Spia per caso

Jackie Chan's greatest weakness in his movies is predictability: you know the good triumphs over evil, the good guys are easy to identify, Jackie drop-kicks some butt, and he takes time to save kids and babies (not to mention babes, who sometimes save him). You know that if he gets the girl, he doesn't get very far (PG all the way).

In his best movies, this is his greatest strength, too: against the repeated backdrop of white and black hats, you're never quite sure how he's going to manage to clutch victory from the jaws of defeat. You know he's going to get cornered by 6 black hats with 18 weapons in some storage room...and somehow use whatever's stored there to do away with the evil-doers.

Unfortunately, in the Accidental Spy, we're not kept guessing very long. The fight scenes are overly predictable (and, too often, the victim of a punch will start rolling their head back before they're punched). The plot is as unimportant to the Jackie Chan machine as usual, but, unlike other movies of his, the characters aren't memorable. The love-interest is lovely, but not interesting. The spy-who-coulda-have-loved-Jackie is relegated to making plot-digressing phone calls ("did you order a helicopter?").

And it's too bad, because there's otherwise some good material here: drug kingpins and orphans, lost parents, competing spy agencies, and beautiful locations (especially those Istanbul and other parts of Turkey). It's too bad that his escape from a Turkish bathhouse is wasted in this movie (you try to confront a half-dozen apes with only your bath towel to save you...and then not even the towel).

The dubbing doesn't help. Instead of offering the film in its original Chinese with subtitles (easily possible in this digital age), we're stuck with dubbing that sucks away what little life remains in these two-dimensional characters.

I really like Chan's movies, but he could have phoned his performance in for this one. Chan, unfortunately, is missing from his own movie.

I'm a big Chan fan and have watched most of his films.

This one seems to be a forerunner (except the Aussie-based ones) to his attempt to internationalize himself by appearing with Western co-actors and filming on international locations. I would say that A.S. is the better of this group of films. It has a resonable plot with more purpose than most of his other films. It also has a decent filming location in Turkey, and his co-stars also have some degree of character. We also still manage to savour some good quality stunt antics before they are about to all but disappear in Chan's most recent films of Tuxedo etc.

Worth selecting out of Chan's collection.

A worker in an athletic equipment store (Jackie Chan) saves the day when a robbery is going down. With a bit of fame, he attracts the attention of a dying Korean man who believes the hero is his long lost son. But, after traveling to Korea to meet with his supposed father, Jackie learns he may have a large bank account in Istanbul and his dad may have been involved in drug trafficking, too. Even as Jackie jets off to Turkey and fills a suitcase with his new bank-vault fortune, various groups of bad guys are out to get him. One of them dangles a beautiful young lady as bait for a trap. Will Jackie fall for it? Also, is the CIA involved in some respect? This is a fairly exciting movie which sports Jackie's patented and imaginative martial arts talent. Watching him get away from his pursuers by squirting shampoo in their eyes, among other things, is fun, no doubt about that. There is also a great scene in an open market where a disrobed Chan covers his vitals with tambourines and other handy items. Chuckle, chuckle. This dubbed film from the Hong Kong filmmakers also offers an excellent visual tour of Istanbul and its surroundings, something very rare and attractive. Jackie's castmates are well chosen, also, with two beautiful women gracing the screen for the viewers' vast enjoyment. If you love Chan movies, don't miss this one. Although it may not be his best work, it still has plenty of humor and action to keep the audience watching until the credits start to roll.

If one of the earlier reviewers is correct, then the Dimension release (which I saw) must have butchered a passable original, for I can't imagine Chan being in anything this poor. The Accidental Spy was beautifully photographed with some excellent fight and car-chase sequences, but whomever redid the dialogue for the English-language market had little idea of plot or continuity. The sound quality was additionally horrid, making the film even harder to follow.

Hopefully one of these days I'll get to see the Chinese original. In this form, The Accidental Spy fares very poorly in comparison with Police Story or Drunken Master II.

Apparently there are two versions of "The Accidental Spy" in circulation, the most commonly found cut one (which runs about 90 minutes) and the harder to find long one (which runs about 110 minutes). This certainly offers a reasonable explanation as to why the plot of this movie in its cut form seems so disjointed. But it does not fully explain why it is so dull. The tone swings wildly from light spy comedy to serious spy drama - the movie never seems sure of itself. The fighting is unremarkable if you've seen any of Jackie's previous outings, and some of the action scenes have a "been there, done that" feel to them. The climactic "Speed"-like sequence of a tanker that must not slow down or it will explode is spectacular, but has nothing to do with the main plot. On the bright side, there is at least one amazing stunt (Jackie jumping from the roof of a building to the road below using three umbrellas as parachutes!), there is a nice international flavor (the locations include Hong Kong, Seoul and Istanbul), there are two pretty Chinese women, and of course there is always Jackie. (**)