I Tenenbaum

I loved this movie the first time I saw it. And it grows on me a little bit every time I rewatch it. It's like going to visit an old friend's house. Anderson did such a marvelous job building this odd little world. It's just one indelible image after another. Gene Hackman is just marvelous. And that shot of Margot getting off the bus.

This was a quirky film that surprised me, in that I liked it....at least twice. By the third viewing, I had enough but I got my money's worth out of it. That's what I would recommend with this movie: rent it before considering buying it. It's very different, and you might love but also might hate it.

What it is, simply, is a portrait of a very dysfunctional family and the father trying to re-connect with his kids after a long absence. Gene Hackman is the father, Angelica Huston the mother and the wacko kids - and other assorted strange characters - are played by Ben Stiller, Owen and Luke Wilson, Gwyneth Paltrow, Ben Stiller, Bill Murray and Danny Glover.

This is mostly dry, dark humor with some funny lines delivered in deadpan style. Nobody is particularly likable but - with the possible exception of Paltrow's character - are not really unlikeable either. They are just strange.

I enjoyed viewing the house with all its colors. For those who appreciate low-key absurd humor nd some pleasing visuals, you should like this film and I certainly recommend giving it a look.

Wes Anderson has been the face of a new brand of comedy ever since he burst onto the scene in 1996 with Bottle Rocket. He further established himself with the 1998 hit Rushmore. The Royal Tenenbaums is considered by many to be his finest work and it is kind of hard to dispute that. This is a rich, complex movie dealing with multiple characters that all suffer from serious trouble in one way or another. Gene Hackman plays the father of a family that was once quite prominent in the world of geniuses. The oldest son Chas was a successful real estate dealer, daughter Margot became a famous playwright in the ninth grade, and youngest son Richie went on to become a great tennis player. Still, all their talent couldn't keep their father from leaving them, and now he returns to see them because he tells them he is dying.

This movie works, but not as easily as some other comedies. Being a Wes Anderson movie, the humor here is very dry and there are multiple scenes when you will ask yourself if you should be sad, angry, or laugh at the characters. The look of the movie is remarkable and it perfectly matches the feeling of each character. The acting is tremendous, especially by Hackman, as well as Ben Stiller, Gwyneth Paltrow, Luke Wilson, and Angelica Huston. The whole movie is filled with weird and quirk situations, yet it all makes sense somehow. The story gives us these people and their problems and we watch as they try to piece their life back together after being apart for so long. If you are a fan of Wes Anderson, you owe it to yourself to see this. If you aren't, it still is worth seeing, but give it some time. Watching it a second time really helped me understand the characters and the story better. It may do the same for you.

I think it's unfortunate that some of those who liked this film imply that anyone who found it a waste of time is a boor, who is only interested in Jim Carrey style films. There are some very off-beat, "arty" films that I enjoy a great deal. This was not one of them, though. To me, it was "okay", but certainly not great. The humor was very subtle. I got most of the "jokes" (or humorous aspects, really, more than jokes) that people have mentioned, but they just weren't all that funny, to me. Maybe I actually sympathized with the characters too much; the humor was overwhelmed by the sadness of their situations.

It seems to be generally agreed that this is Wes Anderson's staple film, or perhaps his mission statement as far as movies he wanted to create: idiosyncratic, campy tales about complex relationships being told in often witty and blunt dialogue. And no one can forget the Wes Anderson tells - symmetry, pastel or earthy color schemes, and Bill Murray. Even though the way this story is told would never happen in real life (it felt fitting that the "actual story" being told was through a book), it still feels incredibly human and almost believable in an odd way. Royal Tenenbaum (Gene Hackman) almost feels like the hero of a classic Greek tragedy, except the movie focuses more on gathering yourself the day, or in this case, the two decades after. Royal's ex-wife (Anjelica Huston), his two sons (Ben Stiller and Luke Wilson), his adopted daughter (Gwyneth Paltrow), and his children's friend from across the street (Owen Wilson) have all fallen on hard times (meltdowns, depression, drug use) decades after the family drifted apart. Royal attempts to reconnect with his family initially to keep his distanced wife from remarrying a tax advisor (Donny Glover), but throughout the film, he finds the best days of his life with his long-lost family. The group catches up with varying success and share in each other's mutual sadness. There are many beautiful and crushing scenes, heightened by the Wes Anderson style, and the story explores several different feelings and tones. I think the only real problem is that even though every character is written well and intricate in their own special way, and I believe each has an arc as well, there are so many people and histories to keep track of, it becomes a little bit of a nuisance. And the film struggles to juggle all these characters and all of this information in a balanced way; they each kind of have their moment and disappear for a while and then resurface briefly. And this makes the telling of the story a little choppy and confusing at points because you're always wondering who someone is or why they are acting the way they are until you remember through context clues. But if it weren't chosen to have this movie told through a book, I think it might have been much more noticeable. Of Anderson's films that I have seen, even though it is not my favorite by him, I'd say it's the best introduction to one of the best filmmakers in the industry right now.