Mr. Stitch

How they were able to attain funding to produce this..uh..movie, has to be more of a feat than the production itself.

I'm so glad to see Wil Wheaton didn't leave Star Trek: The Next Generation without such promising projects awaiting him.

Wheaton plays an androgenous, Palamino-skinned Frankenstein's Monster with amnesia, who after reading one of several books, the Bible, names himself Lazarus.

With huge vacant lab rooms, filmed using more lens gauze than Penthouse, an eventual laboratory breakout, and a crazy road trip(by the way, when did he take the 'Mad Max' driving course), 'Stitch' can only leave you asking one question? Ron Perlman had plenty of time post-"Beauty and the Beast", but what was Taylor Negron thinking?

I think the movie was excellent, it was not violent for starters compared to other recent movies.

Wheaton plays the part of a man who has been 'stitched' together like humpty dumpty, well from the remains of many dead persons. The problem starts when he starts remembering how they died and lots of other memories they had. Nia Peeples is great in the movie, as is Wheaton.

The movie reminds us, not to play with nature, not to "play God" with life. What God creates we shouldn't manipulate for our own egoistical interest such as creating super-soldiers which was what the movie was about.

Great sci-fi movie, unfortunately it was shown at 1.30am last night on tv!

A very, very stylized, starkly minimalistic, risky vision of the idea of life without birth, a la Frankenstein, involving a military funded operation to build the perfect soldier (Wil Wheaton) with the use of body parts from eighty-eight individuals. The "Stitch Project" initially appears to be a success until the creation begins to remember those who he was and those who he loved. A more "thinking/talking" than "doing/action" piece (until the last few scenes). Intriguing and weird at the same time. Definitely won't be everyone's cup of tea.

Ron Perlman has a small role, told in flashback, of a doctor who was initially involved in the creation process and ends up becoming literally a part of it after he is killed trying to stop the military from subverting his work. He has some beautifully sweet romantic moments with love interest and fellow Stitch Project doctor Nia Peeples.

Favorite line(s): "Without choice you can be alive but you wouldn't be living." "Music is like poetry or fiction only put to sound."

Favorite line spoken by Ron Perlman (and Wil Wheaton): "If you believe it in your heart than follow it otherwise don't be so eager to concur with the opinions of others."

Due to its almost severe style, I would suggest renting before buying.

I rented this TV movie cause it had Rutger Hauer in it. I never imagined I was renting something soooo bad. The amount of flaws this movie has wouldn't fit on a grocery list. I felt sorry for Hauer, seeing him so fat and old, starring on a movie that was so bad. I think he ran away from making this movie, after seeing how bad it was turning out to be(we can only see Hauer on the first minutes of film, afterwards, he simply disappear). I know this film has had its amount of bad critics, but it is just that bad. A 0.5 out of 10.

I kept it on for as long as I could, but after awhile this movie really began to bother me, so finally I turned it off. NOT one of Rutger Hauer's best films, or probably anybody involved best films by a long shot.

It's not like I was expecting a great movie. I admit, it was only the presence of Rutger Hauer and my knowlege of some bad blood on the set that made me want to watch this in the first place. The story, which is somewhat like Frankenstein, is about a young man (Wil Wheaton) who is patched together from various cadevers by an odd reclusive type (Hauer). The young man is horrifying in appearance, but brilliant in knowlege. The old man also possesses a great amount of knowledge, so he knows enough to keep his creation secluded into an odd building where everything is white. I think the white somehow represented a sign of religion, which was pointlessly made to look all bad, and like science was the key. That, along with the fact that Hauer "suddenly having to go away" (and never coming back) quite quickly played major factors in my turning it. I don't care for Wil Wheaton nearly enough to watch him by himself, and what was he supposed to DO for the rest of the movie without Hauer? I did not feel like finding out.

Note: Hauer "suddenly had to go away" because director Roger Avery asked him to leave the set...permanently. It seems that he and much of the cast were at odds with the rest of the crew. (maybe he didn't like the ridiculous view the film took on religion). Editing problems were also supposed to be a problem for this film. Those could be two reasons as to why it turned out so...oddly.