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IMDbPro

Il ladro di orchidee

Titolo originale: Adaptation.
  • 2002
  • T
  • 1h 55min
VALUTAZIONE IMDb
7,7/10
209.239
LA TUA VALUTAZIONE
POPOLARITÀ
2350
110
Nicolas Cage in Il ladro di orchidee (2002)
A lovelorn screenwriter becomes desperate as he tries and fails to adapt 'The Orchid Thief' by Susan Orlean for the screen.
Riproduci trailer2: 23
5 video
99+ foto
Dark ComedyHigh-Concept ComedyPsychological DramaSatireShowbiz DramaComedyDrama

Uno sceneggiatore straziato d'amore va in crisi quando tenta e non riesce ad adattare il libro "Il ladro di orchidee" di Susan Orlean per il grande schermo.Uno sceneggiatore straziato d'amore va in crisi quando tenta e non riesce ad adattare il libro "Il ladro di orchidee" di Susan Orlean per il grande schermo.Uno sceneggiatore straziato d'amore va in crisi quando tenta e non riesce ad adattare il libro "Il ladro di orchidee" di Susan Orlean per il grande schermo.

  • Regia
    • Spike Jonze
  • Sceneggiatura
    • Susan Orlean
    • Charlie Kaufman
  • Star
    • Nicolas Cage
    • Meryl Streep
    • Chris Cooper
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    7,7/10
    209.239
    LA TUA VALUTAZIONE
    POPOLARITÀ
    2350
    110
    • Regia
      • Spike Jonze
    • Sceneggiatura
      • Susan Orlean
      • Charlie Kaufman
    • Star
      • Nicolas Cage
      • Meryl Streep
      • Chris Cooper
    • 809Recensioni degli utenti
    • 128Recensioni della critica
    • 83Metascore
  • Vedi le informazioni sulla produzione su IMDbPro
    • Vincitore di 1 Oscar
      • 67 vittorie e 100 candidature totali

    Video5

    Official Trailer
    Trailer 2:23
    Official Trailer
    Adaptation.
    Trailer 2:28
    Adaptation.
    Adaptation.
    Trailer 2:28
    Adaptation.
    Adaptation.
    Trailer 2:32
    Adaptation.
    Adaptation.
    Trailer 2:26
    Adaptation.
    Adaptation: Epk
    Featurette 2:27
    Adaptation: Epk

    Foto160

    Visualizza poster
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    Interpreti principali54

    Modifica
    Nicolas Cage
    Nicolas Cage
    • Charlie Kaufman…
    Meryl Streep
    Meryl Streep
    • Susan Orlean
    Chris Cooper
    Chris Cooper
    • John Laroche
    Tilda Swinton
    Tilda Swinton
    • Valerie Thomas
    Jay Tavare
    Jay Tavare
    • Matthew Osceola
    Litefoot
    Litefoot
    • Russell
    • (as G. Paul Davis)
    Roger Willie
    Roger Willie
    • Randy
    Jim Beaver
    Jim Beaver
    • Ranger Tony
    Cara Seymour
    Cara Seymour
    • Amelia Kavan
    Doug Jones
    Doug Jones
    • Augustus Margary
    Stephen Tobolowsky
    Stephen Tobolowsky
    • Ranger Steve Neely
    • (scene tagliate)
    Gary Farmer
    Gary Farmer
    • Buster Baxley
    Peter Jason
    Peter Jason
    • Defense Attorney
    Gregory Itzin
    Gregory Itzin
    • Prosecutor
    Curtis Hanson
    Curtis Hanson
    • Orlean's Husband
    Agnes NaDene Baddoo
    • Orlean Dinner Guest
    • (as Agnes Badoo)
    Paul Fortune
    Paul Fortune
    • Orlean Dinner Guest
    Paul Jasmin
    • Orlean Dinner Guest
    • Regia
      • Spike Jonze
    • Sceneggiatura
      • Susan Orlean
      • Charlie Kaufman
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti809

    7,7209.2K
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    Recensioni in evidenza

    10krispatmo

    Could you be more Original?

    Incredible.

    Charlie Kaufman might just be the most genius screenwriter (I daren't say ever) at the moment. I mean, trying to adapt a book for a screenplay, not succeeding, yet in the process writing a screenplay about how you can't seem to adapt this book for a screenplay. Oh yeah, and also being helped by your not existing twin brother, and crediting him as co-writer, and being nominatad for an Oscar together with him.

    Is anyone following this?

    Kaufman seems to be the master of destroying the line between reality and fiction.

    I kind of have a hard time saying anything about this movie, because I don't know what to say. You should just go and say it. There's nothing like it.

    If you liked Being John Malkovic you wil definitely love this. If you hated BJM you might still like it. It doesn't have the absurdity and surreality of BJM. The story is just incredibly intelligently written.

    Even though the movie is about how Kaufman is unable to adapt this book, he actually succeeds in doing just that in the process.

    Jesus, I'm still totally stunned.

    Jonze does do a very good job once again. But the direction is just outshined by the story...
    10MovieAddict2016

    I get it now.

    The first time I saw "Adaptation" I expected something else and walked away severely disappointed. As some of you out there who Private Messaged me in regards to my initial review posted on IMDb might already be aware, I originally gave it a rating of 3.5/5 stars, back when I was frequently contributing to the site. I passed on without much thought, considering it a disappointment and leaving my critique for those who cared to read it.

    It remains the single comment to have generated the most feedback for me. More than "The Passion of the Christ," and more than yes, even my upsetting review of 2003's "Peter Pan" (which seemed to anger the small die-hard fanbase for the film that lurks on these message boards - by the way, I've had to clarify this sentence by adding "for the film" because someone PM'd me yesterday accusing me of implying I have a fanbase on IMDb...no, I am referring to the film's fanbase, so please hold off on the accusations). I digress. In summary I gave "Adaptation" a negative rating and to my surprise, perhaps because I avoided totally slamming the film, the fans responded to me with kind words rather than harsh ones; conceivably they too had initially taken a dislike to the film? I made a daring move. I bought "Adaptation" on DVD for ten bucks, thinking, "I've got nothing to lose." Plus, the front cover looked cool anyway.

    I watched it again (after taking into mind several themes and self-referential layers I had failed to visualize before) and was blown away by the originality and genius of the movie.

    My hugest complaint regarding "Adaptation," originally, was its absurd ending -- I felt it was out of place, silly, and totally anti-climactic. Little did I realize this was the point -- to be a parody of the typical Hollywood blockbuster.

    There are so many underlying jokes, gags and self-references that the film grows better -- like "Back to the Future" -- on each new viewing. You're always finding new stuff.

    I found new respect for Nicolas Cage as an actor after my second viewing of this. I have always liked Cage despite the criticism he receives for being a one-sided actor; here, he proves he's capable of creating two very different human beings out of the same mold. Brilliant, Oscar-worthy stuff.

    All in all I got it wrong the first time. "Adaptation" isn't a film that starts out clever and descends into a messy and stupid finish. Well, actually, it is. But that's the point. I didn't get it before. Now I do.

    If you disliked this film, my advice? Watch it again. It knows a bit more about itself than you probably do. And read up on the message boards here a bit to get a clearer grasp of what's going on if you're totally clueless.

    P.S. I'd like to thank all the people on this site who messaged me in response to my review.
    10Sergeant_Tibbs

    A Guide on "How To Write A Screenplay" and "How to Live Life"

    Jonze and Kaufman have pulled it off again. Witty, surreal, brilliant, inventive, amazing and most of all; the most inspirational film I have ever seen. One of the best and definitive films of the 21st Century.

    Nicolas Cage has two parts in this film, Charlie Kaufman and Donald Kaufman, twin brothers. Both screen writers. Charlie is writing a screenplay based on a book called "The Orchid Thief" {a real book}. But nothing happens in it. He is finding it hard to stay true to the book when there's no events in the book. Writer's block. Meanwhile, Donald is storming through his screenplay which is about a serial killer with split personalities – a theme regularly used in cinema today. This is a take on how and why there are so many teen horrors with crappy ideas, while films that would appeal to a smaller audience are harder to conjure. During the course of Adaptation. we see Charlie's screenplay "The Orchid Thief" showing as it would if it became a film, featuring the author; Susan Orlean (Meryl Streep) and the books protagonist, John Laroche (Chris Cooper).

    Charlie Kaufman {the character} is one of the most relatable characters in cinema for me. He too is looking for inspiration, something to help achieve his dreams, but he can't seem to find it. He waits for something to come and change his life for the good but never takes the opportunity. He worries about the most insignificant things that aren't life-changing. But the difference to me and Kaufman, is that he finds the way. In the end he has learnt his lesson and learnt how to live life. I am going to take the same advice. His narration gives us a very detailed guide of his feelings and thoughts.

    Nic Cage gives a redeeming performance and one of the best of his career as both Charlie and Donald. They are very different personality-wise, Charlie being nervous and frustrated, while Donald is almost too upbeat about everything. His chemistry with himself is incredible its hard to believe they are the same. Chris Cooper delivers an Oscar winning performance, and it sure was worthy. Very fun character, taking away his seriousness whenever he should be serious. Meryl Streep is also flawless, giving a performance which she shows her moods appropriate to the scene.

    Spike Jonze gives us a very interesting directional view. With a lot of tie-in's with Being John Malkovich (his previous film) to show us his own little world, where anything can happen. There are also a lot of tie-in's with the film itself in which Kaufman comes up with an idea for the script in the film, when it actually happens in this film (while his ideas are for "The Orchid Thief"). And, of course, there is the strange factor in which Charlie Kaufman has included himself in his screenplay… and in the film, the character Charlie Kaufman has included himself in his own screenplay. It is truly hard to believe how Kaufman comes up with this stuff.

    This may lack the dark style of "Being John Malkovich", but they are in the same world. Don't miss this moving comedy and hilarious drama. I can't help but get lost in its wonder.

    10/10
    9ackstasis

    "The script I'm starting, it's about flowers. No one's ever done a movie about flowers before."

    After the phenomenal success of 'Being John Malkovich' in 1999, screenwriter Charlie Kaufman was commissioned to adapt Susan Orlean's non-fiction novel, "The Orchid Thief," for the screen. However, it didn't take long for him to realise that Orlean's book was basically unfilmable, its sprawling and ponderous story lacking any clear structure or coherence. After some months of struggling vainly to write a screenplay from the novel, Kaufman's script inexplicably became the story of a writer's effort to adapt an unadaptable novel. Kaufman's completed script was presented to his financial backers with some trepidation, but they reportedly loved it so much that they decided to abandon the original project and film his screenplay. Spike Jonze, who had also directed "Being John Malkovich," returned to direct "Adaptation," the quirky, twisting, self-referential film that received almost universal critical acclaim. Much like Federico Fellini's classic 1963 film, '8½,' from which Kaufman almost certainly drew inspiration, 'Adaptation' tells the story of its own creation.

    Nicolas Cage plays Charlie Kaufman, the lonely, insecure and socially awkward screenwriter who is hired to adapt "The Orchid Thief," written by Susan Orlean, who is portrayed by Meryl Streep. The novel itself concerns the story of John Laroche (played by Chris Cooper), a smug plant dealer who was arrested in 1994 for poaching rare orchids in the Fakahatchee Strand State Preserve. As Kaufman struggles to write the script, his troubles are compounded by the presence of his twin brother, Donald (also played by Nicolas Cage), who is Charlie's exact opposite: reckless, carefree, over-confident and perhaps even a bit dim. The script for 'Adaptation' darts back and forth between different moments in time, either chronicling Kaufman's screen writing exploits or Orlean's experiences in writing her novel. At several points in the story, more dramatic flashbacks take place: we see Charles Darwin first penning his theories of evolution and adaptation, a brief history of the grim activity of orchid-hunting, and, in one particularly impressive sequence, we are taken back billions of years to the beginning of life, to trace how Charlie Kaufman came to be here today.

    Though purportedly based on a true story, the events of the film are highly fictionalised, and the story always treads a fine line with reality, with the audience never certain of whether or not an event is real (in the context of the film) or merely a creation of Charlie's (or even Donald's) imagination. Charlie Kaufman (the true-life writer, not the character) often receives most of the accolades for the film, but it is director Spike Jonze who shared the vision to execute "Adaptation" on screen. His approach to film-making is always original and daring, never tentative of trying something unique for the sake of the film, even if it may offend the tastes of an audience that is unaccustomed to anything other than the mundane clichés of the modern movies that are churned out daily by Hollywood studios. If this wasn't completely obvious after the weird, twisted, fascinating 'Being John Malkovich,' then 'Adaptation' put any lingering doubts to rest. The director, who started his career directing music videos, seems to share a singular understanding with Kaufman the writer, and a mutual agreement on what the film is actually trying to say.

    In addition to a clever story, 'Adaptation' contains some of the finest acting of the 2000s, presenting an excellent selection of seasoned talents at the top of their games. In arguably the greatest role(s) of his career, Nicolas Cage is phenomenal as both Charlie and Donald Kaufman, twin brothers whose complete polarity is startlingly evident in the execution of their respective film scripts. Charlie, whilst writing his adaptation, is determined to avoid the usual clichés and construct a film without any conventional plot, to write a movie "simply about flowers." Donald, however, blissfully oblivious to his own unoriginality as a writer, churns out a hackneyed psychological thriller, entitled 'The 3,' in which the serial killer, his female hostage and the cop are the very same person. In an ironic twist of fate, Donald's trite treatment is hailed as a masterpiece, adding further to the inadequacy already being felt by his disillusioned brother. Cage is excellent, and often absolutely hilarious, as both characters, giving each brother a distinct attitude and personality, so that it is possible to tell immediately which is which even though their physical appearance is exactly the same.

    Meryl Streep is equally excellent as Susan Orlean, the journalist for "The New Yorker" who researches John Laroche and endeavours to catch a glimpse of the famed and very rare Ghost Orchid, if only to understand what it feels like to be passionate about something. Chris Cooper arguably steals the entire show as the charismatic and enigmatic Laroche, whose tragedy-afflicted life is dedicated to mastering numerous obscure fields (such as orchid-collecting, or fish-collecting), each of which is sporadically cast aside and permanently forgotten as soon as he feels it's time to move on, to "adapt" to another hobby. From four Academy Award nominations, only Cooper walked away with a statue. Notably, Charlie Kaufman's screenplay was also nominated for an Oscar. Since the script was credited to both "Charlie Kaufman and Donald Kaufman," the latter became the only entirely fictional person in history to have been nominated for an Academy Award.

    In a nutshell, 'Adaptation' is all about failure. Charlie Kaufman is absolutely determined to write an original script, without cramming in "sex or guns or car chases or characters learning profound life lessons or growing or coming to like each other or overcoming obstacles to succeed in the end." However, after he eventually asks Donald to complete the script for him, it descends into exactly that. A visit to a screen-writing seminar by Robert McKee (memorably played by Brian Cox) – who is famous for warning strongly against Deus Ex Machina – is used as exactly that. Charlie Kaufman the character fails miserably in writing his script, but, ironically, Charlie Kaufman the writer succeeds ever so magnificently!
    rivetbadtz

    From portals to orchids, Jonze and Kauffman strike again

    Three years after director Spike Jonze and writer Charlie Kauffman's brilliantly offbeat masterpiece Being John Malkovich, comes their latest stream of conscious head trip. Yes folks, this one stars Nicholas Cage...and, Nicholas Cage.

    The film starts off appropriately enough inside Being John Malkovich(or more precisely on the set of Being John Malkovich when Malkovich is inside his own head) But this is no sequel...no no, much more than that. We soon go back to the beginning. Not the beginning of the movie, but to the beginning of it all. To the dawn of the universe, a zero in the fabric of time itself hurling toward the deep chasm of entropy. From the primitive scribblings of early man to the manic late night scribblings of the neurotic Charlie Kauffman(played by Cage)

    What we have here is a film about orchid thieves, high society New York socialites, screenwriters, identical twins, crocodiles, narcotic rings, and internet porn...err, more aptly put: a movie about a guy writing a movie about a book inside of another movie. Oh yeah, and it's based on a true story. Sound confusing?

    Adaptation is the screen treatment of the best selling non fiction book The Orchid Thief. Only thing is the main character in the film is doing the adapting, and writing himself into script. In the film we go from early primordial man to Being John Malkovich's floor seven and a half...and somehow it all makes sense.

    Is this an incoherent parable on the parasitic relationship between writers and their subjects? The evolution from single cell organisms to paleolithic glee? Or a look at how everything seems to have a purpose in life? Somehow between the obscure Hollywood industry injokes, Silence of the Lambs references, and celebrity Boggle tournaments I missed something.

    Unfortunately by the third act(when the movie goes from non fiction to fiction) Adaptation unravels and ends up gravely falling apart. But perhaps that is the point. A film about a real life struggle to adapt a book that doesnt have much suspense in it, and the peril of trying to work some fictional thriller plotlines in at the last minute. Either way, hats off to Jonze and Kauffman for once again bringing us an audaciously unconventional idea and tearing down the box. All this from the adaptive skills of an orchid.

    ~.c//0ry

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    Trama

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    Lo sapevi?

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    • Quiz
      Nicolas Cage has said that during the filming of this movie, he ignored all of his acting instincts and played the part of Charlie Kaufman exactly as director Spike Jonze asked him to. He then received an Academy Award nomination for it.
    • Blooper
      At the end when Charlie pulls out of the parking garage, crew member Jennifer Porst sits next to him in the car for a single shot, though he is riding alone.
    • Citazioni

      Charlie Kaufman: There was this time in high school. I was watching you out the library window. You were talking to Sarah Marsh.

      Donald Kaufman: Oh, God. I was so in love with her.

      Charlie Kaufman: I know. And you were flirting with her. And she was being really sweet to you.

      Donald Kaufman: I remember that.

      Charlie Kaufman: Then, when you walked away, she started making fun of you with Kim Canetti. And it was like they were laughing at *me*. You didn't know at all. You seemed so happy.

      Donald Kaufman: I knew. I heard them.

      Charlie Kaufman: How come you looked so happy?

      Donald Kaufman: I loved Sarah, Charles. It was mine, that love. I owned it. Even Sarah didn't have the right to take it away. I can love whoever I want.

      Charlie Kaufman: But she thought you were pathetic.

      Donald Kaufman: That was her business, not mine. You are what you love, not what loves you. That's what I decided a long time ago. What's up?

      Charlie Kaufman: [stunned] Thank you.

    • Curiosità sui crediti
      "We're all one thing, Lieutenant. That's what I've come to realize. Like cells in a body. 'Cept we can't see the body. The way fish can't see the ocean. And so we envy each other. Hurt each other. Hate each other. How silly is that? A heart cell hating a lung cell." - Cassie from THE THREE
    • Connessioni
      Featured in Siskel & Ebert & the Movies: The Best Films of 2002 (2003)
    • Colonne sonore
      One Part Lullaby
      Written by John Davis, Lou Barlow and Wally Gagel

      Published by Careers-BMG Music Publishing, Inc. o/b/o itself, Endless Soft Hits, Loobiecore and Blisswg Productions

      Performed by The Folk Implosion

      Courtesy of Interscope Records

      Under license from Universal Music Enterprises

    I più visti

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    Domande frequenti21

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    • Is Donald imaginary and an aspect of Charlie's multiple personality disorder?

    Dettagli

    Modifica
    • Data di uscita
      • 28 febbraio 2003 (Italia)
    • Paese di origine
      • Stati Uniti
    • Sito ufficiale
      • Sony Pictures
    • Lingue
      • Inglese
      • Latino
    • Celebre anche come
      • Il ladro di orchidee - Adaptation.
    • Luoghi delle riprese
      • Santa Barbara, California, Stati Uniti
    • Aziende produttrici
      • Columbia Pictures
      • Intermedia
      • Magnet Productions
    • Vedi altri crediti dell’azienda su IMDbPro

    Botteghino

    Modifica
    • Budget
      • 19.000.000 USD (previsto)
    • Lordo Stati Uniti e Canada
      • 22.498.520 USD
    • Fine settimana di apertura Stati Uniti e Canada
      • 384.478 USD
      • 8 dic 2002
    • Lordo in tutto il mondo
      • 32.802.440 USD
    Vedi le informazioni dettagliate del botteghino su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      1 ora 55 minuti
    • Colore
      • Color
    • Mix di suoni
      • DTS
      • Dolby Digital
      • SDDS
      • Dolby Atmos
    • Proporzioni
      • 1.85 : 1

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