VALUTAZIONE IMDb
6,8/10
47.095
LA TUA VALUTAZIONE
Un detective che indaga su una serie di omicidi inizia una relazione con una donna che potrebbe essere il colpevole.Un detective che indaga su una serie di omicidi inizia una relazione con una donna che potrebbe essere il colpevole.Un detective che indaga su una serie di omicidi inizia una relazione con una donna che potrebbe essere il colpevole.
- Regia
- Sceneggiatura
- Star
- Premi
- 5 candidature totali
Luis Antonio Ramos
- Omar Maldonado
- (as Luis Ramos)
Recensioni in evidenza
Within a kind of light and shadow there's almost a trademark photography for a film noir movie, and "Sea of Love" is a film that takes place in the shadows
Al Pacino plays Frank Teller, a self-conscious detectivein search of a serial killerdrawn into a torrid sexual relationship with an attractive young woman he met in a super market when all the good citizens of the city are asleep and the people who are walking around are the ones who are leading the most solitary lives
Helen Barkin is just so right for the part You can believe her when you see her dressed in her red leather jacket and tight jeans She's a lady of the night, sexy as hell, and a woman who can take care of herself Between her and Pacino, there were enough attraction that's deep but also there were feelings of vulnerability and suspicion
Al Pacino plays Frank Teller, a self-conscious detectivein search of a serial killerdrawn into a torrid sexual relationship with an attractive young woman he met in a super market when all the good citizens of the city are asleep and the people who are walking around are the ones who are leading the most solitary lives
Helen Barkin is just so right for the part You can believe her when you see her dressed in her red leather jacket and tight jeans She's a lady of the night, sexy as hell, and a woman who can take care of herself Between her and Pacino, there were enough attraction that's deep but also there were feelings of vulnerability and suspicion
Men who've answered personal ads in the lonely hearts column featuring poetry are being found naked, face down on their beds. There are cigarette butts with lipstick on them in their ashtrays. Detective Frank Keller (Al Pacino), along with his sidekick Sherman (John Goodman), decide to enter their own ad in the lonely hearts column, and try to match the killer's fingerprints.
A great premise that definitely justifies making yet another police procedural, this Al Pacino vehicle won this reviewer over, which is hard to do these days with cop thrillers - once you see enough they all start to look the same.
But here we've got a great script, with some terrific wisecracking cop lines, great actors, especially Pacino, Goodman and sexy Ellen Barkin - which make for a very enjoyable ride. Sure the score is a little 80's, and Ellen Barkin may look back and regret that hair-do, but otherwise this is a very successful piece of film.
This is largely due to the terrific screen presence of Al Pacino - he's such a firecracker! And the hugely enjoyable chemistry between partners Pacino and John Goodman. They play off each other so well. The dating scenes are particularly fun - personal highlights for me. And, of course, Ellen Barkin exudes sensuality. Its incredible.
The title may sound pulpy and cheap - but its for good cause. We find out in the first few minutes that its the name of the song the killer was playing when the first murder of the film occured. Its also ironic - the crime-ridden world of this film is anything but a sea of love.
7/10. Must-see for Pacino fans and fans of cop thrillers. For everyone else, not essential, but great saturday night fair.
A great premise that definitely justifies making yet another police procedural, this Al Pacino vehicle won this reviewer over, which is hard to do these days with cop thrillers - once you see enough they all start to look the same.
But here we've got a great script, with some terrific wisecracking cop lines, great actors, especially Pacino, Goodman and sexy Ellen Barkin - which make for a very enjoyable ride. Sure the score is a little 80's, and Ellen Barkin may look back and regret that hair-do, but otherwise this is a very successful piece of film.
This is largely due to the terrific screen presence of Al Pacino - he's such a firecracker! And the hugely enjoyable chemistry between partners Pacino and John Goodman. They play off each other so well. The dating scenes are particularly fun - personal highlights for me. And, of course, Ellen Barkin exudes sensuality. Its incredible.
The title may sound pulpy and cheap - but its for good cause. We find out in the first few minutes that its the name of the song the killer was playing when the first murder of the film occured. Its also ironic - the crime-ridden world of this film is anything but a sea of love.
7/10. Must-see for Pacino fans and fans of cop thrillers. For everyone else, not essential, but great saturday night fair.
Great screenplay, acting and settings combine to make a dynamite film. The constant tension between the police investigation and Pacino's love interest keep the suspense going strong, and the chemistry between Barkin and Pacino is fabulous. John Goodman is excellent as always, the sex/death themes add to the tension, and the ending will throw most for a loop... this film delivers. Try it, you'll like it.
8/10
8/10
Sea of Love is directed by Harold Becker and written by Richard Price. It stars Al Pacino, Ellen Barkin, John Goodman, Michael Rooker and William Hickey. Music is by Trevor Jones and Ronnie Taylor is the cinematographer. Plot has Pacino as New York Police Detective Frank Keller, a borderline alcoholic and lonely after his wife left him for one of his colleagues. Tracking a serial killer of men, an investigation set-up leads him to date a number of women with the idea of obtaining forensic evidence off of the wine glasses. One of these women is sultry blonde, Helen Cruger (Barkin), who Frank starts to have a passionate relationship with
..
The erotic thriller is a tough premise to get right on film, so many elements have to fall in to place for the film to win over critics and film goers alike. Chemistry of lead cast members, a gripping plot, plausible outcome, and so on. Too many over the years have failed miserably at it, resorting to either gratuitous tactics or simple star casting to entice the paying public in to the theatre. Sea of Love is not a complete success, but it's certainly one of the best of its type. Were it not for a weak murder motive that's not fully explored, resulting in something of an unsatisfying finale, we would probably be talking about Sea of Love being the template movie for the erotic thriller.
All else that leads up to the last 15 minutes is sizzling, Barkin and Pacino spark in every scene they share, where even with the sex scenes, the fact that Barkin towers over Pacino doesn't detract from the sexual chemistry, it adds to it. It's smart, too, that we don't see Barkin for the first third of the movie, the anticipation builds up and thankfully upon arriving into the picture she doesn't disappoint. Goodman is ebullient and makes a good foil for Pacino's haggard life sucks act, his Sherman an easy to get on side with character.
The guessing game at the heart of the plot is well handled by the makers, there's no stupid giveaways or overkill of red herrings, while the edgy lonely hearts basis for both the killings and the investigative trap is nicely written by Richard Price. Fusing both loneliness and sexual needs together as one, Becker is able to get much emotional mileage out of the story. If only the ending could have made good on the promise shown. Come the last 15 minutes the "is she or isn't she the killer?" factor has run out of steam, with what follows inducing cries of "oh, is that it?"- instead of- "oh my god!". Damn shame that. 7.5/10
The erotic thriller is a tough premise to get right on film, so many elements have to fall in to place for the film to win over critics and film goers alike. Chemistry of lead cast members, a gripping plot, plausible outcome, and so on. Too many over the years have failed miserably at it, resorting to either gratuitous tactics or simple star casting to entice the paying public in to the theatre. Sea of Love is not a complete success, but it's certainly one of the best of its type. Were it not for a weak murder motive that's not fully explored, resulting in something of an unsatisfying finale, we would probably be talking about Sea of Love being the template movie for the erotic thriller.
All else that leads up to the last 15 minutes is sizzling, Barkin and Pacino spark in every scene they share, where even with the sex scenes, the fact that Barkin towers over Pacino doesn't detract from the sexual chemistry, it adds to it. It's smart, too, that we don't see Barkin for the first third of the movie, the anticipation builds up and thankfully upon arriving into the picture she doesn't disappoint. Goodman is ebullient and makes a good foil for Pacino's haggard life sucks act, his Sherman an easy to get on side with character.
The guessing game at the heart of the plot is well handled by the makers, there's no stupid giveaways or overkill of red herrings, while the edgy lonely hearts basis for both the killings and the investigative trap is nicely written by Richard Price. Fusing both loneliness and sexual needs together as one, Becker is able to get much emotional mileage out of the story. If only the ending could have made good on the promise shown. Come the last 15 minutes the "is she or isn't she the killer?" factor has run out of steam, with what follows inducing cries of "oh, is that it?"- instead of- "oh my god!". Damn shame that. 7.5/10
I've watched it many times and never get tired of it. "Sea of Love" is one of few films where Al Pacino is very sexy, and it is adds to the film's many pleasures. The rest of them are - well constructed story of a New York Homicide cop (Pacino) attracted to a mysterious blond woman with a charming crooked grin (Ellen Barkin - talented, sexy and underrated actress) who may or may not be a serial killer. The chemistry between Pacino and Barkin is powerful and undeniable and the love scenes between them are among the best and most memorable ever filmed. John Goodman is very good as Pacino's partner and friend and yes I love the soundtrack and the title song.
Lo sapevi?
- QuizAccording to the DVD documentary, included in the final cut of the film is a scene where Al Pacino's character gets rudely bumped into on 5th Avenue while trying to court Ellen Barkin's character. According to director Harold Becker, this was an unscripted moment caused by a real New Yorker, and not an extra. Pacino incorporates the moment into his performance, and continues without missing a beat.
- BlooperWhen Frank visits Helen in the shoe store, she takes his shoe off. He never puts it back on, and he leaves the store in a huff.
- Citazioni
Frank Keller Sr.: [a poem by Frank's mother written in 1934 while she was in high school] I live alone within myself, like a hut within the woods; I keep my heart high upon the shelf, barren of other goods; I need another's arms to reach for it, and place it where it belongs. I need another's touch and smile, to fill my hut with songs.
- Versioni alternativeSeveral scenes featuring Lorraine Bracco as Al Pacino's wife were cut before release and reinserted for the film television premiere. These additions were all included on the Universal Thrillers VHS edition of the film. They are as follows: 1) Frank sees a suspicious man on the street and calls for back-up from a nearby pay phone. It is revealed that this man is a personal bodyguard for a child at a nearby school. Parts of this scene were included in the original theatrical trailer. 2) The complete scene with Lorraine Bracco in which she pleads with Frank to stop bothering her and her husband. She also reveals that she is pregnant. 3) Frank comes home to his apartment and is surprised by his father, played by William Hickey, who is already in the apartment. His father tells him about an old partner who just passed away.
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Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Mar de amor
- Luoghi delle riprese
- Toronto, Ontario, Canada(as 'New York' interiors)
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 19.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 58.571.513 USD
- Fine settimana di apertura Stati Uniti e Canada
- 10.017.840 USD
- 17 set 1989
- Lordo in tutto il mondo
- 110.879.513 USD
- Tempo di esecuzione1 ora 53 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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