Il pubblicista Stuart Shepard si ritrova intrappolato in una cabina telefonica, bloccato dal fucile di precisione di un estorsore. Incapace di andarsene la trattativa di Stuart con il chiama... Leggi tuttoIl pubblicista Stuart Shepard si ritrova intrappolato in una cabina telefonica, bloccato dal fucile di precisione di un estorsore. Incapace di andarsene la trattativa di Stuart con il chiamante porta a un climax sbalorditivo.Il pubblicista Stuart Shepard si ritrova intrappolato in una cabina telefonica, bloccato dal fucile di precisione di un estorsore. Incapace di andarsene la trattativa di Stuart con il chiamante porta a un climax sbalorditivo.
- Premi
- 1 vittoria e 8 candidature totali
- Negotiator
- (as James Macdonald)
Recensioni in evidenza
Ebert himself was marvelled by the creativity of "Phone Booth". Why! It wasn't without good reason! A gaudy character stuck inside a phone booth in a busy locale, some good camera work, bunch of apartment windows, a psycho sniper and 10 days of excellent filming supported by a 'worth a mention' cast easily will manage to get into a good bundle of "top ten" lists. Fabulous entertainment and a good display of creativity. Graham Bell is still aiding marvels, I guess!
Everyone knows that it had a small budget, a shooting window of just over a week and that it was made years ago and shelved as Farrell's star power increased and real life terrorist attacks and snipers came and went in the media and the mind of the American public. So I'll not dwell on that and instead talk of the film! The pitch was enough to get me interested `man is held in phone box by sniper' sounds great! I really wanted to see this film but was put off by the trailer, but not of the films I saw wrong in the trailer were to the detriment of the film as over 80-odd minutes it really runs like a race horse.
Starting with humour and a free-flowing pace it turns sinister early on but keeps the pace. In terms of plot it has many good twists and turns that will keep you interested and on the edge of your seat. The only issue for me was accepting why the sniper was doing it and how he was able to get access to the equipment he would have needed as well as the information not to mention the WILL to do it! Also little things bugged me, but the film carries itself over these obstacles well enough and reservations are soon forgotten. It sounds simple but the simple ideas work best and, although low on action (sorry, teen boys!) it is driven by dialogue and simply not knowing what will come next.
The direction helps the film by constantly moving and using split screens etc to give the impression that a lot is going on at once again making the film feel like it has a fast pace. It feels a little gimmicky (especially now that we've had 2 series of 24 doing the same thing) but it works regardless. I wrote in an old review (8mm I think) that I would never pay to see a Joel Schumacher film ever again, and I DIDN'T pay to see Phone Booth! However I was surprised because he didn't ruin it! He did a good job yes, you heard me! His usual excesses seem to have been controlled by a good producer and editing team and the film works much to my surprise and relief!
Farrell may not be a bona-fide Hollywood star yet but he takes the task of being onscreen for almost the whole film and runs with it. He makes a comically cruel character someone that reveals himself to be a loser but never loses the audience and that takes talent. Sutherland's voice on the trailer didn't work for me (too normal and slow) but in the film he is excellent, like the director said, no-one else could have done the role, he is right for it. Whitaker makes up the third lead and he holds his corner well.
It may not be without the odd flaw but this film manages to be simple, gripping and very effective. Well worth a look.
The Hitchcock influence is obvious and the pacing of the film was just right. This is the best work of director Schumacher. The lead could have been played by any yuppie looking actor but Colin Farrell does a good job anyway in a role that puts you in his character's place.
It's hard to make a movie work when it takes place in a confined space with few characters, but when those movies succeed, it shows. And that's how it is with "Phone Booth."
For a relatively smaller film, it is never boring. There is enough that occurs and the rest of the supporting cast are also solid.
The suspense and mystery regarding the caller is great and the buildup to the character keeps you on the edge. Somewhat of a confusing ending yet overall this film is highly entertaining and it's short run time works great.
Lo sapevi?
- QuizThe phone actually worked, and there was someone on the other line talking to Colin Farrell speaking as the caller, but Kiefer Sutherland's voice was added in during post-production.
- BlooperAt the end of the movie as Stu (Colin Farrell) lies in the ambulance after being shot, he is given medication for the pain which makes him very disoriented just in time for The Caller (Kiefer Sutherland) to show up and taunt him. The person who administered the medication just hops out of the ambulance. Any time an injured person would be given such a strong medicine, they would be monitored to ensure that they have no negative reaction.
- Citazioni
Stu: I have never done anything for anybody who couldn't do something for me. I string along an eager kid with promises I'll pay him money. I only keep him around because he looks up to me. Adam, if you're watching, don't be a publicist. You're too good for it. I lie in person and on the phone. I lie to my friends. I lie to newspapers and magazines who, who sell my lies to more and more people. I am just a part of a big cycle of lies, I should be fuckin' president. I wear all this Italian shit because underneath I still feel like the Bronx. I think I need these clothes and this watch. My two thousand dollar watch is a fake and so am I. I've neglected the things I should have valued most. I valued this shit. I take off my wedding ring to call Pam. Kelly, that's Pam. Don't blame her. I never told her I was married. And if I did she, she would have told me to go home. Kelly, looking at you now, I'm ashamed of myself. All right? I mean, I work so hard on this image, on Stu Shepherd, the asshole who refers to himself in the third person, that I only proved I should be alone. I have just been dressing up as something I'm not for so long, I'm so afraid no one will like what's underneath. But here I am, just flesh and blood and weakness, and uh and I love you so fucking much. And, um, I take off this ring because it only reminds me of how I've failed you, and I don't, don't want to give you up. I want to make things better, but it may not be my choice anymore. You deserve better.
- Curiosità sui creditiThe 20th Century Fox logo blends into the white clouds that open the film.
- Versioni alternativeThe FX Network airs this movie with Jared Leto's deleted scene reinserted to bring up the film's running time to fit a two-hour block.
- ConnessioniFeatured in Friday Night Saturday Morning (2007)
I più visti
Dettagli
Botteghino
- Budget
- 13.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 46.566.212 USD
- Fine settimana di apertura Stati Uniti e Canada
- 15.021.088 USD
- 6 apr 2003
- Lordo in tutto il mondo
- 97.837.138 USD
- Tempo di esecuzione
- 1h 21min(81 min)
- Colore
- Mix di suoni
- Proporzioni
- 2.39 : 1