The Flamingo Rising

The 3-4 movies a year that gain the "Hallmark Hall of Fame" sponsorship never fail to deliver, and Flamingo Rising was one of the better efforts lately. This is a feel-good show that recaptures a look and feel and style while beautifully intertwining humor, pathos, the family unit and the American work ethic. From the Korean orphans to the Fourth of July accident to the stunning conclusion, the creators offered one memorable scene after another. And, somewhat rare for a TV movie, Flamingo Rising had terrific visuals. Brian Benben is the driving force, and is excellent as the drive-in theater owner who achieves his dreams in nearly every way -- for a time. Stephen Larkin as his son gives a sympathetic but firm performance. William Hurt, kept too far in the background some of the time, is excellent in a low-key role. But the star of the show is Elizabeth McGovern, the conscience and rock of the family who becomes everyone's friend and confidant. Hollywood very very seldom gives us something that veers so far from its apparent destination. And it almost never reflects life's highs and lows as perfectly as was done in this movie.

I had hopes that "The Flamingo Rising" would be a "black comedy" of outrageous eccentrics trying to out annoy each other along the lines of Dan Ackroyd and John Belushi in "Neighbors". The added interest of a gigantic drive in theater and a funeral parlor replacing two adjacent houses, only made the ground more fertile for dark comedy. Unfortunately my expectations were not met, because "The Flamingo Rising" has a severe identity crisis, and is a real mixed bag of underdeveloped characters and concepts. The bag includes feuding neighbors, teenage romance, marital drama, 50s nostalgia, religious guilt, and tragedy. This total mish-mash leads to a fatal identity crisis, and certainly a missed opportunity for the "black comedy" I was anticipating. - MERK

I stumbled upon "The Flamingo Rising" while looking for films featuring William Hurt which I hadn't seen when they first came out. And I decided to watch it because it wasn't as long as some of the others, as it was already pretty late when I started looking. Plus, it was available to stream for free.

I really enjoyed it. I was frankly surprised to learn that it was a Hallmark Hall of Fame production because I tend to think of most of those as being super cheesy and saccharine sweet. Not this one!

I was not handicapped as other reviewers apparently were by the fact of having read the book. I didn't even realize that this movie was based on a book until I came here and started reading reviews, trying to figure out why it had an average rating of only ⭐⭐⭐ as I noticed before watching it. I suggest to potential viewers that you'll probably like the movie better if you haven't read the book. And isn't that often the case? There's a long tradition of moviegoers and reviewers complaining that the movie wasn't as good as the book!

I thought Elizabeth McGovern was terrific, as was young Christopher Larkin. The entire cast was actually pretty good and all the intersecting stories didn't bother me in the way other reviewers complained about. I thought the story was unusual and quite compelling, in particular the tension between the adults and the over-the-top nature of The Flamingo's story.

I say watch it. It's available to stream for free, so why not? I think you'll like it..... assuming you're not an aficionado of the book. 🤣

P.s. The reviewer who complained about the Romeo and Juliet story not being played out had the family associations from William Shakespeare's play backward. Juliet was a Capulet, not a Montague as was asserted in the review, and vice versa for Romeo. I mean, geez, if you're going to get all literary on us, you might want to re-read the work to which you're referring!

FLAMINGO RISING is about two Florida families: the Lees, who own a drive-in theater, and the Knights, who own a funeral parlor across the street. Hubert Lee (Brian Benben) and Turner Knight (William Hurt) are constantly at odds while Lee's young son and Knight's equally young daughter are falling for each other. Lee's long-suffering wife (Liz McGovern) tries to keep the peace. Along comes the Judge (Kevin O'Connor) who likes to fly biplanes, and Lee puts him to use promoting the drive-in, much to the consternation of Knight. Things get considerably worse before they get better, and since this is based on a novel, not everything nor everyone turns out OK. At the end, my wife turned to me and said, "What was the point of all that?" I confess I wondered myself. RISING is well-acted, especially by the flamboyant Benben, and well-directed by Martha Coolidge, but by the end, I suspect most people will be wondering why they spent two hours watching it.

Having read the novel that the film was based on, I found the film a very superficial and watered down version of the story. As with all 'first person' narratives the inner voice of the book is lost, thus taking away a lot of the passion and intensity of the original. The importance of the role of Alice is lost and the loss of the sexual aspect of the story dilutes the tension and southern steaminess.