Differente per passioni devastanti, per amplessi fatali, ma sicuramente per il sesso. Tanto sesso: in ascensore, in manette, sul cofano di un auto, guardando sul teleschermo una porno-casset... Leggi tuttoDifferente per passioni devastanti, per amplessi fatali, ma sicuramente per il sesso. Tanto sesso: in ascensore, in manette, sul cofano di un auto, guardando sul teleschermo una porno-cassetta di cui lei stessa è la protagonista.Differente per passioni devastanti, per amplessi fatali, ma sicuramente per il sesso. Tanto sesso: in ascensore, in manette, sul cofano di un auto, guardando sul teleschermo una porno-cassetta di cui lei stessa è la protagonista.
- Regia
- Sceneggiatura
- Star
- Premi
- 1 vittoria e 8 candidature totali
Recensioni in evidenza
The plot itself is a rather lame, 'Basic Instinct' knockoff, which was practically a sub-genre at that time but it was engaging enough. It seems the director's main goal was to see if he could get Madonna, Julianne Moore and Anne Archer (who was a major crush of mine at the time) to take off all their clothes. It seems he succeeded though there may have been a body double for A.A. (sad face emoji)
I can see how people of a more puritanical and/or snooty mindset could hate this movie but for it's unblinking and unapologetic trashiness, good performances and serviceable plot I found it entertaining. If you accept the movie for what it is, it's a very fun watch.
Remember this coming on late one night when I was flicking through the channels as a teenage boy, was like striking gold. So it gets an extra star for that 🌟 Personally I prefer it over Basic Instinct which it's often compared to. Just found it more interesting for some reason , and Madonna was a better seductress. Which is what the movies are mainly about really.
And the cast was actually better too. Frank Langella and Julian Moore in supporting roles!
Lo sapevi?
- QuizIn a radio interview with Sway Calloway, Willem Dafoe confirmed that the scene in the parking garage is genuine, no body doubles were used.
- BlooperA detective states that the reason the police called the District Attorney is because the victim, Andrew Marsh, was handcuffed at the time of death. However, in the opening scene it is obvious that the dead man is not handcuffed. Moreover, if he were, it would almost conclusively prove Rebecca's guilt - if she did not kill him, she would have untied him before leaving. And despite this supposedly being the sole reason for Rebecca's arrest and prosecution, whether the deceased was or wasn't handcuffed at the time of his death is never mentioned again, by anybody.
- Citazioni
Rebecca Carlson: All we did was make love.
Frank Dulaney: In handcuffs.
Rebecca Carlson: It was different, but it was still making love. Have you ever seen animals make love, Frank? It's intense. It's violent. But they never really hurt each other.
Frank Dulaney: We're not animals.
Rebecca Carlson: Yes, we are.
- Versioni alternativeThree versions of this movie have been released: an R-rated theatrical version, a NC-17 version and an unrated video version. European release is the NC-17 cut.
- ConnessioniFeatured in Siskel & Ebert & the Movies: Memo to the Academy - 1993 (1993)
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Dettagli
- Data di uscita
- Paesi di origine
- Sito ufficiale
- Lingua
- Celebre anche come
- El cuerpo del delito
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 30.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 13.273.595 USD
- Fine settimana di apertura Stati Uniti e Canada
- 7.365.429 USD
- 18 gen 1993
- Lordo in tutto il mondo
- 13.273.595 USD
- Tempo di esecuzione
- 1h 39min(99 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1