VALUTAZIONE IMDb
5,9/10
2388
LA TUA VALUTAZIONE
Un nuovo insegnante di lettere, Ulises, arriva in un piccolo paese vicino al mare e si innamora di una giovane donna, Martina.Un nuovo insegnante di lettere, Ulises, arriva in un piccolo paese vicino al mare e si innamora di una giovane donna, Martina.Un nuovo insegnante di lettere, Ulises, arriva in un piccolo paese vicino al mare e si innamora di una giovane donna, Martina.
- Premi
- 1 vittoria e 4 candidature totali
Carla Collado
- Mujer de Rojo
- (as Carla Collard)
Recensioni in evidenza
Bigas Luna is a Spanish director who has his own style (Jamón, jamón, Huevos de oro, Bámbola, Lumière et compagnie, La Femme de chambre du Titanic, etc) and his method of storytelling takes some adjustment on the part of the viewer. For those who treasure the magical mysteries of Latin dramas this film SON DE MAR (Sound of the Sea) will surely satisfy. Keeping with the title he has chosen (from Rafael Azcona's screenplay based on Manuel Vicent's novel) the presence of the complex sounds of water are ever present and the carriage that escorts the lovers to their ultimate destiny is a boat of the same name. It works.
Ulises (Jordi Mollà) is a teacher brought in midterm to a little town's school. His obsession (and teaching assignment) is Virgil's Aeneid, and he constantly reads it, quotes it, coaxes his students to read aloud the poetry therein, and when he finds an apartment belonging to a couple whose daughter Martina (Leonor Watling) falls under Ulises spell, Ulises quotes from the book scenes involving serpents from the sea, words that make the young and very beautiful Martina awaken sexually. In rapid sequence they become pregnant and marry - though Martina's parents prefer the young wealthy Sierra (Eduard Fernández) as a suitable husband.
Soon after their baby son is born the couple attend a party at Sierra's estate and Ulises eyes a beautiful woman while Sierra attempts to win Martina's heart. Ulises buys a fishing boat and sets out to fish for Martina but the boat is wrecked and thinking Ulises dead, a Requiem mass is held and Martina in time marries Sierra for his ability to provide for her infant son. Five years pass and the now steely Martina lives in luxury and receives a phone call from - Ulises! First enraged that Ulises left her for five years, Martina is quickly wooed to the strains of poetry from the Aeneid and hides Ulises in the top floor of one of Sierra's new buildings. Sierra discovers the reunited lovers' tryst and plans for their end. The lovers escape - to a destiny foretold by phrases from the Aeneid.
Despite his greasy long hair and scruffy beard Jordi Mollà delivers a smoldering presence as Ulises. But it is the presence of Leonor Watling's Martina that makes this at times shaky film work. She is a powerhouse presence. The photography by José Luis Alcaine and the sensuous musical score by Glen Johnson enhance Bigas Luna's concept for the film. It is another satisfying work by a unique director who knows how to mold a story with fleshy means and make it work. In Spanish with English subtitles. Grady Harp
Ulises (Jordi Mollà) is a teacher brought in midterm to a little town's school. His obsession (and teaching assignment) is Virgil's Aeneid, and he constantly reads it, quotes it, coaxes his students to read aloud the poetry therein, and when he finds an apartment belonging to a couple whose daughter Martina (Leonor Watling) falls under Ulises spell, Ulises quotes from the book scenes involving serpents from the sea, words that make the young and very beautiful Martina awaken sexually. In rapid sequence they become pregnant and marry - though Martina's parents prefer the young wealthy Sierra (Eduard Fernández) as a suitable husband.
Soon after their baby son is born the couple attend a party at Sierra's estate and Ulises eyes a beautiful woman while Sierra attempts to win Martina's heart. Ulises buys a fishing boat and sets out to fish for Martina but the boat is wrecked and thinking Ulises dead, a Requiem mass is held and Martina in time marries Sierra for his ability to provide for her infant son. Five years pass and the now steely Martina lives in luxury and receives a phone call from - Ulises! First enraged that Ulises left her for five years, Martina is quickly wooed to the strains of poetry from the Aeneid and hides Ulises in the top floor of one of Sierra's new buildings. Sierra discovers the reunited lovers' tryst and plans for their end. The lovers escape - to a destiny foretold by phrases from the Aeneid.
Despite his greasy long hair and scruffy beard Jordi Mollà delivers a smoldering presence as Ulises. But it is the presence of Leonor Watling's Martina that makes this at times shaky film work. She is a powerhouse presence. The photography by José Luis Alcaine and the sensuous musical score by Glen Johnson enhance Bigas Luna's concept for the film. It is another satisfying work by a unique director who knows how to mold a story with fleshy means and make it work. In Spanish with English subtitles. Grady Harp
The first part of the movie is very intriguing and the contrast between Martina's quiet satisfaction with her life and her husband's undying need from freedom is both startling and emotionally charged. The second part, however, left me unsatisfied since the established conflict never gets solved and the final twist, albeit suggestive, felt anticlimactic and empty.
I saw this movie last year on SBS while I was trying to fall asleep in my room late at night. I saw this and after watching it for around half an hour i couldn't believe how much passion was between Ulises and Martina was magical.
I thought it portrayed a perfect love story, well, perfectly. It had passion, drama and the unforgettable love. A great movie in my opinion.
An excellent performance by the main characters and I would recommend it to anyone who wants to sit down and watch a beautiful drama with excellent acting and a wonderful drama.
I, unfortunately didn't get to watch the whole movie but from what i did manage to see i enjoyed it very much and i wish that more movies in Hollywood could capture the love, passion nd drama that this movie does.
I thought it portrayed a perfect love story, well, perfectly. It had passion, drama and the unforgettable love. A great movie in my opinion.
An excellent performance by the main characters and I would recommend it to anyone who wants to sit down and watch a beautiful drama with excellent acting and a wonderful drama.
I, unfortunately didn't get to watch the whole movie but from what i did manage to see i enjoyed it very much and i wish that more movies in Hollywood could capture the love, passion nd drama that this movie does.
Captivating cinematography. Unfortunately, I can't say the same thing about the script. It's romance at full speed. First thing you know, Ulises and Martina are getting married. But "from loving to not loving", the road is not as long as Ulises believes. Soon enough, Infidelity enters the room and does it's dirty job. We soon realize that Death is already in the room. But wait, she's feeling powerless today. One thing's for sure: it can take a long time to catch a tuna!
Leonar Watling is sublime. She captures the screen every time she appears. But the rest of the cast is not as interesting. And there's some scenes where you really don't feel the emotion. After a while, I found myself looking at my watch every few minutes. A few times, I felt like shouting "I get the point!!! move on!" But I have to say that the last scene on the boat is quite surprising and captivating.
Seen at home, in Toronto, on March 5th, 2006.
71/100 (**)
Leonar Watling is sublime. She captures the screen every time she appears. But the rest of the cast is not as interesting. And there's some scenes where you really don't feel the emotion. After a while, I found myself looking at my watch every few minutes. A few times, I felt like shouting "I get the point!!! move on!" But I have to say that the last scene on the boat is quite surprising and captivating.
Seen at home, in Toronto, on March 5th, 2006.
71/100 (**)
Bigas Luna's "Son de Mar" is a beautiful love story that is sexy, to boot.
I knew nothing about this film when I rented it. I picked it solely because of its director. Although I am not a huge fan of "Jamón, jamón" (1992), there were moments I enjoyed.
Am I ever glad that I rented this. It's a captivating love story that has two very good performances, including a gloriously sensual turn by Leonor Watling. The film also features some tremendously sexy love scenes, including one without any nudity.
Watling's screen presence is positively hypnotic. She makes Martina utterly believable, a passionate woman who revels in her sexuality and is madly in love with Ulises. Their moments together are poignant and real. The characters are smart, funny, sexy, and we so believe the love between Ulises and Martina that we cannot help but root for them.
Parts of this film might seem corny due to its soap opera-like plotting. Then again, that's something Luna enjoys doing. And somehow he and his actors make it work.
There are some inexplicable, and perhaps unnecessary moments, including one with an alligator. But they don't detract from the charm of this film. And you've got to hand it to Luna - he knows how to make beautiful women truly sizzle on screen.
This is a film for adults. Thank goodness Europeans still make romantic movies for grown-ups and don't dilute them by catering to the lowest common denominator by turning them into maudlin, conventional, predictable crap like many of Hollywood's romantic comedies.
If you enjoy unconventional love stories, this one is most definitely worth a look.
I knew nothing about this film when I rented it. I picked it solely because of its director. Although I am not a huge fan of "Jamón, jamón" (1992), there were moments I enjoyed.
Am I ever glad that I rented this. It's a captivating love story that has two very good performances, including a gloriously sensual turn by Leonor Watling. The film also features some tremendously sexy love scenes, including one without any nudity.
Watling's screen presence is positively hypnotic. She makes Martina utterly believable, a passionate woman who revels in her sexuality and is madly in love with Ulises. Their moments together are poignant and real. The characters are smart, funny, sexy, and we so believe the love between Ulises and Martina that we cannot help but root for them.
Parts of this film might seem corny due to its soap opera-like plotting. Then again, that's something Luna enjoys doing. And somehow he and his actors make it work.
There are some inexplicable, and perhaps unnecessary moments, including one with an alligator. But they don't detract from the charm of this film. And you've got to hand it to Luna - he knows how to make beautiful women truly sizzle on screen.
This is a film for adults. Thank goodness Europeans still make romantic movies for grown-ups and don't dilute them by catering to the lowest common denominator by turning them into maudlin, conventional, predictable crap like many of Hollywood's romantic comedies.
If you enjoy unconventional love stories, this one is most definitely worth a look.
Lo sapevi?
- QuizA body double was used for Leonor Watling's breast-feeding scene.
- Colonne sonoreGangsta's Paradise
Written by Douglas Rasheed (as D. Rasheed), Coolio (as A. Ivey Jr.), L.V. (as L.J. Sanders) and Stevie Wonder (as S. Wonder)
Performed by Coolio
Courtesy of Tommy Boy Music (UK) Ltd.
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- Sound of the Sea
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 2.750.000 € (previsto)
- Lordo in tutto il mondo
- 64.469 USD
- Tempo di esecuzione
- 1h 35min(95 min)
- Mix di suoni
- Proporzioni
- 1.85 : 1
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