Irgendwann werden wir uns alles erzählen

... a twenty-something Marlene Burow is the only reason watching this quickly-gets-to-being-boring movie... a seemingly-intelligent-teenager being attracted to abusive-sex with a forty-year-old farmer is a far stretch... a dramatic ending relieves viewers of all nonsensical-possibilities

... when watching a beautiful young woman having sex gets boring, you know the film has lost it's core-interest.. all the East-West reunification symbolism gets gibberished... it's a film that wants viewers to think more about other things, but then directs them to sex-scenes again and again... well made, just not-well-written-directed.

The insultingly low overall IMDb score does this new, fresh, yet classic feeling German film great injustice, as it is a meticulously craftet cinematic tale, that will mesmerize and move those who still have the sensibility and patience to respond to well-crafted art: the art of cinematic storytelling.

I can find no flaws in this gorgeous film: not in the script, not in the actors, not in the cinematography, not in the locations, not in the music. It felt like it was was a classic tale, yet new and fresh, and hot like the hight of summer. This film is a simmering pastoral tale of love and pain, well worth seeing.

In the shimmering summer of 1990, two German states still existed. The WÄHRUNGSUNION (monetary union) has just been completed, and it should still be three months before the WIEDERVEREINIGUNG (reunification). 18-year-old Maria (Marlene BUROW) lives with her boyfriend of the same age on his parents farm, somewhere in the Thuringian countryside. Life there still seems very archaic, like it might have been in the 1950s. Maria lives for the day, skips school and reads THE BROTHERS KARAMAZOV. The relationship with her mother (Jördis TRIEBEL), who lives in the neighboring village, seems to be somewhat clouded. Only the encounter with 40-year-old Henner (Felix KRAMER), who lives alone on a neighboring farm, breaks Maria out of her lethargy. It is the beginning of a passionate amour fou that crosses many boundaries. The taciturn yet charismatic man reveals an irritating mix of vulnerability and brutality to which Maria feels magically drawn. Disappointed certainties of life and the premonition of coming changes erupt into intoxicating sexuality...

The impressive film by director Emily ATEF (born 1973), based on Daniela KRIENs (born 1975) bestseller of the same name (published in 2011), paints an apt portrait of this very special summer. The shimmering heat of 1990, the overarching upheaval and the reversal of all previous certainties are brought to the big screen in a congenial and powerful way.

This film is a great artistic achievement, and not just for the otherwise often lifeless German-speaking cinema! A masterpiece created under the Thuringian sun that can tell a lot about German-German spiritual landscapes!

I must admit, that that movie is a something different.

That happens on a hot summer in small, picturesque village. Young, bookish girl met a much older, outcast from the village. She started to be drawn to him even though he's brutal and doesn't speak much. But he reads poems.... Sounds unreal? Why not? I also fell for a much older man, when I was young.

I'm also can relay with her in the other things. I remember the end of the communism in Poland. That unsure what future will bring us, lots of jobless people but also hope and joy that we could buy things that we coudn't afford earlier.

And those amazing pictures, full of summer sun. You could almost smell the greenery, and feel the hot air.

So that's not only a love story, but also a portrait of people during the radical changes. And story about the choices we he to take.

If you are fed up with common movies ended with a weddind bells, watch that. Cos this movie is something else.

A dirty and old(ish), somewhat unattractive brute starts advancing on the local 17 year old beauty. Unfortunately for everybody, he gives off a major rapey vibe. Their first meeting is literally him groping her without consent.

Since her boyfriend is very goofy, she eventually gives in to the brute and allows him to take her very roughly and a borderline sexually abusive affair ensues.

It's a German movie, so this counts as a romantic comedy.

The lack of diversity is fine. This is set in early 90's East Germany and people of colour and the disabled obviously hadn't been invented yet.

The cinematographer needs a big raise though.