S1m0ne

S1m0ne (SIMONE) is a creative little piece of filmmaking from the young New Zealand writer director Andrew Niccol (Gattaca, The Truman Show, Lord of War, The Host, Dali & I:The Surreal Story). While this may not register in the 'best films of the decade' category, it certainly challenges both our thinking and our imagination and creates a sense of wonder at just how far we have come with computer generation.

Has-been movie director/producer Viktor Taransky (Al Pacino, shining) faces disaster when his star Nicola Anders (Winona Ryder) deserts his latest desperate need for a hit film and comes up with the alternative - create a superstar by using a digital synthespian, a creature who via computer codes is destined to do anything the creator decides. And voila! Simone (or rather S1m0ne - Sim-One, the technology used to creature such ventures.) Viktor is saved as Simone (Rachel Roberts) becomes the superstar of Viktor's dreams - winning awards, and Viktor's heart - only requiring that he ultimately tell the public of his sham, a deed he attempts to avoid through means that place him in big trouble. The story is fantasy, but in Niccol's hands the fantasy becomes possibility and makes us question just how far advanced have we become...perhaps too far.

The strong supporting cast includes, along with Winona Ryder, Catherine Keener, Benjamin Salisbury, Jay Mohr, Evan Rachel Woods, and of course the digitally altered Rachel Roberts. The test of a good comedy is whether it can incorporate tragedy and still entertain. This film succeeds.

Grady Harp

Ever since I first saw Gattaca, I've been looking for other films directed by Andrew Niccol. This being one of them, and so far, one of the only ones(but I certainly hope he makes more films in the future... he has some very interesting ideas), I simply had to watch. I was not disappointed. Like Gattaca, this is science fiction; however, Gattaca is more of a all-out sci-fi film, and S1m0ne only has some elements of science fiction. Before I comment on the sci-fi, I must comment on the great humor in the film. This is the first of Niccol's films(Truman Show, Gattaca and then this) I've seen that has comedy(in the form of satire, that is). Truly great comedy, as well. You know why? Because it's real. It's stuff that we can recognize, stuff that we know from ourselves, from the people around us. The comedy mostly revolves around how easily everyone is tricked, how quick they are to believe in something without any proof. I believe it was Voltaire who said: "If there were no God, it would be necessary to invent one". We want to be deceived, we want to be tricked, we want to have something to hope for and believe in. I mean, let's be honest; that is the very basis for why religion exists, and why people claim to spot UFOs. People need to believe in something... and they believe in Simone. Despite what her maker has her do, despite no one ever having met her in person, people love her. They need to. They need someone, something to believe in. The many scenes of Viktor covering up Simone not being real, creating the illusion of her in various forms to satisfy other people's urge to see her, meet her, talk to her may be somewhat slapstick in their nature, but they only emphasize how ludicrous and easily bought the everyday man is. They want to believe it so badly, they simply can't accept anything else. This seems to be what most critics of this film are missing. Their refusal to accept it is simply them denying human nature. As Pacino's character realizes near the end: "She's indestructible". It is not possible to remove her, because the public won't accept it. She must exist. I noticed a lot of references to the story of Frankenstein in this film. It is basically the 21st century's version of Frankenstein, with some computer-based science fiction elements and set in Hollywood. I have never seen a film that so openly mocks the superficiality of Hollywood, and for that reason alone, anyone should see it. The plot is very good, though it develops at a somewhat uneven pace... in fact, the pacing seems a tad off. The acting is mostly very good. The special effects are top-notch... they were in 2002, and they still are. This could have been better, but it was still very good. I recommend this to anyone who is interested from reading the plot outline, people who enjoyed Gattaca and fans of science fiction as commentary on real issues. 7/10

This wasn't a bad comedy starring a famous actor who is known more for his dramatic roles: Al Pacino.

For a one-joke storyline, I thought the film was pretty good, and certainly better than the critics would have you believe. The story moved well, only getting a little preposterous in the final 15-25 minutes, although the whole film is a tongue-and-cheek look at Hollywood fame.

It's a nice-looking DVD and Rachel Roberts falls in that category, too, as the beautiful computer-generated new movie star who isn't what people think.

This turned out to be an "okay" but not one that people raved about or added to their collections. Maybe it was the weak ending.

"S1m0ne" is a different kind of movie, with an original, different and very interesting idea. But, despite this clever premise, it was a disappointment.

The plot is brilliant in fact: Viktor Taransky, a producer with his career in danger, desperately needs a success. He decides to create a virtual actress named "Simone". "Simone" is perfect, gorgeous, beautiful and sexy. She's not real, but nobody knows that and she becomes a major hit.

However, this intelligent and amazing idea is ruined as Simone's fame grows to the extreme. Viktor Taransky, not to reveal the truth, is forced to "hide" her from the public and this ends up becoming too much for him. That's when the movie becomes ridiculous: he decides to ruin Simone's image in all ways, but the more he tries to do it, the more the public likes her. From this part on, the rest is pointless and pathetic. The ending is probably the worst and most ridiculous ending I've ever seen in a movie.

Al Pacino, as usual, is great and this role of Viktor Taransky is one of his best roles. The beautiful Rachel Roberts is great as "S1m0ne".

In conclusion: it's truly a pity how such a genial idea was ruined by rubbish humor. The movie had potential to be much better than this. After all, the plot was so good... a wasted opportunity. If this movie was made more carefully, it could have something special like "Who Framed Roger Rabbit" and "The Mask".

Very good satire on the cult of celebrity, in which the whole world falls all over itself in praise of a non-existent actress.

The movie also deals, to a much lesser extent, with the conflict between wanting to create a perfect artistic vision and wanting to create art that is in the world. It's not the most pointed or savage of satires, but it is quite a funny one.

Some people here have criticized it for being predictable, which really misses the point of satire. Satire is based to a great extent on the frightening predictability of people, and it must follow a logical train of escalating events or what's the point. The biggest failing in the movie is near the end where it jumps track from a logical train of events to a dumb plot device, which while not a fatal error is lazy and takes away from the overall effect of the film.

But mainly it's just funny. Consistently so from beginning to end. And also notable as about the only good performance I've seen from Winona Ryder since Mermaids.