In Messico due teenager e un'attraente donna matura intraprendono un viaggio in automobile ed imparano nuove cose sulla vita, l'amicizia, il sesso e se stessi.In Messico due teenager e un'attraente donna matura intraprendono un viaggio in automobile ed imparano nuove cose sulla vita, l'amicizia, il sesso e se stessi.In Messico due teenager e un'attraente donna matura intraprendono un viaggio in automobile ed imparano nuove cose sulla vita, l'amicizia, il sesso e se stessi.
- Regia
- Sceneggiatura
- Star
- Candidato a 1 Oscar
- 39 vittorie e 48 candidature totali
Recensioni in evidenza
People don't get this movie..there is so much more the just coming of age and having sex. It is also about the social disparity in Mexico. That is what all the overdubs were for. Every time there was an voice-over something of meaning was said about the surroundings and the way the average Mexican lives. Don't think of this movie as a story about three people, think of it as a story about a whole nation. I encourage everyone to watch it again. Please pay attention to the scene in the boat. that almost makes me cry. It is so well worded also. And the way the voiceovers just cut abruptly is a great. There are so many small things about this movie that make it so much better then your average Hollywood movie.
The two teenage males in this sharply etched film, "Y tu mama tambien," are obsessed with sex and view its pleasures as something akin to joyfully skating across a frozen lake. As the story develops the ice gets thinner and thinner, its incapacity to carry the weight of their fantasies advances faster than their growing inevitable end stop - maturity.
The Mexico of the teenagers and their generally stoned friends is one of affluence and political connectedness. One father belongs to a country club that features one of the biggest private swimming pools I've seen - no film set here (the pool is the scene of a very, ah, unusual depiction of teen horniness). Neither of the lads cares much about the actual political and social issues occurring during their adventures and which are seamlessly integrated into their story. Their futures are a blank to them but a blank untroubled by the need to be concerned or ambitious.
And then arrives the femme fatale, a beautiful, smart but very raunchy just-left-husband gal with whom they take off in a beaten-up old station wagon to find, ostensibly, a secret beach. Of course what the guys have in mind is seduction.
Without a polemical discourse the viewer is carried into the isolation and poverty of much of Mexico as asphalt yields to hard dirt roads leading to barely navigable sand traps. The people they encounter along the way are realized subtly but effectively.
These teens aren't really so likable but they do show occasional promise of growing up, a redeeming feature. This is less a road film than it is a comedy of (very bad) manners. The director and three leading characters have taken raunch to a new and interesting cinematic plane.
While these kids may be a parent's nightmare, they become more complex, and inevitably more insightful, as the film develops. By the end they are very, very different people and in danger of becoming sort of plain vanilla post-teens (whatever the Mexican equivalent of the Japanese "salaryman" is, they may well be launched along that path).
This film is rated "R" but many will wonder how it avoided an "X." Be forewarned. But some of the sex scenes are hilarious - especially if the viewer has ever been a teenager. :)
Cuaron uses voiceovers not so much to explain the story but to quietly show that all lives have "sidebar" events beyond the tale being told, events that can be described in one or two sentences and which illuminate the fullness of a character's journey.
The scenery is gorgeous.
Definitely a different and engrossing story.
The Mexico of the teenagers and their generally stoned friends is one of affluence and political connectedness. One father belongs to a country club that features one of the biggest private swimming pools I've seen - no film set here (the pool is the scene of a very, ah, unusual depiction of teen horniness). Neither of the lads cares much about the actual political and social issues occurring during their adventures and which are seamlessly integrated into their story. Their futures are a blank to them but a blank untroubled by the need to be concerned or ambitious.
And then arrives the femme fatale, a beautiful, smart but very raunchy just-left-husband gal with whom they take off in a beaten-up old station wagon to find, ostensibly, a secret beach. Of course what the guys have in mind is seduction.
Without a polemical discourse the viewer is carried into the isolation and poverty of much of Mexico as asphalt yields to hard dirt roads leading to barely navigable sand traps. The people they encounter along the way are realized subtly but effectively.
These teens aren't really so likable but they do show occasional promise of growing up, a redeeming feature. This is less a road film than it is a comedy of (very bad) manners. The director and three leading characters have taken raunch to a new and interesting cinematic plane.
While these kids may be a parent's nightmare, they become more complex, and inevitably more insightful, as the film develops. By the end they are very, very different people and in danger of becoming sort of plain vanilla post-teens (whatever the Mexican equivalent of the Japanese "salaryman" is, they may well be launched along that path).
This film is rated "R" but many will wonder how it avoided an "X." Be forewarned. But some of the sex scenes are hilarious - especially if the viewer has ever been a teenager. :)
Cuaron uses voiceovers not so much to explain the story but to quietly show that all lives have "sidebar" events beyond the tale being told, events that can be described in one or two sentences and which illuminate the fullness of a character's journey.
The scenery is gorgeous.
Definitely a different and engrossing story.
After watching this movie, I looked at what a few critics had to say about it and I was shocked to see some of them refer to this movie as a "teen sex comedy". Wow, I didn't get that impression at all! Yes, the movie is infused with sex, and the two lead characters are horny teens, and there are quite a few comedic moments, but this is far from a teen sex comedy. It's treatment of the subject matter is real, for one thing, and backdrop of the Mexican countryside (and the director's detached observation's through third-person narration) bring some sobriety to the film. Be warned, though: there is a lot of sex, so not exactly a movie you're going to want to watch with the in-laws.
Alfonso Cuaron is simply one of the best Mexican directors in recent years in Mexican film production. His incredible AIDS-driven comedy, "Solo Con Tu Pareja" was maybe the most funny Mexican picture in a long time, and his always present criticism to the way of life of Mexican people in a city such as Mexico City, is incredible accurate and clever. His other projects in the United States, "Little Princess" and "Great Expectations" were beautifully-manufactured motion pictures, with the help (or support, if you may) of the marvellous photographer Emmanuel Lubenzki ("Sleepy Hollow", and the above-mentioned Cuaron movies). Returning to his home country this time, Cuaron displays such magic and poetic visuals, in contrast with the subtle criticism to the society in Mexico, and the clever and sharp dialogs between the leading stars, using every word young Mexicans use to apply in their conversations.
"Y Tu Mama Tambien" (And Your Mother Too) is, in the surface, a really funny story about 2 friends-almost-brothers, Tenoch Iturbide (an outstanding Diego Luna) and Julio (a really incredible performance for the recent Ariel, the Mexican Academy Award, winner Gael Garcia Bernal, in another excellent portray of a young guy with "issues"), that plan a trip to an imaginary beach, "Boca del Cielo" (Heaven´s Mouth) in order to flirt with a Spanish girl, married with Tenoch's cousin, and portrayed by a credible Maribel Verdu.
But this is only the "surface" of this road movie. In fact, we are dealing with dreams and realities, with social problems and political ones. Tenoch is a young guy living with a millionaire family, son of a wealthy businessman with friends in the highest "stairs" of Mexican politics, with a second name such as Iturbide (one of the most important and powerful leaders of Mexican politic history). And, in contrast, Julio is a middle-low-class guy, living with his mother, brothers and sisters, in a small department, with a last name such as Zapata (a revolutionary leader in Mexican history, with native origins, that took part in the Revolution at the beginning of 20th Century). This is a clever and sharp critic of the different models of living of these 2 friends, and in fact, of all Mexican citizens (I know it, because I'm Mexican, too).
Also, the movie has an excellent narration by Daniel Gimenez Cacho, star of a previous Cuaron film, "Solo Con Tu Pareja", that explains the things we cannot see, but that we can understand and feel. The "subtle critic about Mexican society and traditions" that I have talked about all along this comment, is the one thing that makes this picture go from a funny comedy to an intelligent essay of the lives of young people, social classes, discovery and re-discovery of personality and our own soul, and the final revelation of who we are and what we become when time passes by. In the lives of Julio and Tenoch there is no redemption, but a clear message of their goal in life, their true feelings about friendship, and their sexuality. This road trip is only a pretext to tell a story about discovery and finding our true nature.
Yes, maybe it is a little provocative and bold, but because of these characteristics, "And Your Mother Too" is an incredible motion picture, true to its meaning and compromised with the reality it is trying to show. We care about this people, we care about their problems, and at the end, we care about our own society, and we care about what we have become with time. And the true meaning of the movie's title, "And Your Mother Too", within the narrative of the film, is simply hilarious.
Give this movie a chance, and see it. You won't be disappointed. It has an excellent direction, excellent photography, its is very sexy, it showcases credible performances by all its cast. But above all, it has a real story, real character development, and real power. One great movie from a great Mexican director. Maybe not his best, but really near.
"Y Tu Mama Tambien" (And Your Mother Too) is, in the surface, a really funny story about 2 friends-almost-brothers, Tenoch Iturbide (an outstanding Diego Luna) and Julio (a really incredible performance for the recent Ariel, the Mexican Academy Award, winner Gael Garcia Bernal, in another excellent portray of a young guy with "issues"), that plan a trip to an imaginary beach, "Boca del Cielo" (Heaven´s Mouth) in order to flirt with a Spanish girl, married with Tenoch's cousin, and portrayed by a credible Maribel Verdu.
But this is only the "surface" of this road movie. In fact, we are dealing with dreams and realities, with social problems and political ones. Tenoch is a young guy living with a millionaire family, son of a wealthy businessman with friends in the highest "stairs" of Mexican politics, with a second name such as Iturbide (one of the most important and powerful leaders of Mexican politic history). And, in contrast, Julio is a middle-low-class guy, living with his mother, brothers and sisters, in a small department, with a last name such as Zapata (a revolutionary leader in Mexican history, with native origins, that took part in the Revolution at the beginning of 20th Century). This is a clever and sharp critic of the different models of living of these 2 friends, and in fact, of all Mexican citizens (I know it, because I'm Mexican, too).
Also, the movie has an excellent narration by Daniel Gimenez Cacho, star of a previous Cuaron film, "Solo Con Tu Pareja", that explains the things we cannot see, but that we can understand and feel. The "subtle critic about Mexican society and traditions" that I have talked about all along this comment, is the one thing that makes this picture go from a funny comedy to an intelligent essay of the lives of young people, social classes, discovery and re-discovery of personality and our own soul, and the final revelation of who we are and what we become when time passes by. In the lives of Julio and Tenoch there is no redemption, but a clear message of their goal in life, their true feelings about friendship, and their sexuality. This road trip is only a pretext to tell a story about discovery and finding our true nature.
Yes, maybe it is a little provocative and bold, but because of these characteristics, "And Your Mother Too" is an incredible motion picture, true to its meaning and compromised with the reality it is trying to show. We care about this people, we care about their problems, and at the end, we care about our own society, and we care about what we have become with time. And the true meaning of the movie's title, "And Your Mother Too", within the narrative of the film, is simply hilarious.
Give this movie a chance, and see it. You won't be disappointed. It has an excellent direction, excellent photography, its is very sexy, it showcases credible performances by all its cast. But above all, it has a real story, real character development, and real power. One great movie from a great Mexican director. Maybe not his best, but really near.
I saw the film twice in 2 days (in original version), and I enjoyed it very much. It is titillating, at times hilarious, touching, candid, serious etc... Roller-coaster of emotions! It is the first film I have seen with Gael Garcia Bernal (Julio in this film), and boy is he great! I love the portrait the film draws of "Teenage Boys lust". The contrast with the mature and controlled Luisa is very interesting. Altogether, I'd recommend it warmly to anyone who enjoys road movies in general and great characters. Obviously it is better in the original, so if you understand a bit of Spanish, don't be put off by the subtitles (you end up reading them really quickly and still enjoy the images...).
Lo sapevi?
- QuizAlfonso Cuarón did not want to cast Luna for the role of Tenoch because he was a teen idol and soap opera star. Bernal convinced Cuarón to hire Luna because their strong existing friendship would make the performance of their characters' friendship much easier. Cuarón ultimately hired Luna because he became convinced that their bond would produce a natural and honest performance.
- BlooperThe movie takes place in the summertime - we know this from the boys just having graduated, their girls going off to Europe, the weather, etc. Yet at the wedding near the beginning of the film, the narrator tells us that in a few days the president of Mexico will go to Seattle for the WTO conference - which happened in November.
- Versioni alternativeSeveral scenes edited out of the final movie were made available for public viewing on the movie's official Web site. The director claims to have created multiple edits of this film to satisfy censorship rules around the world. According to the director, one of these edits, allegedly intended for Mexican distribution in protest of that country's heavy censorship, runs less than 10 minutes.
- ConnessioniEdited into Y tu mamá también: Deleted Scenes (2002)
- Colonne sonoreGo Shopping
Performed by Bran Van 3000
Contains samples from "Shopping" written by Eek-A-Mouse (as Ripton Hylton) and Jamal-Ski
Published by Plaything Music, Explicit Two & Eek-A-Mouse Music
administered by Plaything Music (ASCAP)
Eek-A-Mouse appears courtesy of Explicit Entertainment, by license from Sunset Boulevard Entertainment
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Dettagli
Botteghino
- Budget
- 2.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 13.839.658 USD
- Fine settimana di apertura Stati Uniti e Canada
- 408.091 USD
- 17 mar 2002
- Lordo in tutto il mondo
- 33.616.692 USD
- Tempo di esecuzione
- 1h 46min(106 min)
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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