Human Nature

"Human Nature" is just one example of what happens when you combine a script written by Charlie Kaufman, the directorial talents of Michel Gondry, and a stellar cast featuring Tim Robbins, Patricia Arquette, and Rhys Ifans.

The movie may not be up to par with Kaufman's other works such as "Being John Malkovich" and "Eternal Sunshine Of The Spotless Mind," but it does great at utilizing the usual elements that make a great Kaufman script: Eccentricity, great dialogue, and sometimes dark humor.

This film also happens to be director Michel Gondry's first directorial effort. While the film does lack some of the trademarks that Gondry would use in the other films of his career, (specifically his manipulation of the mise en scene) this film is, after all, his first directorial effort. Sometimes directors don't immediately find out what their main style is on their debut films.

Then you have the performances of the cast. Tim Robbins and Patricia Arquette shine in their respectful places as the male and female leads, but I believe Rhys Ifans deserves a bit more love. His performance as Puff is one that I feel is wildly underrated.

Overall, "Human Nature" is worth a go, especially if you like anything with Charlie Kaufman or Tim Robbins or Patricia Arquette written on it.

I loved this film. Everyone in it was sharp. It may be slow to build up in laughs, but I didn't mind one bit. The always great Arquette held it all in for me. Robbins was excellent, too. (as always- hey Tim, I want to see another directed feature from you!) Highly recommeded for fans of "intellectual" comedy. Some classic moments....

"Human Nature" is a comedy written by "Being John Malkovich's" Charlie Kaufman and it doesn't fail to carry the distinct aroma of his previous film. The film explores our so-called "primal urges" and our need to live naturally with deep consideration of those urges.

Patricia Arquette plays Lila Jute, a human naturist who has a little problem. She is suffering from a hormonal balance that causes her to be abnormally covered with body hair. While this does not pose much of a concern for her personally, it does for everyone else and more specifically, men. After getting fed up with the world, she decided to live in the forest amongst the animals and write best-selling nature books. However the animal in her begins to miss the precious company of men and so she returns to civilization. Lila shaves her body hair and begins a somewhat odd relationship with Nathan Bronfman (Tim Robbins). Nathan happens to be an etiquette scientist who tries to teach mice and Lila table manners. One day, Lila and Nathan come across an untamed man (Rhys Ifans) who was raise by a father who believed himself to be a monkey. That man is later nicknamed Puff. The Puff creature happens to be the perfect subject for Dr. Nathan Bronfman as he changes Puff's wild ways to more more cultivated conduct. Lila is left torn between lying about her "human nature" or embracing her urges and running wild.

Perhaps I'm as prude as Tim Robbins's character, however there is no appreciation of the refined gross-out humor in my sight. It appears as though the crude humor found its way into the movie for no reason other than the fact it could. Luckily the film makes up for that in very unique cinematography. The interesting camera angles and settings take away a bit from the numerous unnecessary masturbation jokes and bodily fluid gags. There were many other ways that such a creative team of filmmakers could have coped with them in a more substantial manner and prevented their detraction of the finer aspects of the movie.

The finer aspects of the film include the brilliant acting from some of the somewhat less familiar faces in Hollywood. Actress Patricia Arquette creates a character that is believable, originative and daring. She inhibits Lila with great ease and manages to push all the right buttons to make her tick just the right way. Rhys Ifans fills Puff's shoes with more content than expected. While he is able to add much to the film due to his comedic nature, there are a few points in the film where Rhys is able to show even greater depth. Both actors make great counterparts.

At times obscene and at others strange, the comedy manages to tackle some more thought-provoking issues, outside of humping. "Human Nature" discusses issues of evolution, the human desire to blend in and what it really is that makes us human. It walks through a somewhat slow and unstructured journey that imprints the difference between civilization, monkeys and mankind.

Despite its charms, "Human Nature" is not what it could have been. It does not live up to its potential because the filmmakers decided to make too many hollow & irrelevant stops and too few truly important ones. In the end, "Nature" is daring, well acted, unique, intelligent in spirit and very very crude.

Grade: C

Finally, a definitive answer to the question, "What is human nature?" Actually, "Human Nature" is not the answer to that question, but it does address other issues, one of which is the nature of comedy. Many, if not most, people who see "Human Nature" will not care for it. I was going to say "not get it", but that is condescending. I think "Human Nature" is a hilarious comedy. It's extreme adsurdity makes it so. It combines elements of Pygmalion, Frankenstein and Tarzan into a wonderful, modern day farce. The story is about a love rectangle formed by Nathan Bronfman (Robbins), Lila Jute (Arquettte), Puff (Ifans), and Gabrielle (Otto). Nathan and Gabrielle are somewhat normal (as normal as two scientists can be), but Lila and Puff are a bit off center. She has a problem with body hair which covers her whole body, and Puff, was raised in the wild by his father, who thought he was a gorilla. The story is told through flashback by the dead Nathan, the testifying Puff, and the arrested Lila. Wonderfully done. The one question I had throughout was how Puff came to be testifying in front of congress. The answer was so pat and contrived it was funny. My advice is, go see this movie with 4 or 5 friends, and try and predict which one of you will like it. The rest will hate it.

After perusing the other viewers' comments on this site and noting the plethora of pertinent sociological questions that arise from the viewing of this obviously intellectual piece of cinematography, I can't help but notice that the most obvious question of all has not yet been touched upon, therefore, I will ask it now.

If you were locked in a room with Patricia Arquette and an electric grooming shear, would you shave her body before making love to her?

Maybe the reason this question has not yet been asked is because the answer is so obvious it pretty much goes without saying. That answer is, of course, no. If you were to buzz-cut Ms. Arquette's body with such a tool, you would, without any doubt, leave a stubble that would be rough and scratchy, causing you so much discomfort during the act of intercourse that the whole experience would inevitably become somewhat unpleasant, relatively speaking.

Leaving her hairy, on the other hand, would give you the sensation that you were rolling around with a large, fluffy dog...a feeling which could only add a new measure of pleasure to the whole coital experience. This should not be construed as bestiality, being that the "fluffy-dog" sense of pleasure would be separate from the "doing Patricia" feeling of prurient ecstasy, which means the whole scenario could be pulled off guilt-free.

That would be superb, especially for me, being that I have been totally hot for this particular actress ever since I saw her in True Romance. I would be happy to be in bed with her even if she was a toothless quadruple-amputee covered with hair from her head all the way down to her...uh, never mind.