Crimini immaginari

Everyone who thinks Harvey can only inhabit violent, suffering Martin Scorcese type stories will be amazed at his affecting and emotional turn here, as a father struggling to raise his 2 daughters. Guilt and regret figure prominently in the plot line, which is narrated from a diary by the wonderful Fairuka Balk. Kelly Lynch gives a brief but sad performance as the mother. One of Kietel's best contains his usual trademark shouting scenes but overall: his least bloody and tortured character is also his finest time on film.

Imaginary Crimes features one of the world's best "unknown" actresses Fairuza Balk (Personal Velocity, Almost Famous, The Craft, American History X) and the immensely talented Harvey Keitel.

Keitel plays a recently widowed hustler/con man who is left trying to raise his two daughters, teenager Balk and her 12 year old sister. He doesn't have a clue about raising kids. Worse, he has to hide his shady business dealings from them.

Balk is a natural born writer, who is befriended by her English teacher (Vincent D'Onofrio). He provides the supportive father figure that Keitel cannot.

Imaginary Crimes is a coming of age story. It's a small, quiet film, but very effective. The acting is superb and Balk more than holds her own with the great Keitel. Highly recommended for the outstanding performances of Balk, Keitel and D'Onofrio. Balk is one of my favorite actresses.

*One fairly minor spoiler ahead*

There's a very good story in here. I wouldn't doubt that the book is very good. However the screenplay, perhaps as well as the direction here really doesn't do the full story justice. Too much of the story is told from such an overly cynical and somewhat ignorant perspective of the older daughter by narration. Essentially this aspect alone robs the film of its overall effectiveness of being an entirely convincing film. Instead, much of the story the film tries to deliver through the narration, does not reasonably meet the actual story presented. So overall I have to say that while the film is decent, and does have a good story within it, this telling of it overall is not entirely effective enough. It's impossible to fully buy into, unless you care not to think about it much at all I suppose. I also have an issue with the part where child services takes the younger daughter away. If the oldest is 18, which she was, there should never be such a reason to do this. Unless there was some known reason why she could not care for the younger sister, which no reason of this is ever shown or even talked about at all in the film.

It really is too bad, because mostly I really enjoyed the story, and what the director and cast did here. Too bad the narration is not better written here to fit in better with the full story. It could've worked really well, and this would've been a really good little film, mainly if there were only less cynicism and narrowness of perspective in the narration.

5/10.

Harvey keitel is ray, single, gruff dad, trying to raise his two daughters. He's an inventor, but his inventions never seem to bring in any money. About twenty five minutes in, we hear three important rules, so i'm sure they will be important later. Maybe. Maybe not. And why does sonya have a scarf on her head for so much of the film? Confusing, since this is a period piece, from the early 1960s. Two possibilities. The trivia tells us that fairuza balk had to return for re-shoots, so her hair had changed. We also see that balk is named "turquoise" in farsi, so it could have something to do with her culture or beliefs. It's not explained in the film. It's mostly good. A story of family, loss, trying to hold together. Small roles for vincent d'onofrio, chris penn, and a twelve year old elisabeth moss! Directed by anthony drazan, for warner brothers. We also see short clips of a couple much older warner brothers movies. Chris penn was about thirty in this film, but died young at age 40. The author, sheila ballantyne, passed away in 2007, just about a week after her husband. It's pretty good. A family tries to hold it together, but the dad is so messed up, it's even more challenging for the daughters.

To anyone who has ever had a disappointing father yet still was able to get past his shortcomings and love him this is your movie. The power to love is what this movie is about. It is not a cliché type movie though. The power of love does not include forgiveness nor going into agreement with or going along with the person. It is the ability to love what goodness there is available in a person despite all the reasons (their bad characteristics) one should not. This movie is a tear jerker but I found it very uplifting as well. Keitel, D'Onofrio and especially Fairuza Balk are all fantastic. The direction and writing are perfect. It is a rare movie. Because I wouldn't change one bit of it. I'd rate it in my top 25 of all time. It's that good.