie is set in the Camden College in New Hampshire where the students are celebrating the 2001 End of Year party where Lauren Hynde (Shannyn Sossamon) loses her virginity with an unknown and is filmed by a colleague for a hard movie. Sean Bateman gets close to a blonde and she falls for him only because of some songs played with the guitar.

    Then we go backwards (a few months earlier). Sean has all the fantasies you can imagine for Lauren, and ends in bed with Lara Holleran (Jessica Biel) only to regret it because his heart prefers Lauren, and as a result Lauren tries to lose her virginity with counselor Lance Lawson (Eric Stoltz) with disastrous results since he is married and ends up having only a BJ. After some suicide attempts Sean fakes his death managing to upset Lauren but after a while he'll try to talk to her again pretending to simply know her but she dumps him (and Lauren will meet Victor only to see him doing dirty stuff with Lara). After Sean finally realizes that he can't stay with Lauren he will do a trip across Europe and try to close all his deals of the past.

    My summary refers to the fact that when you think of a college movie the first thing that pops in your mind are AMERICAN PIE or ROAD TRIP. But this is different, because it focuses on the personal lives of some students and some of their struggles as they continue their floundering life-style. The performances by all the cast members were decent, nothing exceptional. The direction by Roger Avary was focused but also special because the movie begins during the End of the World party, the stories are set after that but in the second half it returns back at the beginning. Although it's original I personally found it a bit confusing because I prefer my movies with a plot that starts and goes straight until the end.

    Overall, despite it's a very divisive movie I would recommend it to people that from time to time wants to see always something different because of the different plot-style and situations.
    Brogan

    Either you'll love it, or hate it.

    (PLOT SPOLIERS) For the past seventy some years, Hollywood has been a "getaway" for people to escape the cruel world of reality and venture into that fantasy world. The world were the bad guys get their justs, the hero gets the heroine (or vice versa), and the film ends with a happy note, you get up leave the theater feeling good again. But the European new wave directors like Jean Luc Godard and Werner Hertzog do whatever they can in their films, because they use the camera as a instrument, and make films the total opposite of the Hollywood studio films. Critics call those directors artist and brilliant for their work. Now one Hollywood director is doing what he can and put into his movies, only because he can, and Roger Avary shows that in his latest film THE RULES OF ATTRACTION.

    Unlike the recent slew of "teen comedies" or college films, where there is the hero, the sex obsessed friend, the cute high achiever girl, the crusty old dean or teacher, etc. RULES OF ATTRACTION is a film more based on the reality of the college world. The reality where Sean Bateman (James Van Der Beek) believes that he can have sex with a girl while being sober. Where Lauren Hyde (Shannyn Sossamon) believes that her boyfriend, Victor (Kip Pardue) is in Europe and is very faithful to her. But Lauren does what she can to get ahead in school by giving her professor, Mr. Lawson (Eric Stolz) sexual pleasures. The world where Paul Denton (Ian Somerhalder) is a homosexual and feels that he can get any man he desires, and he feels that he can have a relationship with the hetrosexual Sean. And the real world, where Lara Holleran (Jessica Biel) has sex with the enitre football team.

    This is harsh and cruel, bad sadly, it's the truth. This is what the real world is like, and director Roger Avary and writer Bret Easton Ellis do a excellent job showing it. When I watched RULES OF ATTRACTION the two things that blew my mind away was both the story and the directing. The story (which I described above) is pretty much the characters that you can't sympathize with, but instead you really know people like that. It's depressing to realize that, but sadly it's true. Then the directing by Roger Avary, who does a excellent job of telling one person's story, then rewinding everything and telling a different story from another character. Plus the brilliant scene of a split screen image of Sean and Lauren walking to the same class and as they talk to each other, the viewer is given the chance to see both full faces at the same time. Something that I haven't seen in film before.

    There are images from RULES OF ATTRACTION that will be in my memory forever. One scene is how Lauren loses her virginity, the other is Laura dancing only in her underwear as she's about to get "gang bang" by the football team. But most of all, the extremely depressing sucide scene as the beautiful Harry Nilsson tune "Without You" is being played on the soundtrack. A very touching and emotional song for a strongly disturbing scene.

    Lately I've been exposed to the French New Wave world of Jean Luc Godard and Jacuqes Demey, as well as the Neorealist world of Frederico Fellini and Michalengo Antonioni. Films that have symbolism about how society is on this planet. Film critics praise those films (especially those of Godard) as masterpieces and works of art. Now, those same hypocritcs are bashing RULES OF ATTRACTION as a pointless and cruel film. It is cruel, but it does make it's point. It does tell those now and those in years to come what the college life was really like in the early 21st century.

    People and film critics usually scoff and critizie films that actually describe today's society, like FIGHT CLUB and AMERICAN PSYCHO (also written by Ellis). Critics would rather watch a film that takes place in La-La Land like LORD OF THE RINGS and GOSFORD PARK. A world that doesn't exist, but a world people would rather be in. Three years ago, I would hear people complain and say how horrible the movie FIGHT CLUB was. Now, there isn't a male college dorm room where I don't see a poster up for FIGHT CLUB (it's replacing the stereotyped John Belushi "Bluto" poster from ANIMAL HOUSE). Give it another three years, and RULES OF ATTRACTION posters will be up all over univeristy dorm rooms. This is going to be the next cult classic. Is it cruel, yes. Is it disturbing, yes (in fact I almost walked out after the first ten minutes). Is it brilliant and excellent, yes. And for that I applaud Roger Avary and Bret Easton Ellis. They are actually telling a story, the way the twenty something world is really like. A lot of people will be calling this a masterpiece a few years from now, it's October 2002, I'm calling it a masterpiece right now! ***** (out of five)

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    Trama

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    Lo sapevi?

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    • Quiz
      Sean Bateman, the character played by James Van Der Beek, is the younger brother of the infamous Patrick Bateman, the main character of American Psycho (2000), a film also based on a novel by Bret Easton Ellis.
    • Blooper
      When Paul gets kicked out of the guy's room for hitting on him, he lights a cigarette with an ordinary disposable lighter, but we hear the distinctive sound of a Zippo.
    • Citazioni

      Victor: [summarizing his vacation, nonstop, in just under four minutes] Took a charter flight on a DC-10 to London. Landed at Heathrow. Took a cab to the city center. Don't let people lie to you: hostels are for the ugly. I'm staying in Home House, the most beautiful hotel in the world. Called a friend from school who was selling hash, but she wasn't in. Met a couple of Brits who take me to, of all places, Camden Street. I flirt a bit at the Virgin Megastore, buy some CDs, then follow some girls with pink hair. I wandered around trying to get laid, until it started to rain, then went back to Home House. Ministry of Sound is dead, so I go to Remform - but it's Gay Night. I find the one hetero girl in the place and we dry hump on the dance floor. We cab it back to Home House. I strip her clothes off, suck her toes, and we fuck. I hung out for four or five days. Met the world's biggest DJ, Paul Oakenfold. Kept missing the Changing of the Guards. Wrote my mom a postcard I never sent. Bought some speed from an Italian junkie who was trying to sell me a stolen bike. Smoked a lot of hash that had too much tobacco in it. Saw the Tate. Saw Big Ben. Ate a lot of weird English food. It rained a lot, it was expensive, and I'm jonesing... So, I split for Amsterdam. The Dutch all know English, so I didn't have to speak any Dutch - which was a relief. I cruise the Red Light District. Visit a sex show. Visit a sex museum. Smoke a lot of hash. I meet a Dutch TV actress and we drink absinthe at a bar called Absinthe. The museums were cool, I guess. Lots of Van Goghs and the Vermeers were intense. Wandered around. Bought a lot of pastries. Ate some intense waffles. We bought some coke and I cruised the Red Light District, until I found some blonde with big tits that reminds me of Lara. I gave her a hundred guilders. In the end, she pulls me out, and I cum between her tits, even though I'm wearing a rubber. Afterward we made small-talk about AIDS, her Moroccan pimp, and herself. I wake to the sound of a wino singing. It's 8 AM and hot as blazes. I pretend to ice-skate around Central Station, while someone plays the sax. Trade songs with a Kiwi girl... Then split for Paris by train. Wander the Champs-Elysees. Climb the Eiffel Tower for only seven francs, because the ticket machine was broken. Got the hang of the Metro, took it everywhere. Went to a Ford model party and hooked up with a Romanian model named Karina. She chugs my cock at the Mariott Champs-Elysees, which is good. We played billiards, went shopping. I think she gave me mono. Drove a Ferrari that belonged to a member of the Saudi royal family. Made out with a Dutch model in front of the Louvre. Saw the Arc de Triomphe and almost became road-kill crossing the street... "Oakie" invites me to Dublin, so I catch an Aer Lingus flight and stay at the Morrison. Dublin rocks like you can't imagine. Oakenfold lets me spin some discs with him. Irish girls are as small as leprechauns. I swap hickeys with a drunk woman. After groping my abs and calling me "Mr. L.A.", she strips for me in the bath room of the club. Sneak into the Guinness factory and steal some stout so good my dick goes hard... I fly to Barcelona, which was a low-rent bust. Too many fat American students. Too many lame meat markets. I dropped acid at the Sagrada Familia, which was a trip to say the least. Cruise up the coast to the Museo Gala Dali, but had no more acid, which sucked. Some girl from Camden calls me on my cell, so I let her listen to the church bells in Cadaques. Canta Cruz is beautiful, but there are no girls here, just old hippies... So, I went to Switzerland where I, ironically, couldn't find anyone who had the time. Took the Glacier Express up the Schilthorn, which is beautiful in a way I can't describe... Euro Pass into Italy and ended up in Venice, where I met a hot girl who looks like Rachael Leigh Cook and speaks better English than I do. She's living for a year on only five dollars a day. We gondola around, buy some masks. She think's I'm a capitalist, because my hotel room costs more for one night than she's spending her entire trip. But she doesn't mind it so much when I pay the bills... I ditch her and hook up with a couple who obviously want a 3-some. Too much tension there, but the doofus offers to drive me to Rome, an offer I jump at. Traffic is bad and we're stopped for hours without moving. The wife turns out to be a freak. The guy starts to wig out on me. It's like a Polanski film... We stop for a while in Florence, where I see some big dome. A bomb goes off and I lose the weird couple, which is probably for the best... Ended up in Rome, which is big and hot and dirty. It was just like L.A., but with ruins. I went to the Vatican, which was ridiculously opulent. Stood for two hours to get into the Sistine Chapel, which - now that it's been cleaned - looks fake. I meet two under-age Italian girls who I try to talk into fucking each other while I jack off onto them. Bored, I buy them some ice cream instead. My hotel has a gym, so I work out. I bump into some guy from Camden who says he knows me, but I'm sure that he's a fag, so I lose him. I try to fart and instead shit my pants. Back in my hotel room, I masturbate and have a pain in my groin. That night, I dream about a beautiful girl, half in water, stretching her lean body. She asks me if I like it and I tell her she can clean fish with it. I don't know what it means, but I wake well-rested, masturbate in the shower, and check out... I make my way back to London and hang out in Piccadilly Circus. Hmm. Palakon. I swap shirts with some upper-crusty Cambridge chick. Hers was an Agnes B., mine a Costume Nationale. She acts stuffy and prudish, but is really wild underneath it all. She barely looks at my abs, though she wants to. The next day, I drop some acid and get lost in the subway for a full day and can't find my way out. I meet a cute girl who lets me jack off onto her as long as no cum gets onto her Paul Smith coat. We get stoned while listening to Michael Jackson records and the next morning I wake up talking to myself. I have a big bump on my head from flailing in my sleep. I get my stuff and barely make my plane back to the United States... I no longer know who I am and I feel like the ghost of a total stranger.

    • Curiosità sui crediti
      The credits run backwards, starting with the disclaimer ("Any similarity to persons living or dead...") and rolling upwards to end with the cast.
    • Versioni alternative
      The French 2-Disc Special Edition entitled 'Les Lois De L'Attraction' is the longest possible version available. It has a couple of scenes not in the UK & US DVDs and also includes more of the suicide scene (including the girl actually cutting into her wrists, instead of just seeing her reaction) It also includes more relevant commentary tracks than the other DVD's available.
    • Connessioni
      Edited into Glitterati (2004)
    • Colonne sonore
      Anna Begins
      Performed by James Van Der Beek

      Words by Adam Duritz

      Music by David Bryson, Marty Jones, Toby Hawkins, Lydia Holly and Adam Duritz

      Published by 1993 EMI Blackwood Music Inc./Jones Falls Music/Knucklevision Music/Puppet Head Songs/Siren Says Music (BMI)

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    • How long is The Rules of Attraction?Powered by Alexa
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    • Was "The End of the World" party scene really filmed on September 11th, 2001?
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    Dettagli

    Modifica
    • Data di uscita
      • 19 marzo 2004 (Italia)
    • Paesi di origine
      • Stati Uniti
      • Germania
    • Sito ufficiale
      • Official Director's site for the film. (United States)
    • Lingue
      • Inglese
      • Tedesco
    • Celebre anche come
      • Atracción
    • Luoghi delle riprese
      • University of Redlands, Redlands, California, Stati Uniti
    • Aziende produttrici
      • Kingsgate Films
      • Roger Avary Filmproduktion GmbH
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 4.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 6.532.619 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 2.532.410 USD
      • 13 ott 2002
    • Lordo in tutto il mondo
      • 11.832.822 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

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    • Tempo di esecuzione
      1 ora 50 minuti
    • Colore
      • Color
    • Mix di suoni
      • Dolby Digital
    • Proporzioni
      • 1.85 : 1

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