VALUTAZIONE IMDb
7,5/10
10.077
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaThe case of the West Memphis Three, its questionable circumstances and the parties involved are followed up years later.The case of the West Memphis Three, its questionable circumstances and the parties involved are followed up years later.The case of the West Memphis Three, its questionable circumstances and the parties involved are followed up years later.
- Candidato a 1 Primetime Emmy
- 2 vittorie e 1 candidatura in totale
Melissa Byers
- Self
- (filmato d'archivio)
Tim Sullivan
- Self
- (audio di repertorio)
Jessie Misskelley
- Self
- (as Jessie Miskelly)
Recensioni in evidenza
You can absolutely skip part 2 of paradise lost and just watch part 1 and 3.
They made a faux paus here where they focused their attention on a crazy guy that they tought was guilty and gave him way too much screen time. After watching part 3 this film feels inconsequential and a waste of time.
All of this is pretty funny considering the hypocracy of acusing someone of something with no evidence just because they are different, like the police and prosecuters did with Damien.
I gave parte 1 and 3 both 9/10, they were great and the Metallica music fits perfectly with the themes of these documentaries and it's connection to the kids.
They made a faux paus here where they focused their attention on a crazy guy that they tought was guilty and gave him way too much screen time. After watching part 3 this film feels inconsequential and a waste of time.
All of this is pretty funny considering the hypocracy of acusing someone of something with no evidence just because they are different, like the police and prosecuters did with Damien.
I gave parte 1 and 3 both 9/10, they were great and the Metallica music fits perfectly with the themes of these documentaries and it's connection to the kids.
After the storm kicked up by the first film, film-makers Joe Berlinger and Bruce Sinofsky returned to West Memphis four years later. Whereas the first film seemed to simply document the case in as much detail as possible and allowed you to make your own mind up, with Revelations, they seem to have their own agenda. New 'evidence' has been discovered, and perhaps the real killer still walks the streets, and it's clear who Berlinger and Sinofsky believes it to be. That crazy bastard John Mark Byers, who took so much pleasure in giving Biblical rants to camera, hardly covers himself in glory, and he's back here to build fake graves for Damien Echols, Jason Baldwin and Jessie Misskelley at the crime scene, only to set them on fire amidst his demented monologues.
It's sad that Berlinger and Sinofsky decided to take such a manipulative approach to the sequel, as although Byers is clearly an unhinged and simple-minded hick, there is no evidence against him killing the three boys (Michael Moore, Stevie Branch, and his stepson Christopher Byers) aside from the fact that he comes across as scary and strange. The first film was an intense study of mob mentality and the dangers of pre- judgement by appearance, and how the West Memphis Three managed to get themselves convicted simply for being black-wearing outcasts. So Revelations comes across is hypocritical.
When new evidence is presented, suggesting teeth marks on the head of one of the victims, tests prove that none of the WM3's teeth match. When Byers is confronted, he reveals that he had his teeth removed but keeps changing his story as to when this took place. He is repeatedly confronted by a support group that help fund and promote the case against the WM3, but they come across as equally strange as Byers, following Echols like groupies as if he was some kind of prophet, and they berate Byers into handing in his dental records voluntarily to prove himself innocent. Byers refuses, stating that there is no case against him, and this is shown in the film as if an admittance of guilt. The film-makers never take any time to explain the reasoning behind Byers' behaviour, clearly convinced of his guilt.
In the end, it's a case of there being too little here to warrant a two hour-plus movie. The new evidence is flimsy to say the least, and as revealed in West of Memphis (2012), is probably completely wrong. Yet when the film gets back down to cold facts, it becomes as riveting as the first film, unveiling a justice system that seems unwilling to open the doors to the possibility that they simply got it wrong. It's just a shame that too much time is spent on a personal witch-hunt, and even when Byers passes a voluntary lie-detector test, the film suggests that Byers was on so much prescription medication that the results of this cannot really stand up, yet fails to ask to conductor of the test of his views regarding this. It's certainly a confused film, and one that works best when it stays on topic and documents the facts rather than revelling in propagandistic speculation.
www.the-wrath-of-blog.blogspot.com
It's sad that Berlinger and Sinofsky decided to take such a manipulative approach to the sequel, as although Byers is clearly an unhinged and simple-minded hick, there is no evidence against him killing the three boys (Michael Moore, Stevie Branch, and his stepson Christopher Byers) aside from the fact that he comes across as scary and strange. The first film was an intense study of mob mentality and the dangers of pre- judgement by appearance, and how the West Memphis Three managed to get themselves convicted simply for being black-wearing outcasts. So Revelations comes across is hypocritical.
When new evidence is presented, suggesting teeth marks on the head of one of the victims, tests prove that none of the WM3's teeth match. When Byers is confronted, he reveals that he had his teeth removed but keeps changing his story as to when this took place. He is repeatedly confronted by a support group that help fund and promote the case against the WM3, but they come across as equally strange as Byers, following Echols like groupies as if he was some kind of prophet, and they berate Byers into handing in his dental records voluntarily to prove himself innocent. Byers refuses, stating that there is no case against him, and this is shown in the film as if an admittance of guilt. The film-makers never take any time to explain the reasoning behind Byers' behaviour, clearly convinced of his guilt.
In the end, it's a case of there being too little here to warrant a two hour-plus movie. The new evidence is flimsy to say the least, and as revealed in West of Memphis (2012), is probably completely wrong. Yet when the film gets back down to cold facts, it becomes as riveting as the first film, unveiling a justice system that seems unwilling to open the doors to the possibility that they simply got it wrong. It's just a shame that too much time is spent on a personal witch-hunt, and even when Byers passes a voluntary lie-detector test, the film suggests that Byers was on so much prescription medication that the results of this cannot really stand up, yet fails to ask to conductor of the test of his views regarding this. It's certainly a confused film, and one that works best when it stays on topic and documents the facts rather than revelling in propagandistic speculation.
www.the-wrath-of-blog.blogspot.com
The first film was so successful at causing doubt that a lot of restrictions were placed on this second film. Now only one parent of the murdered boys is willing to take part, no footage is allowed to be recorded in court, and the attorneys of two of the accused will not be interviewed. As such, this film has to struggle to find more things to detail, and also has less scope than the original. This film is mostly about saying that it could have been somebody else. They find reported teeth marks on one of bodies, which some experts argue aren't teeth marks and some say that they are. All this means is that how can we trust "experts" when they argue with each other. A lot of focus is placed on John Mark Byers. Here is a man that comes off as mentally unstable, has a violent and drug filled past, lies (or is at least very confused) about aspects of his life. How can you tell three different stories about how you lost your teeth? I mean really different stories. It's aggravating that somebody with such a poor grasp on reality cannot even consider the boys' innocence (I've read that now he does). His wife dies due to undetermined causes and still he is less of a subject than the three boys. Again, this film isn't about who did it, only that it may not have been these boys, and there is no real evidence to suggest that it was. I'm glad these guys are now out of jail, and hope Berlinger and others will continue their investigations to find the real killers, even if that just means finding proof that it was these boys.
Damien Echols, Jessie Misskelley, Jr., and Jason Baldwin were convicted in 1994 for the murder of three boys in West Memphis, Arkansas. It's 1999 and Damien has his final appeal in front of Judge David Burnett. The popularity of the original documentary has inspired support group, Free the West Memphis Three. Cameras are no longer allowed in the court. Of the victims' family, only John Mark Byers is cooperating with the filmmakers and he has a lot to say. He also has had a lot of legal problems. His wife died in 1996. He takes a lie detector test in front of the camera. The defense team seems to be concentrating on bite marks on the boys.
Byers is a big part of this follow-up. He's a very odd character and the movie is trying to make him suspicious. It's a lot of innuendos. Without being able to film the court proceedings, this is left without its main narrative. It becomes obviously one-sided. The support group adds very little to overwhelming need of this sequel. It needs to solve the murders or get the West Memphis Three out. This achieves neither. This could have been a shorter film to update the situation.
Byers is a big part of this follow-up. He's a very odd character and the movie is trying to make him suspicious. It's a lot of innuendos. Without being able to film the court proceedings, this is left without its main narrative. It becomes obviously one-sided. The support group adds very little to overwhelming need of this sequel. It needs to solve the murders or get the West Memphis Three out. This achieves neither. This could have been a shorter film to update the situation.
I saw this movie just over a week ago and after watching it I didn't sleep. I HAD to find out more so I visited the website for more, obviously biased, information. I can't believe that three young men can be locked up for murder (2 for life and one on death row) for this crime. Anyway, about the film. I found the crime photos pretty disgusting but I thought they were presented well, no full screen close up shots but you could see all you wanted to none the less while also being able to avert your eyes a little. I haven't viewed the first film by HBO so I can't compare the two but this one seems to present more, new evidence. I think the bite marks are the most promising pieces of evidence. If it wasn't one of the men in jail who bit the boy(s), who did? Was there a fourth person or was there a different killer(s) altogether? I have no doubt in my mind that the powers that be have to get x-rays of Mark Byers teeth before he had them surgically removed in 1997 and compare them with the bite marks.
Sorry, I keep wandering into the case and off the topic of the film. Watch this film! Prepare to be upset. Prepare to be outraged. Watch it with an open mind and I think you'll fail to find words to describe how a legal abomination such as this can happen in this day and age. I don't expect a 3rd film but I am following the case very closely for sure.
Sorry, I keep wandering into the case and off the topic of the film. Watch this film! Prepare to be upset. Prepare to be outraged. Watch it with an open mind and I think you'll fail to find words to describe how a legal abomination such as this can happen in this day and age. I don't expect a 3rd film but I am following the case very closely for sure.
Lo sapevi?
- QuizThe only film of the trilogy to be a TV project instead of receive a theatrical release.
- BlooperAt one point the on-screen date for a trial scene is listed as January of 1993. The murders didn't occur until May of that year.
- Colonne sonoreWelcome Home (Sanitarium)
Performed by Metallica
Written by James Hetfield, Lars Ulrich, and Kirk Hammett
Produced by Flemming Rasmussen with Metallica
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
Dettagli
- Data di uscita
- Paese di origine
- Lingua
- Celebre anche come
- Revelations: Paradise Lost 2
- Luoghi delle riprese
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione
- 2h 10min(130 min)
- Colore
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti