Ned Kelly

I walked into this movie expecting to see a legendary Australian folktale, turned into a piece of Hollywood fluff and to an extent that is what I got. However, even with the exaggerated soundtrack and the ficticious Naomi Watts character who had too large a part in the story this movie is not with out it's charms, the image of the Kelly gang in their iron suits facing an army of Victorian police at the Glenrowan Inn is an incredably striking one.

An important detail to note is that this is most definately NOT a documentary on Ned Kelly's life, this is a Hollywood film. However as a film it is incredably slanted to Ned's point of view, he is just way too good. Details of Ned's horse theivery (which he admitted to in the Jerilderie letter) where changed to make the Victorian police seem at fault. The Victorian police were made into the oppressors of the Kelly family and force Ned to a life as an outlaw in the bush.

Heath Ledger's portrayal of Ned Kelly is a fair one, he manages to depict Ned's anger at the authories rather well. Orlando Bloom's portrayal of the womanising Joe Byrne and Joel Edgerton's Aaron Sherrit, betrayer of the Kelly gang, were nowhere near Oscar worthy, but still good. Naomi Watt's character was unnecessary and seemed only added to provide a love interest for Ned.

Overall Ned Kelly is a generally good film. The acting is good, but the storyline leaves a lot to be desired, far too black and white for a film based on true events. However, the film does have it's moments, the final showdown at the Glenrowan Inn was a particulary well crafted scene. An interesting side note is that Dan Kelly's death in not actually shown, perhaps this was fuelled by the rumour that he did not perish in the Glenrowan siege but escaped and fled to a new life in Queensland.

6 of of 10

Due to reading bad reviews and being told by friends that they couldn't believe how bad it was, I didn't go and see this film at the cinema. After watching it on DVD, I have to say I regret that now. I'm not saying it is brilliant, but I would venture to say that it is a good movie. I enjoyed it.

People have skulls thicker than Ned's helmet if they go to see a movie like this and expect it to be a documentary. If you read up the actual history behind most movies based on historical figures, there is usually a huge difference between the fact and the fictional portrayal. I don't think Ganghis Kahn has ever once been portrayed even remotely close to historical fact. What kind of man Ned Kelly actually was is a matter of debate, and quite passionate it seems. In spite of the efforts of governments and some historians, Ned Kelly has become a legend. Legends are stories, and stories say as much about those who tell and listen to them as they do about the actual figure himself. Ned Kelly has become such a popular identity because he does represent that aspect of Australian culture that doesn't trust or accept authority. A society in which there is no dissent or challenge to authority is crazier and more dangerous than any bushranger.

So not expecting this to be an accurate recreation of the historical Kelly gang, I actually found it a surprisingly unencumbered and refreshing movie. It was sentimental and romantic, but thankfully not anywhere as cheesy as it could have been; for my fellow Australians, watch 'The Lighthorseman' and you will see what I mean (it is a pity the way that story was treated so poorly). Perhaps the love affair business could have been forsaken for a bit more detail in other areas, such as the shooting of the troopers. Ironically, I actually enjoyed the movie because of that, because it would be those details that most of the focus on Ned's story would dwell. And they are the details of the story that are best discovered by reading the different viewpoints given by the various historians.

This movie was always going to have a hard time, having make a compromise of appealing to a global movie market (to pay the pills) and the legend as it means to Australians; perhaps a little of Ned's spirit is in this movie, because I think it rebelled against people's expectations, and unfortunately missed both targets. Fortunately it made for an enjoyable quirk of a film. For me it was an unexpected kind of movie about Ned, and that is why I liked it. Orlando Bloom's performance did a lot for the movie too - he really added something. I think he would have enjoyed being the monster instead of the pretty elf, for a change.

When you consider some other movies that are far worse than this one, your opinion of this movie should be reconsidered. Send me this on DVD for christmas rather than Croc Dundee or The Man From Snowy River anytime.

A film about the legendary outlaw whose story outgrew his life , it is based on the true events of famous 19th-century Outback bandit, an authentic legend which results to be the Australian's most ambiguous outlaw. A man (Heath Ledger) called Ned Kelly and his family are mistreated by Australians guards .He turns to steal horses that had been previously robbed to him . He gets deeply drawn into crime life and eventually becomes a policemen killer . Meanwhile , he falls in love of an unhappy married woman (Naomi Watts) . He forms an Irish band (Orlando Bloom) battling the British Empire but the oppressed people called them heroes and are relentlessly pursued by an astute , stubborn official (Geoffrey Rush, winner Oscar for Shine) . You can kill a man but not a legend. When the law tried to silence him a legend was born. The British Empire branded them as outlaws. The oppressed called them heroes.

The film is an Australian Western made completely by Aussies with action , drama , shootouts, a love story and a lot of violence. It's a pretty solid movie narrating the confrontation between the Irish rebels and the English forces and holds up very well. The essential of this picture is the outlaw hunt that results in a great load of gunplay and deaths. The movie benefits tremendously from Oliver Stapleton's (Casanova) frequently ravishing cinematography , although is sometimes dark , as film longtime is developed at night and interior scenarios. It contains a sensitive and rousing musical score by Klaus Badelt (K19 , Pirates of the Caribbean) .The motion picture was well pfotographed and competently directed by Gregor Jordan who dramatizes accurately the life of this famous outlaw and his henchmen. Before being adapted in an Australian version by Sterling (1960) and by Tony Richardson also titled Ned Kelly (1970) starred by Mick Jagger .

"Ned Kelly" is a straight-forward re-telling of the legendary Australian who has a powerful symbolism as both an outlaw and a revolutionary.

It is not based on the award-winning novel by Peter Carey, "True History of the Ned Kelly Gang," because the rights to that were taken by the Irish Neil Jordan to the consternation of nationalists who rallied around this adaptation of Robert Drewe's "Our Sunshine." But, oddly, though Drewe is listed as a co-producer, this chronological narrative by first-timer John M. McDonagh flattens out the power of the novella's focus on the final three-days' battle that's as important to Australia as "Remember the Alamo!" is to Texans.

Director Gregor Jordan particularly undercuts the core of Kelly's transformation in the public imagination from petty criminal to charismatic Robin Hood to uprising leader against injustice by barely letting Heath Ledger dictate a few lines of the so-called 'Jerilderie Letter' perhaps because it is the powerful centerpiece of the voice of the Carey book. Ledger's basso voice-over connectors do resonate.

Jordan opts for portends of the key confrontation that will only be caught by those familiar with the legend -- Kelly idly looking through an illustrated book about body armor, the loading up of the infamous train that will carry the police to the attack, and Geoffrey Rush replaying his Inspector Javert, but with only implications of a "Les Miserables" back story.

Jordan presides over an excellent recreation of the milieu of the time. There's a strong visual evocation in the art and set direction of time, place, and geography, especially with Oliver Stapleton's beautiful cinematography. The social class differences between descendants of POMmies (Prisoners of his Majesty) and their British overlords, are documented starkly, particularly in carrying over the Irish vs. British conflict to another continent (though the bland music score misses a real opportunity to illustrate that, with only a couple of traditional Celtic songs literally stuck in).

Non-Aussie Orlando Bloom makes quite a dashing Joe Byrne, Kelly's best friend, attracting Rachel Griffiths in a somewhat silly cameo, and many other recognizable Australian actors pass through.

Unfortunately, Naomi Watts and Ledger can be added to the lengthy list of real-life lovers who evince little reel chemistry -- did that only work to our benefit for Bogart/Bacall and Tracy/Hepburn?

Based on the famous novel 'Our Sunshine', 'Ned Kelly' is a watchable film. The problem is the way the story is told. There have been quite a number of films based on heroic legends. Sadly, this one is no different and almost every moment of it is downright predictable.

The strength lies in the portrayal of the characters. Kelly and his gang are portrayed as human beings rather than the typical ruthless heroes suffering from affective flattening. On the other hand, the screenplay is so fast paced that one wonders whether Jordan really rushed through it as 'Ned Kelly' certainly would have benefited more if the script was better developed (e.g. Julia Cook could have used more scenes). As a result the film looks more like a brief summary of Kelly's life. We don't even see the trial and execution of Ned Kelly.

In the technical department, the cinematography, background score and beautiful locations deserve mention as they certainly add to the film's quality. There are some beautiful shots of the Australian landscape and the set design and few songs do give a feel of the time.

Heath Ledger is adequate in the title role but it is Orlando Bloom who steals the show. The guy seems to be in complete form (unlike his awkward presence in films like 'Kingdom of Heaven') and does full justice to the part. Naomi Watts shines in a small role. Geoffrey Rush deserved a better part but the actor nonetheless stands out. Most of the supporting cast do well. However, some of the villainous corrupt cops come across as caricatures.

Finally, Jordan's 'Ned Kelly' just doesn't do full justice in portraying Kelly's life. It ends up being a clichéd film and a mere summary of the legend. If one has nothing else to do, they might want to check 'Ned Kelly' out just to kill time but if one wants to learn about the legend, then this isn't the best source.