VALUTAZIONE IMDb
6,5/10
57.379
LA TUA VALUTAZIONE
Giacomo Casanova, dopo avere fallito di conquistare l'affetto della veneziana Francesca Bruni, si sforza di scoprire il vero significato dell'amore.Giacomo Casanova, dopo avere fallito di conquistare l'affetto della veneziana Francesca Bruni, si sforza di scoprire il vero significato dell'amore.Giacomo Casanova, dopo avere fallito di conquistare l'affetto della veneziana Francesca Bruni, si sforza di scoprire il vero significato dell'amore.
- Regia
- Sceneggiatura
- Star
- Premi
- 5 vittorie e 3 candidature totali
Recensioni in evidenza
As the world famous lover Casanova, Heath Ledger can have any woman he wants. Except for Sienna Miller, a feminist who wants a man to appreciate her mind and be sincere. Heath has gotten into one too many scrapes with the law, violating the church's sanctity by sleeping with married women and postulates, and he's in desperate need of a changed image. He gets engaged to the sheltered, innocent Natalie Dormer. He doesn't love her, and when he quickly falls for Sienna, he lies about his identity so she won't hate him. Sienna is, in turn, has a secret identity, too. She writes a series of feminist pamphlets in a man's name.
With all these mistaken identities and clever lies, it's bound to get complicated. My favorite part is the side plot with Oliver Platt. Sienna's mother, Lena Olin, has arranged a marriage between them, although they've never met. When he arrives in Venice, Heath is there at the dock to greet him - with a smile, quick lies, and a plan to benefit himself. Funny and quick, this tongue-in-cheek comedy will keep you guessing from start to finish. I don't know why Casanova and Don Juan movies are always light, but they are. This doesn't really take the lack of promiscuity of the time period seriously, but it's entertaining. And it's a great follow-up from Heath Ledger's A Knight's Tale two years earlier.
This Lasse Hallstrom film has beautiful attention to detail with the sets and costumes. Every scene takes you to the lovely setting of 1700s Venice (although it was filmed in a different city). The lighting, the canals, and the ancient-looking buildings, are all gorgeous - not to mention the beautiful period costumes made with rich fabrics.
With all these mistaken identities and clever lies, it's bound to get complicated. My favorite part is the side plot with Oliver Platt. Sienna's mother, Lena Olin, has arranged a marriage between them, although they've never met. When he arrives in Venice, Heath is there at the dock to greet him - with a smile, quick lies, and a plan to benefit himself. Funny and quick, this tongue-in-cheek comedy will keep you guessing from start to finish. I don't know why Casanova and Don Juan movies are always light, but they are. This doesn't really take the lack of promiscuity of the time period seriously, but it's entertaining. And it's a great follow-up from Heath Ledger's A Knight's Tale two years earlier.
This Lasse Hallstrom film has beautiful attention to detail with the sets and costumes. Every scene takes you to the lovely setting of 1700s Venice (although it was filmed in a different city). The lighting, the canals, and the ancient-looking buildings, are all gorgeous - not to mention the beautiful period costumes made with rich fabrics.
Upon its release,I wasn't sure about it,and my uncertainty was further heightened when it received mixed response.So,I waited until It came out on DVD charts to watch it.And frankly,I liked this period piece.
Even though it plays out more like a parody of the legend,it's not at all bad.It's rather amusing and really hilarious.With often silly but really rib tickling situations.
Casanova.Legend among the venetian city,and of course the ladies.The film chronicles the life of Casanova who knows how to get a woman laid on bed for pleasure,as he rises to fame through lies,deception,heresy,and mistaken identities.But it comes a day,when he finds his true love and it seems that a man that no women has ever rejected finally meets his match.And so he tries everything to get her.And finds true love within.
With a fresh and modern approach to the legend,it does no harm at all,and it's more fun to watch this semi-biography.It features some outlandish Production designing.Exquisitely designed sets and costumes,makes this film look rich.It's got impressive script with hilarious results.And an able directing.Hallstorm makes the film look really colorful and the setting lively.It's even got a sumptuous score.
Of course ,with its humor and execution,people will often compare this to Shakespeare in Love.Yes,it is similar in some ways,but it's a completely different experience overall.While that film was smartly funny.This film is silly fun.The silliness is allover the film.But it makes the bumbling characters all the more likable.It is a commendable film.
It is fresh,light on humor,outstandingly funny,and sometimes even sweet.Which makes you wonder why this film got a R rating? It wasn't all that grotante in its content.It played out more like a hard edged PG-13.
The film's tone and pacing is quick to admire.It's very likable.Largely due its settings and of course it's cast.One from the supporting actors really help it be more enjoyable.This offering from Disney is worth spending time on.It's fun,that's one thing for sure.
The cast superbly fills out their roles and help make Casanova so enjoyable.In particular Omid Djalili,who is just wonderfully funny.He is simply the one who offers snort out laughs without a hitch.His presence alone gives you belly laughs.As the bumbling sidekick ,he's just absolutely hysterical.
Heath Ledger as the playboy couldn't be more perfect.He is a charm to watch.And seems to be having more fun and feels more comfortable here,when compared to the dark,tragic performance he gave in Brokeback Mountain.
Sienna Miller was a complete surprise.She really catches your attention.She's gorgeous and adorable.And plays out her role with confidence.Only,she can't match the performance Gwyneth Paltrow gave in Shakespeare in Love.
Oliver Platt is hysterical.He injects fun to his scenes.And the scenes with him and Casanova with his sidekick Lupo are the highlights.Jeremy Irons and Lena Olin were fine.
Althogether,an entertaining period piece that is aided by the great actors involved and fun to be had.Sure,it's silly ,it's unfocused and flawed.But it is an modernistic version of the Legend and it plays that way just fine.It may be farcy,but it's a delightfully delicious romantic comedy romp.Just enjoy it.
Even though it plays out more like a parody of the legend,it's not at all bad.It's rather amusing and really hilarious.With often silly but really rib tickling situations.
Casanova.Legend among the venetian city,and of course the ladies.The film chronicles the life of Casanova who knows how to get a woman laid on bed for pleasure,as he rises to fame through lies,deception,heresy,and mistaken identities.But it comes a day,when he finds his true love and it seems that a man that no women has ever rejected finally meets his match.And so he tries everything to get her.And finds true love within.
With a fresh and modern approach to the legend,it does no harm at all,and it's more fun to watch this semi-biography.It features some outlandish Production designing.Exquisitely designed sets and costumes,makes this film look rich.It's got impressive script with hilarious results.And an able directing.Hallstorm makes the film look really colorful and the setting lively.It's even got a sumptuous score.
Of course ,with its humor and execution,people will often compare this to Shakespeare in Love.Yes,it is similar in some ways,but it's a completely different experience overall.While that film was smartly funny.This film is silly fun.The silliness is allover the film.But it makes the bumbling characters all the more likable.It is a commendable film.
It is fresh,light on humor,outstandingly funny,and sometimes even sweet.Which makes you wonder why this film got a R rating? It wasn't all that grotante in its content.It played out more like a hard edged PG-13.
The film's tone and pacing is quick to admire.It's very likable.Largely due its settings and of course it's cast.One from the supporting actors really help it be more enjoyable.This offering from Disney is worth spending time on.It's fun,that's one thing for sure.
The cast superbly fills out their roles and help make Casanova so enjoyable.In particular Omid Djalili,who is just wonderfully funny.He is simply the one who offers snort out laughs without a hitch.His presence alone gives you belly laughs.As the bumbling sidekick ,he's just absolutely hysterical.
Heath Ledger as the playboy couldn't be more perfect.He is a charm to watch.And seems to be having more fun and feels more comfortable here,when compared to the dark,tragic performance he gave in Brokeback Mountain.
Sienna Miller was a complete surprise.She really catches your attention.She's gorgeous and adorable.And plays out her role with confidence.Only,she can't match the performance Gwyneth Paltrow gave in Shakespeare in Love.
Oliver Platt is hysterical.He injects fun to his scenes.And the scenes with him and Casanova with his sidekick Lupo are the highlights.Jeremy Irons and Lena Olin were fine.
Althogether,an entertaining period piece that is aided by the great actors involved and fun to be had.Sure,it's silly ,it's unfocused and flawed.But it is an modernistic version of the Legend and it plays that way just fine.It may be farcy,but it's a delightfully delicious romantic comedy romp.Just enjoy it.
...why this movie wasn't (a) marketed right in the first place, (b) isn't being re-released right now!?
Trust me, as someone who works in this industry, I'm darn picky about what I like...but I liked this, despite wincing over the many historical inaccuracies and liberties taken with authentic language of the time - 'Casanova' is such a fun, feel-good romp, it charmed me into turning a blind eye and deaf ear and chalking all that up to necessary 'poetic licence'! The cast is fabulous, the late Heath Ledger is at his charismatic best...and BECAUSE he's no longer with us makes re-releasing it 'right' this time around a 'no-brainer', so far as I can see (for example; why it made it's Stateside debut on Christmas day baffles me completely - unless it was intended for Academy Award inclusion?). Clearly, this was/should have been a Summer dating flick...for both the typical dating demographic (= late teens/early twenties) AS WELL AS 'baby-boomers', who will appreciate the fine acting performances from the likes of Jeremy Irons, Oliver Platt and Lena Olin, as well as enjoy the witty banter. It needs to be promoted as the 'period romp'/romantic comedy it IS, without being depicted as simply stupid (e.g. without excessive trailer cameos of characters falling off gondolas into the canals and/or slipping on bananas, etc!). The right trailer, the right time of year, the right riding-on-Heath's-sadly-gone-forever-coat-tails PR push, and this movie could be a 'sleeper hit' yet!
Trust me, as someone who works in this industry, I'm darn picky about what I like...but I liked this, despite wincing over the many historical inaccuracies and liberties taken with authentic language of the time - 'Casanova' is such a fun, feel-good romp, it charmed me into turning a blind eye and deaf ear and chalking all that up to necessary 'poetic licence'! The cast is fabulous, the late Heath Ledger is at his charismatic best...and BECAUSE he's no longer with us makes re-releasing it 'right' this time around a 'no-brainer', so far as I can see (for example; why it made it's Stateside debut on Christmas day baffles me completely - unless it was intended for Academy Award inclusion?). Clearly, this was/should have been a Summer dating flick...for both the typical dating demographic (= late teens/early twenties) AS WELL AS 'baby-boomers', who will appreciate the fine acting performances from the likes of Jeremy Irons, Oliver Platt and Lena Olin, as well as enjoy the witty banter. It needs to be promoted as the 'period romp'/romantic comedy it IS, without being depicted as simply stupid (e.g. without excessive trailer cameos of characters falling off gondolas into the canals and/or slipping on bananas, etc!). The right trailer, the right time of year, the right riding-on-Heath's-sadly-gone-forever-coat-tails PR push, and this movie could be a 'sleeper hit' yet!
I read here that in the USA this film got an R rating, not PG-13, as ¨director Hallström wanted, only because of something that is suggested is happening under a table. In the Netherlands, where it had it's premiere yesterday, the rating is for over 5 year olds, so that says enough for whom this movie really is. I was at first a little disappointed to find out that this is not a historical movie, but a slapstick comedy, but I loved the settings (Venice and Vicenza,where they made a scene in the famous Teatro Olimpico, which is supposed to be a Venice University in the movie) and the music which is mostly baroque (Vivaldi, Albinoni, Händel, Rameau, Paisiello and a few more) and as a baroque music lover I thoroughly enjoyed the movie just only for the music alone. This must be one of the first-ever costume farce movies, but if you forget all the movies like Shakespeare in love or Pride and Prejudice and take this movie for it's own merits, it is a thoroughly rewarding experience. There was a lot of laughing by the audience and I found myself laughing more than in any movie I remember. It is thoroughly entertaining from first to last minute, but devout Catholics will find it insulting, as it makes fun of the Catholic Church, but it should be quite evident to everyone, also devout catholics, that the story is not to be taken too seriously, so why being bothered by it? The movie can actually be considered as a modern version of an opera buffa. Obviously there is a romantic plot and by all the farce and hilariousness I would say that the romantic element gets snowed under, but, as said, you have to accept this movie for what it is and concentrate on the lavish settings, costumes, music, the fun, and you will want to see it many more times, like me.
CASANOVA is a delightful comedy and farce with a tremendous cast of very talented actors. Heath Ledger is a wonderful and witty CASANOVA, Sienna Miller delivers a delicious performance, and Jeremy Irons, Oliver Platt and Lena Olin all add to the humorous plot and story. This film is fun to watch and see the romp through Venice as CASANOVA jumps from one roof top to another in a very beautifully photographed film.
Lasse Hallstrom has directed a film which showcases the beauty of Venice in a romantic comedy that has beautiful sets and costumes. The ride in the hot air balloon is a cinematic moment which captures the adventures of CASANOVA and his attempt to woo the woman he really loves.
The dialog, pace of the film and the colorful ending makes CASANOVA a story worth watching and with a cast that is simply out of this world. And Heath Ledger and Sienna Miller provide CASANOVA with just the right amount of romance and adventure. Bravo, CASANOVA.
Lasse Hallstrom has directed a film which showcases the beauty of Venice in a romantic comedy that has beautiful sets and costumes. The ride in the hot air balloon is a cinematic moment which captures the adventures of CASANOVA and his attempt to woo the woman he really loves.
The dialog, pace of the film and the colorful ending makes CASANOVA a story worth watching and with a cast that is simply out of this world. And Heath Ledger and Sienna Miller provide CASANOVA with just the right amount of romance and adventure. Bravo, CASANOVA.
Lo sapevi?
- QuizGiacomo Casanova was a real person, but most of the other characters in the movie are not. Francesca Bruni was created for the Bob Hope vehicle La grande notte di Casanova (1954), in which she was played by Joan Fontaine.
- BlooperThe business with the hot air balloon is a minor anachronism. The first manned flight of such a vehicle was by the Montgolfier brothers in 1783, just 30 years after the film's setting.
- Curiosità sui creditiBIMBA is given screen credit as the Pig.
- Colonne sonoreAssagio No. 1 in G Minor (Andante)
Composed by Johan Helmich Roman
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Tay Sát Gái
- Luoghi delle riprese
- Palazzo Soranzo Van Axel - 6099 Sestiere Cannaregio, Venezia, Italia(exteriors: gardens at Donato House/Casanova's patio)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Lordo Stati Uniti e Canada
- 11.304.403 USD
- Fine settimana di apertura Stati Uniti e Canada
- 119.276 USD
- 25 dic 2005
- Lordo in tutto il mondo
- 37.691.644 USD
- Tempo di esecuzione1 ora 52 minuti
- Mix di suoni
- Proporzioni
- 2.35 : 1
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