La città incantata

Mystical. Enchanting. A key to another world. There are so many ways to describe this movie. The movie focuses on a young girl who is trapped in a sort of "spirit world". When her mother and father are turned into pigs, young Chihiro has to save her parents before they're cooked and eaten. It may sound silly, but this tale has more to it than farm animals. When Chihiro is frightened, she runs off. When a boy finds her, he tells her that she must get a job at "The Bath House". A sort of retreat for spirits. But to do this, she must speak with Yubaba. The witch who rules The Bathhouse. After Yubaba agrees to give Chihiro some work. She takes her name away from her. And she is then called "Sen". While shes at the bath house, she is put under very hard work. I could say more, but that would be foolish of me. This is a great movie that I think people of all ages should see for themselves. Its an enchanting and heartwarming story that I've watched over and over again and have never gotten sick of it. It has been another inspiring movie from Haiyo Miazaki that is above all his best yet. A 10 out of 10 for this wonderful movie.

I enjoyed this movie but more towards the end. The first half of the movie was very odd, which is one of the main reasons I kept watching as I wanted to understand it but that didn't really happen. Not enough was explained and it felt like a mix of random events yet there was an actual story. Im struggling to come up with a reason of why no-face was even in the movie, he was just there. This movie isn't bad by any means, it's just lacking somethings in my opinion. I also didn't. Really feel in touch with any of the characters as no room was left for them to develop. The wired and wacky characters made the film very unique and interesting, the film is visually beautiful as well, I would personally want more depth.It is a good movie with a lot of potential. 7/10

I have seen many international films over the years and quite a few of these were Japanese. In addition, unlike many parents, I have seen a lot of anime that my kids have watched so at least I have some familiarity with the medium. Yet, with my background I still felt pretty confused and baffled by the strangeness of this movie. Now this isn't to say I didn't like it, but so many times I just couldn't understand exactly what was happening. Interestingly, when I saw the film again, I understood it much better and appreciated it much more. And this may be exactly how you might want to approach the film unless you already are a die-hard anime fan. See it, but be willing to see it without trying to think out the odd plot too much or even try seeing it several times. I know that each time I did, the film became more and more enjoyable and I began to notice so many cultural references. Now, several years after I first saw it in the theater, I have seen a lot more Japanese anime and films and it's practically second-nature to follow the film. So, for adults and those unfamiliar with the medium, this movie might take a bit of effort to fully enjoy, though with more and more children being familiar with and loving anime, it's very likely your kids will love it and will then be able to explain it to you!! As for the film, the animation is the best I have seen in any Miyazaki film, the story deep and fascinating and it's full of cute and endearing little touches that make the movie magical. See this with an open mind, please.

I really enjoyed this film-everything about it glows and shines in a gentle luminosity. This film, if you have seen some of Miyazaki's other work, is quite light. The characters are beautifully and lovingly created and the colouring and setting of this film is absolutely superb. This is a beautiful little film and I can't wait for the next feature from Hayao Miyazaki-he is better than Walt Disney.

Miyazaki blends the characters and the environment very well together, and I can see that this would be enjoyed for people at many different levels. Miyazaki enjoys creating female heroines and I was pleased that Chihiro lived up to the expression and beauty of her predecessors-like Nausicaa from the Valley of the Wind. This is beautiful and I would advise anyone to take a look at it's scope and serenity, along with it's fast paced plot and of course, the dreamlike settings that make it truly wonderful.

'Spirited Away' is the first Miyazaki I have seen, but from this stupendous film I can tell he is a master storyteller. A hallmark of a good storyteller is making the audience empathise or pull them into the shoes of the central character. Miyazaki does this brilliantly in 'Spirited Away'. During the first fifteen minutes we have no idea what is going on. Neither does the main character Chihiro. We discover the world as Chihiro does and it's truly amazing to watch. But Miyazaki doesn't seem to treat this world as something amazing. The world is filmed just like our workaday world would. The inhabitants of the world go about their daily business as usual as full with apathy as us normal folks. Places and buildings are not greeted by towering establishing shots and majestic music. The fact that this place is amazing doesn't seem to concern Miyazaki.

What do however, are the characters. Miyazaki lingers upon the characters as if they were actors. He infixes his animated actors with such subtleties that I have never seen, even from animation giants Pixar. Twenty minutes into this film and I completely forgot these were animated characters; I started to care for them like they were living and breathing. Miyazaki treats the modest achievements of Chihiro with unashamed bombast. The uplifting scene where she cleanses the River God is accompanied by stirring music and is as exciting as watching gladiatorial combatants fight. Of course, by giving the audience developed characters to care about, the action and conflicts will always be more exciting, terrifying and uplifting than normal, generic action scenes.

Through Chihiro, Miyazaki is clearly (but non-patronisingly) talking to youth of Japan. There's a certain sense of revile about the youth of Japan at the moment. Many people consider them to be ill-mannered and baring no respect for their elders or their forefathers. They are simply bi-products of their material world and consumerism. 'Spirited Away' taps into this. At the start Chihiro is a selfish, spoiled, whiny brat. But as she plunges deeper into the spirit world, she becomes more independent, more assured, more respectful and learns some manners. No Face, a black figure with a white mask, is the catalyst behind Chihiro's transformation. Once he is let into the bathhouse, we are no longer tourists – the story propels forth. Watching No Face prey on the greed of the workers is a terrifying delight. The three main characters in Miyazaki's youth allegory are Chihiro, No Face and Bô. All of these characters are disconnected with their world. They are lonely, misunderstood and largely ignored. But when they go on their journey together, they united and become stronger individuals.

Miyazaki also talks about the ecology of Japan. What was once a beautiful; grassland has now turned into the Asian New York. That The Last Samurai had to be filmed in New Zealand to get a turn of the century Japanese look speaks volumes. The River God sequence is an unsubtle but unpretentious commentary on pollution. While these two themes are very much current in Japan, they are also universal themes – which makes 'Spirited Away' a universal story that most of us can connect with. I'm willing to bet everyone reading this has at some time seen bicycles lying on a lake bed or have had a child talk to them disrespectfully. Sure these themes aren't advanced philosophy. They are everyday issues told in an inventive, fun way.

The animation is wonderful, if not as smooth as Disney's works – but there's something superior to that. 'Spirited Away's imperfect, but detailed world is far more fascinating than the perfected blandest of Disney's latest offerings. The animators successfully balanced the tight-rope between not-enough animation on characters and too much animation on characters. No Ralph Balski ADD antics here! The film is full of vivid images – both beautiful and horrifying. The line between those two extremes is crossed over seamlessly. From Chihiro and Haku running through an opening flower field to Haku's dragon snarling with a bloody mouth, both extremes seem to belong in the film. It's also excellently done with the characters. Kamaji can be seen as a scary, daunting figure at the beginning, but soon he seamlessly changes into a humble, wise figure. Yubaba also seems to be able to turn from kind to witch with the snap of a finger.

The sound on the film was expertly done. The sounds perfectly match the on screen actions and objects. My sub woofer got a wonderful workout when Haku swoops Chihiro past the bridge at the beginning. And while I don't speak Japanese, I think the voice actors did a wonderful job of conveying their personality and emotions true their voice. Joe Hisaishi's music is sublime, definitely one of my favourite scores. His main piano theme is simple and evocative. His thunderous action music hits the viewers on the chest like a hammer. Like all great scores it heightens the greatness of a scene about three times. The score, unlike many American composers', is unobtrusive. It plays excellently with the scenes, but never overbears them. A lot of the time the it is barely noticeable, a sole piano plays softly in the background evoking a dreamlike/lullaby quality.

'Spirited Away' is a simply a modern masterpiece, easily one of the Top 10 films of the new millennium. It works on a multitude of levels; a social commentary on Japan, a homage to ancient Japanese/Russian mythology, a moral film for both children and adults. But most importantly, it is a simple story brilliantly told by a great filmmaker who appears to be at the top of his game. 'Spirited Away' works much like a relaxing journey. Pop in the DVD; leave this world for two hours and when you will be almost certainly enriched and ready to take the trip again.