La signora in giallo - Vagone letto con omicidio

Okay . . . . the four "Murder She Wrote" movies are currently on Amazon Prime. It can be confusing how to find them, however. You must do a search for "Murder She Wrote" (New). It will show 4 seasons. Seasons 2, 3 & 4 are all showing the description of Season 2, even though they are actually the remaining two movies. Hopefully, Amazon will correct this eventually.

I never watched many of the TV episodes until the last few years, when I saw them all on Peacock. You do get really attached to Jessica, and are sad when all the episodes are watched. Seeing these movies instantly brings back that attachment. Jessica is the same, at least in this first movie.

It's an interersting story, although I guessed who the killers were before the ending, even though I wasn't trying to do so. Jessica ends up in Arizona after a train ride that ended up with one passenger missing and one murdered. Both the FBI and higher government powers are involved, which I found dull; but Jessica herself is never dull, and it was great to see the late, great Angela Lansbury in action again.

I do agree that this is a must see for fans of the show like I am. I don't think any of the TV movies achieve the level of greatness the show does but they come close. This could be the best of them, and the one that is most like the show in terms of tone. The plot is filled with intriguing twists and turns though nothing too complicated, and the script has some great moments as well. The direction is solid, the pacing is good in general if a tad draggy in the middle half and the scenery and photography are striking. I liked the beautiful and haunting music too, and the acting is fine, especially from Angela Lansbury(obviously), while Mel Harris and Keith David also give good turns. Overall, a true delight for fans of the series. 9/10 Bethany Cox

Without a doubt the best! of the 4 spin-off TV movies from the 'Murder, She Wrote' TV series.

Superb styling. A great story that pans out well, with a couple of surprising plot twists at the end. More worthy of Lansbury's dramatic scope than, sadly, the rest of the TV spin-offs, this is one film that is well worth setting the set-top box to record.

With wonderful subtle references to other 'train crime' movies: the film noir 'Double Indemnity'; 'The 39 Steps' (the rural train station at which Jessica Fletcher disembarks is amusingly named 'Hannay' after that film's lead character Richard Hannay); and of course another famous Hitchcock train movie: 'North by Northwest'. Plus there are elements of 'The Lady Vanishes' when one of the lead characters disappears; all the more poignant, of course, as Angela Lansbury herself starred as 'the lady' in the 1978 film version of the 'TLV'!

Indubitably a fun film for die-hard fans of the TV series. And the most watchable of the spin-offs. Maybe this is because it was the first (made in 1997) of the 4 movies. But in any case the other 3 spin-offs in this TV franchise are little more than self-indulgent, rambling & soporific TV 'dross'. This initial TV movie, however, is a more 3-dimensional film.

A well-scripted story in which the plot gives Lansbury the chance to really act. Enjoy. It offers a fun couple of hours' viewing.

This story full of suspense. It starts off with a man being murdered and a woman walking her dog sees the murderer. The woman tell the police she is afraid because the killer knows what she looks like.

JB Fletcher goes on a train a makes friends with a Mrs Taylor not knowing the lady is the witness to the murder who later disappears.

There are men that get on board and they all look suspicious. You start to think maybe they will kill Mrs Taylor.

The story is about secret codes for Satellites that are worth a lot of money. They are being sought by a number of people some working for the government and some from other countries. The man that was killed was meeting a reporter because the codes where in error and the higher ups would not listen to him to correct the problem so he was going to give the reporter the story.

It kind of reminds me of what happened recently with the NSA. The NSA was spying on people and countries and Snowden not like what the NSA was doing so he started to reveal internal things that happened to news reporters.

The story has a lot of suspense and action that takes place on the train. It has lots of persons of interest. Good to watch.

Anyone who has viewed more than two or three of Jessica's 40-minute TV episodes can set their watch by the little scene where she stops and says "Now let me see if I've got this right" - her chance to help all the dumbos to keep up with the plot.

Well 80 minutes is very different from 40 minutes, and I personally would have welcomed at least one of these idiot-board updates in the course of this bigger and busier version of 'Murder, She Wrote'. No fewer than 37 characters are listed, and their names flung about like confetti, so we only dimly understand who's who in the zoo. But don't let that put you off; the masterly ending will make the same impact anyhow.

The story takes us by rail into the baking sands of Arizona, about as far as you can get from Cabot Cove, both geographically and spiritually. Trains are always good for murder mysteries, with plenty of enigmatic strangers and chance meetings. And with Jessica on board, it's a safe bet that one or two passengers won't quite make it to their destination.

By about the midpoint, we've learned to mistrust every snarling male, but not, of course, certain gracious females who are so keen to confide in Jessica. (This view takes a bit of a knock in the closing stages.)

We can't reveal much more without giving away some key twists that are vastly superior to anything seen in the standard episodes. As for the murder-motive, this relates to a hi-tech agenda that manages to look just as fresh and topical now as it would have done in 1997 - a singular achievement. There are some pleasing touches, like a wacky hotel receptionist (Susan Blommaert) who turns out to be one of Jessica's most devoted fans. And only the inaudible dialogue at a key moment in the dining-car scene lets down the production values.

At the end, Jessica is pointing out the murderer's careless mistakes in her best schoolmarm style. (But regular viewers may like to know that we're spared the usual spluttering "But that's ridiculous..." protest from the other party this time round!)