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IMDbPro

Travolti dal destino

Titolo originale: Swept Away
  • 2002
  • T
  • 1h 29min
VALUTAZIONE IMDb
3,6/10
18.482
LA TUA VALUTAZIONE
Madonna and Adriano Giannini in Travolti dal destino (2002)
Home Video Trailer from Columbia Tristar
Riproduci trailer1:33
5 video
68 foto
Commedia romanticaSopravvivenzaCommediaRomanticismo

La storia di una persona mondana e spocchiosa che è bloccata su un'isola del Mediterraneo con un marinaio comunista.La storia di una persona mondana e spocchiosa che è bloccata su un'isola del Mediterraneo con un marinaio comunista.La storia di una persona mondana e spocchiosa che è bloccata su un'isola del Mediterraneo con un marinaio comunista.

  • Regia
    • Guy Ritchie
  • Sceneggiatura
    • Guy Ritchie
    • Lina Wertmüller
  • Star
    • Madonna
    • Adriano Giannini
    • Bruce Greenwood
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    3,6/10
    18.482
    LA TUA VALUTAZIONE
    • Regia
      • Guy Ritchie
    • Sceneggiatura
      • Guy Ritchie
      • Lina Wertmüller
    • Star
      • Madonna
      • Adriano Giannini
      • Bruce Greenwood
    • 252Recensioni degli utenti
    • 58Recensioni della critica
    • 18Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Premi
      • 8 vittorie e 8 candidature totali

    Video5

    Swept Away
    Trailer 1:33
    Swept Away
    Swept Away
    Trailer 0:31
    Swept Away
    Swept Away
    Trailer 0:31
    Swept Away
    A Guide to the Films of Guy Ritchie
    Clip 1:44
    A Guide to the Films of Guy Ritchie
    Swept Away Scene: Scenes
    Clip 0:26
    Swept Away Scene: Scenes
    Swept Away: B-Roll
    Featurette 0:21
    Swept Away: B-Roll

    Foto68

    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    Visualizza poster
    + 62
    Visualizza poster

    Interpreti principali17

    Modifica
    Madonna
    Madonna
    • Amber
    Adriano Giannini
    Adriano Giannini
    • Giuseppe
    Bruce Greenwood
    Bruce Greenwood
    • Tony
    Elizabeth Banks
    Elizabeth Banks
    • Debi
    Michael Beattie
    Michael Beattie
    • Todd
    Jeanne Tripplehorn
    Jeanne Tripplehorn
    • Marina
    David Thornton
    David Thornton
    • Michael
    Yorgo Voyagis
    Yorgo Voyagis
    • Captain
    Ricardo Perna
    • Crew Member
    George Antoni
    George Antoni
    • Chef
    • (as George Yiasoumi)
    Beatrice Luzzi
    • Rich Lady
    Lorenzo Ciompi
    • Rich Man
    Patrizio Rispo
    • Burly Captain
    Francis Pardeilhan
    Francis Pardeilhan
    • Tony's Assistant
    Rosa Pianeta
    • Receptionist
    Andrea Ragatzu
    • Bell Boy
    Anna Cachia
    • Fishmonger
    • (non citato nei titoli originali)
    • Regia
      • Guy Ritchie
    • Sceneggiatura
      • Guy Ritchie
      • Lina Wertmüller
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti252

    3,618.4K
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    Recensioni in evidenza

    1bronty

    Why does the woman even bother anymore...?

    I almost saw this at an actual movie theatre (an art-house theatre, no less!) but couldn't make it there in the one whole week it played, but yesterday I finally saw it on cable and...well...I wasn't disappointed, that's for sure! Madonna has done it again: YET ANOTHER BOMB! When will this woman learn? When will the studios learn? (Or perhaps they already have, since this film was largely dumped, with little fanfare and deadly word-of-mouth.) One would hope that being directed by her talented husband, who's created some interesting and/or terribly entertaining work, would bring out the same quality Madonna showed in "Desperately Seeking Susan"; alas, it just isn't meant to be, for here she is, at her very worst: singularly convinced of her own greatness, the smugness permeating every frame she's in, made all the more unbearable by her wavering faux-British accent, an accent that only underscores the fact that her speaking voice is immature in quality and not especially pleasant. This may sound unnecessarily cruel but LISTEN to the woman, and LOOK at her films of, say, the past decade: like a latter-day Bette Davis, there is an unmistakable brittleness to not only her carriage but to her very face and body, which here, despite the warm photography displayed throughout the film (perhaps its only saving grace), are done no favors. To her credit, the entire affair is so misbegotten that one wonders if the world's greatest actress on her best day could do anything with this mess. No one involved escapes unharmed: Bruce Greenwood actually seems pained to be on-screen, though poor Jeanne Tripplehorn seems to carry herself as if she's actually in something good, which had me thinking all the while, "Denial ain't just a river in Egypt!" Adriano Giannini, son of Giancarlo Giannini, star of the Italian original, "Swept Away...", is, like his father before him, immensely attractive, and isn't altogether bad (despite winning a Razzie nomination for "Worst Actor"), but, like almost everything else about this production, it all comes back to Madonna, on whose shoulders rest the blame. Why her? Why not her husband, director Guy Ritchie? Just who do YOU think was behind this remake? What actress wouldn't want nearly every shot of a movie to be centered on her, with only a relative nobody sharing the screen? Oh sure, Ritchie deserves some blame: surely he - or someone - ANYONE! - should have, and could have, taken his lead aside and insisted on something bordering on ACTUAL FEELING in her line readings (for her performance is so wooden it's a surprise the rest of the cast didn't get splinters), or at least display a semblance of warmth...but she seems resistant to be anything but a cinematic black hole. Above and beyond anything else, this is strictly a vanity project for its star so she is ultimately accountable for it. A film like this, an "Odd Couple"-ish, war of the classes, should be light and fun, with leads who can bounce off one another with witty, even romantic, dialogue, for what else can a film whose plot involves two disparate people stranded, really be? Honestly, I don't think anyone involved knew exactly the tone they were trying for; it succeeds neither as comedy (I defy you to laugh even once) or romance (Madonna's ice-princess routine precludes ANY chemistry). It's not even bad enough for us bad-movie lovers to enjoy. A real shame...
    pattay72

    Swept away by the awfulness

    This was visually a very pretty movie. The color of the ocean was so BLUE and the white sand beaches were so PRISTINE. The cinematography and tableaus created were so BREATHTAKING that the only pleasure one can derive fom this mess is an appreciation of the beaches in Sardinia. But all of that does not make up for a lack of plot or mischaracterizations of the protagonists. Madonna, who gets marooned on an island with a macho Italian steortypical guy reminded me of a petulant teenager. She related to her husband and Italain macho guy as a naughty teen would. No real depth of anything. The "funny" scenes were merely embarrassing. How could Guy Ritchie make something this bad? It doesn't make any sense after seeing Snatch and Lock, Stock. IT IS STOMACH CHURNING AWFUL people! I felt queasy with the slow motion fake-tears-chasing and the accompanying vertiginous piano: ping! ping! ping! This film was a romp on the beach with adults acting acting like thirteen year old dominant/submissives. (Madonna kissing macho's foot after she submits to him - bleh.)Most of the island scenes between these two adults were filmed like a home movie with the light shining on a worn out looking Madonna: "Look at me! See how buff and pretty I am! I can do push ups and dancie dance, and see how big my biceps are?" Oh my God. This was bad. Madonna doesn't act, she just plays herself. Just because she can cry on cue doesn't mean she is an actress.
    1MarieGabrielle

    Rent the Lina Wertmuller original...

    and forget this. Completely. If you really need to see Madonna act, rent "Body of Evidence", at least Willem Defoe is in that one.

    In this film, while the sets are beautiful, you may want to mute the dialog. You won't miss anything. Bruce Greenwood is wasted, Jeanne Tripplehorn is a prop, and Madonna is so awful, it becomes amusing. Why they had to butcher the original film into this mess, I will never know; guess they thought it was "bankable". Madonna, as an actress, certainly is NOT.

    If you rent the original film from 1979, though, you will enjoy it, and the actors in it can actually act. 1/10.
    El Guapo-2

    Earth to Madonna, come in, are you there?

    Madonna, you cannot act. I'm sorry, but some people have the chops, and some people don't. If you don't have the chops, there are ways to overcome those limitations, but not nearly enough if you want to play the lead, and the lead in a romantic comedy no less (and I use that term loosely here, there is nothing romantic or funny about this movie, and I had just eaten a magic brownie 2 hours earlier). Please get it out of your head whatever aspirations you have of being a movie star, and stick to doing what it is you do best, which seems to be reinventing yourself every odd year or so.
    seashellz

    Do yourself a favour, and rent the Original 1972 SWEPT AWAY...

    It is a minor Masterwerke, and tells the tale in a far more engaging way. The scenery is also gorgeous, and there is an eerie 1960s feel about the film...also an at first snappy, and then increasingly haunting soundtrack...WE should see ALL of Wertmullers films remastered on DVD.

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    Trama

    Modifica

    Lo sapevi?

    Modifica
    • Quiz
      When the studio screened Travolti dal destino (2002) for Lina Wertmüller, the director of the original film, it is alleged that she left the theatre at the end crying out: "What did they do to my movie? Why [did] they do this?"
    • Blooper
      The wine bottle changes as Amber does charades.
    • Citazioni

      [complaining to her husband]

      Amber: I did not fly all the way from New York City to wherever the fuck we are to get on that!

      Tony: How many vacations have you enjoyed? You wanted to try something new.

      Amber: New? Tell me, how new does that look? It's got a fucking chimney, Anthony!

    • Connessioni
      Featured in Siskel & Ebert & the Movies: The Worst Films of 2002 (2003)
    • Colonne sonore
      Come On-a My House
      Written by Ross Bagdasarian and William Saroyan

      Published by Armen Bagdasarian (ASCAP)

      Used by kind permission of Universal/MCA Music for World (Ex. USA & Canada)

      Performed by Della Reese

      Licensed courtesy of RCA Records and BMG Entertainment International UK & Ireland Ltd.

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    Domande frequenti19

    • How long is Swept Away?Powered by Alexa

    Dettagli

    Modifica
    • Data di uscita
      • 23 maggio 2003 (Italia)
    • Paesi di origine
      • Regno Unito
      • Italia
    • Siti ufficiali
      • Columbia Tristar (France)
      • Sony Pictures (United States)
    • Lingue
      • Inglese
      • Greco
      • Italiano
    • Celebre anche come
      • Insólito destino
    • Luoghi delle riprese
      • Alghero, Sassari, Sardinia, Italia
    • Aziende produttrici
      • Screen Gems
      • SKA Films
      • Codi S.p.a.
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 10.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 598.645 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 354.052 USD
      • 13 ott 2002
    • Lordo in tutto il mondo
      • 1.036.520 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      • 1h 29min(89 min)
    • Colore
      • Color
    • Mix di suoni
      • DTS
      • Dolby Digital
      • SDDS
    • Proporzioni
      • 1.85 : 1

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