La signora in giallo - Appuntamento con la morte
Aggiungi una trama nella tua linguaJessica Fletcher (Dame Angela Lansbury) puts her sleuthing skills to work at a writers' conference after Russian author Yuri Malenkovich (Duncan Regehr) is found murdered.Jessica Fletcher (Dame Angela Lansbury) puts her sleuthing skills to work at a writers' conference after Russian author Yuri Malenkovich (Duncan Regehr) is found murdered.Jessica Fletcher (Dame Angela Lansbury) puts her sleuthing skills to work at a writers' conference after Russian author Yuri Malenkovich (Duncan Regehr) is found murdered.
- Regia
- Sceneggiatura
- Star
- John Mendoza
- (as Santiago Douglas)
- Woman
- (as Eva Frajk)
Recensioni in evidenza
It's a good follow-up from South by Southwest; I'm glad they took their time and opted not to churn out TV movies. I think the previous movie was slightly better, but this is still a good second outing.
The storyline is a good one, and the ninety-plus-minute run time allows it to develop well. I didn't work out who the killer was. It's a good story with some interesting characters and a few nice scenes.
The series often had Russian spies and KGB agents, so it was fitting that we had a couple here. I wish they'd expanded a little on the athlete's story, that came to an abrupt end.
Daniel Dae Kim was rather good; this comes just before millions would get to know him in Lost. Richard Crenna was excellent as Warren, and Lansbury's performance was first-rate; she stepped back into Jessica's shoes so easily; she's fabulous here.
7/10.
Angela Lansbury looks older yet shines as always, with her reassuring, matronly presence causing to make you forget about the world's ills for just a short while. She gives her character a human quality, which I feel is one of the reasons why MSW was so successful. Here, this TV movie isn't so different than the episode, except that it's longer, elaborating on characterisation and plot. The plot is quite engaging, and it's just all cosy fun that is so much fun.
So Regehr is murdered and at the more leisurely pace that a feature film offers Angela Lansbury solves it.
Regehr is the type that will leave few mourning for him. Still murder is murder. There is a final scene with Lansbury giving a speech and she's asked about the ethics of getting involved with so many real life murder cases. Her speech ought to be required viewing for all, it's that good.
This movie possesses the same charm, sleuth tactics and plot twists and turns of the TV series, and is filled with much intriguing plot points and daring investigation scenes that puts Jessica collaborating with the sometimes oblivious local investigators and FBI agents to solve the case (it would have been better to have the detectives and FBI prove to be a little more resourceful and credible than relying on Jessica so much). I especially enjoyed how each of the authors has a background story and each one is considered a suspect, like a Clue-style case.
The direction and pacing are pretty good and, although much of the movie is all-talk and less action, the quality of the acting, the aspects of the drama and script, and the unpredictability of the plot made the movie nonetheless captivating. I also especially enjoyed some of Lansbury's eloquent and meaningful dialog she delivered throughout the movie.
With all the finger-pointing and perplexed situations, you would be eager to find the truth of the matter and who is behind the all the murder. It is a good TV movie that continues the nice throwback to the heyday of the TV series.
Grade B+
Although Angela Lansbury and her colleagues have always been at pains to distance themselves from Agatha Christie, the same principle is applied in this story, set in a conference of budding authors, who are each given their turn on the stage. And sure enough, the killer does manage to give away an important clue during his own well-received talk.
In her position as the famous crime-novelist, Jessica has been invited to preside over the conference, and gets a close-up view of a colourful mix of characters, some of them connected with the ex-head of the KGB, also at the conference, who has just been offered a fortune for his memoirs, exposing the secrets of the Soviet Union. When the inevitable murder takes place, Jessica warns more than one character - significantly - that too much willingness to help the police may be aimed at deflecting attention, and can point to the killer. When it comes to the final unmasking, there is another Christie touch, when it turns out that the murderer is not a thug or a psychopath, but a decent and responsible person, driven to extremes by circumstances with which one can sympathise.
Regular fans of Murder She Wrote will recognise a particular in-joke, when one character laments "Jessica Fletcher's here. There's been a murder. What are the odds?" A few years from now, viewers may need a few title-frames to explain the historical context, but when the film was released in 2000, the ending of the Cold War was recent enough to make a strong basis for the story.
Lo sapevi?
- QuizThe Hollywood Roosevelt Hotel, located in Hollywood across from the original Grauman Chinese Theatre, was this movie's hotel lobby interiors. The hotel check-in desk was positioned in the West side of the lobby, opposite the Hotel's actual main desk check-in. Primarily to provide little interruption, unnecessary actual hotel guest activity during the filming process. Set Decorator Donald J. Remacle switched and added furniture, tables, lamps and plants to the existing lobby. The hotel rooms and corridors were built on-stage at Universal Studios.
- BlooperWhile Jessica is reading Yuri's manuscript, Warren knocks on her door and the pages in the book indicate that she is almost finished reading it. But when the camera changes to look over her shoulder, the pages in the book show that she is now back near the beginning.
- Citazioni
[last lines]
Jessica Fletcher: But because I am a romantic, I still believe that we have the potential to be nobler than we know and better than we think. That the darkness I've seen is only a *shadow* on the *potential* of the human heart. Warren, in his own way, was a romantic, made hard by the world around him, until he finally made a tragic mistake. He walked away from his own moral compass. So I urge you to keep your heart's compass on the true north of your dreams. Be free to be romantics, to reject cynicism, to believe that good will prevail and that those who do wrong will be punished, because, when the hour of the wolf comes, as it comes to all of us sooner or later, those are the things that sustain us. Thank you and goodnight.
[everyone in the conference room stands up and applauds]
- ConnessioniFollowed by La signora in giallo - L'ultimo uomo libero (2001)
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- Murder, She Wrote: A Story to Die For
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