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- Premi
- 2 vittorie e 9 candidature totali
- Annie Tsui
- (as Chen Chun Wu)
- Col. Gregor Yegorov
- (as Jouri Petrov)
- Natasha
- (as Grishajeva Nonna)
- Golden Dragon Club Member
- (as Wai To Chan)
Recensioni in evidenza
What, then, are they about? It's hard to put into words. You may have heard him described as a martial artist, a stuntman, and a slapstick comedian. None of those descriptions do him justice. I could add that he's something of an acrobat and gymnast, but even that doesn't sum it up. There is no actor he can be compared to, for his style is unique; it's like he's developed his own art form. These are not "fighting films" in a traditional sense. They're more like the types of acts you might see at a circus, involving props used in astonishing ways and depending on careful choreography and exquisite timing. For example, at one point in this film Chan flips and twirls a heavy stepladder like it was a baton, then sets it down and weaves his own body through the rungs, while fending off attacks from a group of men.
Typically in his films, the acts he performs get increasingly formidable as the film progresses, culminating in some large-scale stunt such as him leaping off a building. But even the little things he does are eye-popping. In this film he's constantly climbing walls with an agility reminiscent of Donald O'Connor. You never know what to expect, for he does different things in each film.
Well, at least that once was the case. Since "Rush Hour," his 1998 American blockbuster, his stunts have become less intricate, and he's begun repeating ideas. It may be that he's getting older, but it also may be that he's moved from Hong Kong to Hollywood. Undoubtedly the recent films have more polish and better production values, which has helped make them accessible to a wider audience. But his earlier work is so full of invention that I'm able to overlook formula plots, bad acting, and cheesy humor. I do have my limits. A few of his films--"The Protector" comes to mind--are so badly done that it doesn't matter that they have cool fight sequences. His films need some measure of competence to work. They are more than a series of routines strung together.
Part of what makes them charming is Chan himself. He is a pretty solid actor compared to some of the leading American action stars, capable of conveying a full range of emotions convincingly. He is particularly good at expressing panic. The character he plays is not your standard tough-guy. He is frequently an inferior fighter to those he confronts. When hit, he grimaces in pain. When faced with the opportunity, he runs. He survives by a mixture of quick wits and luck. He is far more a throwback to Keaton and Chaplin than a martial arts master.
Of course, I won't call this film or any other by Chan a masterpiece. Perhaps I'm too conventional. If the purpose of films is to entertain, his succeed brilliantly. Whether they appeal to you depends on your taste, but one thing you cannot do is claim he's untalented. It may not be a talent you're used to, but it's one that's likely to remain unparalleled.
This exciting movie is crammed of action-packed, overwhelming stunt-work and lots of violence but with humor. Jackie Chan is top notch as one army man fighting a group of heinous criminals and as always he makes his own stunts like is showed on the final fake-shots . Awesome ,incredible stunts and brief comic touches , as usual ; the picture is better constructed than its predecessor . The lighting-paced storyline slows down at times , but frantic action sequences make up for it . Spotlights movie include a stirring pursuit on the snow and underwater fights surrounded by sharks in James Bond style , among others . This is a phenomenal action movie distinguished by nicely cinematography of the spectacular sequences , and contains agreeable sense of humor such as previous entries . However while the former outings Jackie teamed up to prestigious actresses and fine action stars in their own right , like Maggie Cheung and Michelle Khan , at this film his parternaire is unknown . Thrilling and moving musical score fitting to action by J. Peter Robinson . The picture is lavishly produced by the great Asian producers Raymond Chow and Golden Harvest production and efficiently directed by Stanley Tong . The first version titled ¨Police story(1985)¨ directed by the same Jackie Chan was a perfect action film for enthusiastic of the genre ; the following was ¨Police story 2(1988)¨ also pretty violent and with abundant humor touches . It's followed by ¨Police story V : Crime story¨ and finally ¨New Police story¨ by Benny Chan . Rating : Accepatable and passable, the picture has its sensational moments here and there , mostly provided by its agile star, the super Jackie Chan .
OK, I'll admit it isn't as awesome as it sounds, nor is it as bad as it may sound to others. The plot is standard spy-stuff, and accompanied by some very poor dialog. The bad guys are the stereotypical bad guys who know they can kill the hero straight away, but opt for something else, in this case, its "lets have fun with him" or "lets beat him". Ah, classic. Those very big Russian mobsters don't look or sound very intelligent anyway.
Sure, the plot might be trying to be too much like James Bond, the dialog bad, and some of the actors poor - but Jackie beats people up using a ladder. A LADDER! Some of the other action scenes are pretty cool too - ranging from Jackie snowboarding, to Jackie fighting on stilts, to Jackie jumping cars. Awesome.
7/10 - Only for fans of action or Jackie Chan
Lo sapevi?
- QuizJackie Chan and Bill Tung's fourth "Police Story" movie and last collaboration.
- BlooperAfter Jackie meets up with Annie with the security guards at the elevator, the security guard talking on the walkie-talkie says that they are on the top floor, but after Jackie pushes both guards into the elevator, you clearly see the elevator going up, clearly indicating there is at least one more floor.
- Citazioni
Chan Ka Kui: [phone call] Uncle Bill! I'm calling you right now from Australia and I'm having a great time! I'm talking to you while enjoying my great view. Wow! Working for the FSB is great. I have a sauna, swimming pool, and jacuzzi. Oh, wait a second. My koala bear just came out.
Uncle Bill: [on the other end of the call] What? You mean in your hotel room? It's only a toy, right?
Chan Ka Kui: No. It's the real thing!
[hands the phone to the koala bear]
Chan Ka Kui: Say hi to Uncle Bill.
[takes the phone back]
Chan Ka Kui: He's too shy. Don't hang up.
Hong Kong Policeman: [to Bill] He's living it up. I should've gone with him.
Chan Ka Kui: Really. I'm not making this up! What else? Money... clothes... car. I feel almost like James Bond. Except no gorgeous girls.
Uncle Bill: Hey. If all of this is for real, you should be very careful.
Chan Ka Kui: Okay. So long. Bye bye.
[hangs up]
Uncle Bill: [to the policeman] Do you think he went crazy on this assignment? Maybe he's overworked.
- Curiosità sui creditiOuttakes of the stunts that went wrong, injuries and funny scenes.
- Versioni alternativeNew Line Cinema cut the film by over 23 minutes from the original Hong Kong version for the international release, in addition to dubbing all the non-English dialogue (be it Cantonese, Mandarin, Russian or Ukrainian) into English, even though the film was already mostly in English. Other differences include a different opening titles sequence and a completely new music score composed by J. Peter Robinson, replacing Nathan Wang's score for the original release. Most home video releases and all HD releases around the world, including in Hong Kong, feature this cut version. The only home video releases to feature the original, uncut, undubbed version of the film with the original music score are Hong Kong releases by Mei Ah Entertainment, a Japanese laserdisc by Towa and a Japanese 2-disc DVD by Warner Home Video which presents both cuts.
- ConnessioniFeatured in The Movie Show: Episodio datato 23 aprile 1997 (1997)
- Colonne sonoreThine be the glory
I più visti
Dettagli
- Data di uscita
- Paese di origine
- Lingue
- Celebre anche come
- Jackie Chan's First Strike
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 15.318.863 USD
- Fine settimana di apertura Stati Uniti e Canada
- 5.778.933 USD
- 12 gen 1997
- Lordo in tutto il mondo
- 21.890.845 USD
- Tempo di esecuzione1 ora 47 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1