VALUTAZIONE IMDb
3,6/10
18.479
LA TUA VALUTAZIONE
La storia di una persona mondana e spocchiosa che è bloccata su un'isola del Mediterraneo con un marinaio comunista.La storia di una persona mondana e spocchiosa che è bloccata su un'isola del Mediterraneo con un marinaio comunista.La storia di una persona mondana e spocchiosa che è bloccata su un'isola del Mediterraneo con un marinaio comunista.
- Premi
- 8 vittorie e 8 candidature totali
George Antoni
- Chef
- (as George Yiasoumi)
Anna Cachia
- Fishmonger
- (non citato nei titoli originali)
Recensioni in evidenza
and forget this. Completely. If you really need to see Madonna act, rent "Body of Evidence", at least Willem Defoe is in that one.
In this film, while the sets are beautiful, you may want to mute the dialog. You won't miss anything. Bruce Greenwood is wasted, Jeanne Tripplehorn is a prop, and Madonna is so awful, it becomes amusing. Why they had to butcher the original film into this mess, I will never know; guess they thought it was "bankable". Madonna, as an actress, certainly is NOT.
If you rent the original film from 1979, though, you will enjoy it, and the actors in it can actually act. 1/10.
In this film, while the sets are beautiful, you may want to mute the dialog. You won't miss anything. Bruce Greenwood is wasted, Jeanne Tripplehorn is a prop, and Madonna is so awful, it becomes amusing. Why they had to butcher the original film into this mess, I will never know; guess they thought it was "bankable". Madonna, as an actress, certainly is NOT.
If you rent the original film from 1979, though, you will enjoy it, and the actors in it can actually act. 1/10.
Madonna, you cannot act. I'm sorry, but some people have the chops, and some people don't. If you don't have the chops, there are ways to overcome those limitations, but not nearly enough if you want to play the lead, and the lead in a romantic comedy no less (and I use that term loosely here, there is nothing romantic or funny about this movie, and I had just eaten a magic brownie 2 hours earlier). Please get it out of your head whatever aspirations you have of being a movie star, and stick to doing what it is you do best, which seems to be reinventing yourself every odd year or so.
It is a minor Masterwerke, and tells the tale in a far more engaging way. The scenery is also gorgeous, and there is an eerie 1960s feel about the film...also an at first snappy, and then increasingly haunting soundtrack...WE should see ALL of Wertmullers films remastered on DVD.
I watched Swept Away having little else to do, and part of me wished I had read a magazine or an opera DVD instead. Swept Away has few, if any at all, redeeming qualities at all, and there were times where I wished I could turn off the television but reminded myself that is not a fair way to judge a movie.
Guy Ritchie's direction for starters is very unimaginative, and the camera work and editing don't have any real charm to them, the camera work is not amateurish as such but shows nothing out of the ordinary, and the editing could've been smoother at times.
The script is very hackneyed, the comedic elements are forced and the romantic elements sappy. Also it has the feel of a bad 70s TV drama. The concept has been done to death but that wasn't necessarily a turn off, but the pace is turgid and the story itself doesn't have any interest at all.
Likewise with the characters. They don't feel like characters or real people at all, just overdone caricatures. Jeanne Tripplehorn gets the worst of it, and her overdone performance suffers from it. Madonna only so far has impressed me in Evita, but her performance here is lifeless and disengaged here.
Only two things have any real spark. One is the striking scenery and the other is the earthy charm of Adrianno Giannini. However these two are not enough to salvage the movie from being an insipid bore. All in all, not recommended. 1/10 Bethany Cox
Guy Ritchie's direction for starters is very unimaginative, and the camera work and editing don't have any real charm to them, the camera work is not amateurish as such but shows nothing out of the ordinary, and the editing could've been smoother at times.
The script is very hackneyed, the comedic elements are forced and the romantic elements sappy. Also it has the feel of a bad 70s TV drama. The concept has been done to death but that wasn't necessarily a turn off, but the pace is turgid and the story itself doesn't have any interest at all.
Likewise with the characters. They don't feel like characters or real people at all, just overdone caricatures. Jeanne Tripplehorn gets the worst of it, and her overdone performance suffers from it. Madonna only so far has impressed me in Evita, but her performance here is lifeless and disengaged here.
Only two things have any real spark. One is the striking scenery and the other is the earthy charm of Adrianno Giannini. However these two are not enough to salvage the movie from being an insipid bore. All in all, not recommended. 1/10 Bethany Cox
It's another Madonna film: does anyone really need to know more?
The only thing worse than Madonna trying to be funny is Madonna trying to be serious.
The only thing worse than being trapped on a desert island with Madonna is being trapped on a desert island with Madonna and a film crew.
In 2002, the only thing worse than Madonna in SWEPT AWAY was Robin Williams in DEATH TO SMOOCHY.
The only thing worse than watching Madonna in any movie is trying to come up with new ways of saying she can't act.
The only thing worse than Madonna trying to be funny is Madonna trying to be serious.
The only thing worse than being trapped on a desert island with Madonna is being trapped on a desert island with Madonna and a film crew.
In 2002, the only thing worse than Madonna in SWEPT AWAY was Robin Williams in DEATH TO SMOOCHY.
The only thing worse than watching Madonna in any movie is trying to come up with new ways of saying she can't act.
Lo sapevi?
- QuizWhen the studio screened Travolti dal destino (2002) for Lina Wertmüller, the director of the original film, it is alleged that she left the theatre at the end crying out: "What did they do to my movie? Why [did] they do this?"
- BlooperThe wine bottle changes as Amber does charades.
- ConnessioniFeatured in Siskel & Ebert & the Movies: The Worst Films of 2002 (2003)
- Colonne sonoreCome On-a My House
Written by Ross Bagdasarian and William Saroyan
Published by Armen Bagdasarian (ASCAP)
Used by kind permission of Universal/MCA Music for World (Ex. USA & Canada)
Performed by Della Reese
Licensed courtesy of RCA Records and BMG Entertainment International UK & Ireland Ltd.
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Dettagli
- Data di uscita
- Paesi di origine
- Siti ufficiali
- Lingue
- Celebre anche come
- Insólito destino
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 10.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 598.645 USD
- Fine settimana di apertura Stati Uniti e Canada
- 354.052 USD
- 13 ott 2002
- Lordo in tutto il mondo
- 1.036.520 USD
- Tempo di esecuzione
- 1h 29min(89 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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