Un boss della droga imprigionato offre un'enorme ricompensa in denaro a chiunque possa liberarlo dalla custodia della polizia, e solo il team di armi e tattiche speciali dell'L.A.P.D. può im... Leggi tuttoUn boss della droga imprigionato offre un'enorme ricompensa in denaro a chiunque possa liberarlo dalla custodia della polizia, e solo il team di armi e tattiche speciali dell'L.A.P.D. può impedirlo.Un boss della droga imprigionato offre un'enorme ricompensa in denaro a chiunque possa liberarlo dalla custodia della polizia, e solo il team di armi e tattiche speciali dell'L.A.P.D. può impedirlo.
- Regia
- Sceneggiatura
- Star
- Premi
- 5 vittorie e 5 candidature totali
LL Cool J
- Deacon 'Deke' Kaye
- (as James Todd Smith aka LL Cool J)
Reg E. Cathey
- Lt. Greg Velasquez
- (as Reginald E. Cathey)
Recensioni in evidenza
The Big Screen version of the small screen cult favorite is a pretty good thriller. No, its not the best movie in the world but a good way to spend two hours.
The plot concerns a wanted international criminal who offers 100 million to anyone who will spring him. The action is mostly realistic as are the characters. The real complaint is that the captain is too much of an ass and there are one or two bumps that don't ring true, especially at the end but its not anything that will spoil the fun. Best of all there are a couple of really good action sequences.
Recommended, especially on cable
The plot concerns a wanted international criminal who offers 100 million to anyone who will spring him. The action is mostly realistic as are the characters. The real complaint is that the captain is too much of an ass and there are one or two bumps that don't ring true, especially at the end but its not anything that will spoil the fun. Best of all there are a couple of really good action sequences.
Recommended, especially on cable
Thrown into a desk job when his partner Gamble disobeys orders and shoots a hostage, Jim Street bides his time waited beside being demeaned on a daily basis. When the commissioner brings in old school SWAT leader hondo to put together a young outfit, Street is offered to chance to retrain with the select team and is soon back on duty. Meanwhile a man is pulled over by a black and white for a broken rear light, but is found to be a drug baron. SWAT are sent to escort the man to a secure prison but, as they take him into a holding centre he announces that whoever breaks him out of jail will get $100 million dollars. SWAT soon have much to content with and must ensure that Montel does not escape.
In a summer crammed with more sequels than ever, I was drawn to go and see SWAT simply because it offered some hope by not being a sequel to a past film (I didn't know at the time it was a TV conversion). Unfortunately, while not lifting it's formula from a predecessor, it essentially lifts itself from many other films and lacks anything that really makes it stand out. The central premise (the `$100 meellion dollar' bit) is interesting but only leads to a big long action scene that acts as the film's second act. Prior to this we are given the usual training stuff which, while not new, is still enjoyable.
It's weakness is that it is suffering from too much testosterone and therefore has to much of the men banging heads with each other and comparing size! The second half is enjoyable as it is just noisy action all the way, but it suffers from being too overblown. A scene where several different street gangs attack a police convoy is an example of this but happily the rest is not as bad as this and is actually quite good. My main complaint was that this second act felt like it should have been the main body of the film and that the training etc was just the introduction. However the second act seemed very short and I came away with the feeling that this was made with a sequel in mind from day one - just like MIB felt like it was made to get to MIIB!
That said it is still fun to watch, albeit unoriginal and clichéd fun. The overblown, all-destroying action probably doesn't do justice to the actual precise and tactical work that SWAT units do and it did make me wonder why someone didn't just take the `$100 meellion dollar' idea and put it in a normal cop film setting but hey-ho.
The cast is really good on paper but hardly make much of a splash in reality. Farrell continues to land on his feet with yet another starring role. His American accent hasn't gotten any better but he is still watchable with his tough guy charisma (would be nice to see him build on this rather than relying on it though). Jackson is slumming it a bit and doesn't really lift the film by his presence. He is no stranger to action movies but he doesn't manage to do much here other than add a face to the mix. Smith (LL Cool J, now starting to use his real name in credits) is OK but again doesn't do much special; I found it amusing that both Jackson and LL had actually made Deep Blue Sea more enjoyable by their performances but neither did it here. Rodriguez is not allowed to show she can act at any point, but she is easy on the eye and is good enough. Martinez's villain is OK but it was never clear where he was from despite the fact he had a French accent - have I missed something, was he a French drug lord? If anything his role marks a sad day for English actors everywhere, from now on it seems that, due to their actions over Iraq, the French will be providing the baddies in American action movies from now on!
Overall this is a reasonably enjoyable piece of noisy entertainment. If you expect anything unique or clever then you will be really disappointed. However if you are prepared for lots of running with guns, noise and macho posturing then this should be enough to satisfy you. For me it didn't stand out from the pack but it was still an OK way to spend a few hours.
In a summer crammed with more sequels than ever, I was drawn to go and see SWAT simply because it offered some hope by not being a sequel to a past film (I didn't know at the time it was a TV conversion). Unfortunately, while not lifting it's formula from a predecessor, it essentially lifts itself from many other films and lacks anything that really makes it stand out. The central premise (the `$100 meellion dollar' bit) is interesting but only leads to a big long action scene that acts as the film's second act. Prior to this we are given the usual training stuff which, while not new, is still enjoyable.
It's weakness is that it is suffering from too much testosterone and therefore has to much of the men banging heads with each other and comparing size! The second half is enjoyable as it is just noisy action all the way, but it suffers from being too overblown. A scene where several different street gangs attack a police convoy is an example of this but happily the rest is not as bad as this and is actually quite good. My main complaint was that this second act felt like it should have been the main body of the film and that the training etc was just the introduction. However the second act seemed very short and I came away with the feeling that this was made with a sequel in mind from day one - just like MIB felt like it was made to get to MIIB!
That said it is still fun to watch, albeit unoriginal and clichéd fun. The overblown, all-destroying action probably doesn't do justice to the actual precise and tactical work that SWAT units do and it did make me wonder why someone didn't just take the `$100 meellion dollar' idea and put it in a normal cop film setting but hey-ho.
The cast is really good on paper but hardly make much of a splash in reality. Farrell continues to land on his feet with yet another starring role. His American accent hasn't gotten any better but he is still watchable with his tough guy charisma (would be nice to see him build on this rather than relying on it though). Jackson is slumming it a bit and doesn't really lift the film by his presence. He is no stranger to action movies but he doesn't manage to do much here other than add a face to the mix. Smith (LL Cool J, now starting to use his real name in credits) is OK but again doesn't do much special; I found it amusing that both Jackson and LL had actually made Deep Blue Sea more enjoyable by their performances but neither did it here. Rodriguez is not allowed to show she can act at any point, but she is easy on the eye and is good enough. Martinez's villain is OK but it was never clear where he was from despite the fact he had a French accent - have I missed something, was he a French drug lord? If anything his role marks a sad day for English actors everywhere, from now on it seems that, due to their actions over Iraq, the French will be providing the baddies in American action movies from now on!
Overall this is a reasonably enjoyable piece of noisy entertainment. If you expect anything unique or clever then you will be really disappointed. However if you are prepared for lots of running with guns, noise and macho posturing then this should be enough to satisfy you. For me it didn't stand out from the pack but it was still an OK way to spend a few hours.
This movie is no doubt influenced by the 'Die Hard' series. In this case, 1990's 'Die Hard 2' where the plot involved a drug dealer. A drug dealer in this case offers 100 million dollars to anyone who can bust him out after he is captured. Naturally, everyone with a greedy agenda, including some people that really make things sticky for the good guys, try to spring him. This film has a nice gradual build to its eventual payoff and Colin Farrell and Samuel L. Jackson are in good form. I only wish that their characters had been a little better developed. It's nice to see a movie where a character has a particular manner, saying or habit that makes their personality instantly recognizable. This is one of the better films to be based on 70's television. Certainly better than the 'Charlie's Angels' films (rubbish).
S.W.A.T. (2003) *** Colin Farrell, Samuel L. Jackson, Michelle Rodriguez, LL Cool J, Josh Charles, Jeremy Renner, Brian Van Holt, Olivier Martinez, Reg E. Cathey, Larry Poindexter, Ashley Scott, Denis Arndt, Reed Diamond, Lucinda Jenney. Better than anticipated big-screen adaptation of the 1970s cult classic police drama about the elite Special Weapons and Techniques division of the LAPD skillfully directed by tv veteran Clark Johnson (who cut his chops on 'Homicide: Life on The Street' and 'The Shield) with the focus on an oily French baddie (Martinez) making a routine prison transfer a dicey situation when he proclaims to give $100 M for his release from the cops custody ensuing all sorts of pitfalls and unexpected turns along the way. The screenplay by Ron Mita, Jim McClain and Davids Ayer and McKenna keep things lively but allow the action to occur gradually after each new member is incorporated into the fold, and (finally) Farrell proves his worth as a leading man in a big Hollywood film as the head-strong yet by-the-book disgraced member looking for redemption and Jackson as his no-nonsense leader of the pack. Expertly choreographed action sequences and some needed humor add to the mix of the been-there-done-that histrionics that naturally unfold
I haven't read the comments of others, so I'm not sure why it's rated so low. This is a pretty decent yarn with some good action and suspense in it. The story is almost believable. A drug dealer is detained by the Police and offers $100 million to anyone who can spring him. The offer is taken up by several people and the Los Angeles Police Department finds itself outgunned. Their only hope is the newly formed SWAT team, headed by Samuel L. Jackson. The whole SWAT thing is new and no one likes it. While, today, many people still don't like the idea of SWAT teams, they are now a part of the law enforcement landscape. It's too "Military" for most people. The film shows the build up and some of the training of the SWAT team, and their duel with the bad guys in the end. It kept my attention and I found it entertaining. And isn't that what the industry is all about? I gave it a 7.
Lo sapevi?
- QuizThe actors all received S.W.A.T. tactics, weapons, and live fire training for the film. Colin Farrell was also given L.A.P.D. driver training in the Ford Crown Victoria.
- BlooperWhen the jet on the 6th bridge is stationary as part of the pre-take off check the pilot selects gear down which obviously would have been done before the aircraft landed.
- Curiosità sui creditiDirector Clark Johnson, who appears in the film briefly as Deke's beat partner, is credited as 'Deke's Handsome Partner'.
- Colonne sonoreTheme from S.W.A.T.
Written by Barry De Vorzon
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Dettagli
- Data di uscita
- Paese di origine
- Sito ufficiale
- Lingue
- Celebre anche come
- S.W.A.T. - Unidad especial
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 80.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 116.934.650 USD
- Fine settimana di apertura Stati Uniti e Canada
- 37.062.535 USD
- 10 ago 2003
- Lordo in tutto il mondo
- 207.725.639 USD
- Tempo di esecuzione
- 1h 57min(117 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1
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