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Paradise Lost: The Child Murders at Robin Hood Hills

  • 1996
  • Not Rated
  • 2h 30min
VALUTAZIONE IMDb
8,2/10
18.961
LA TUA VALUTAZIONE
POPOLARITÀ
4834
4242
Paradise Lost: The Child Murders at Robin Hood Hills (1996)
Home Video Trailer from HBO Home Video
Riproduci trailer3: 51
1 video
60 foto
Crime DocumentaryCrimeDocumentary

Aggiungi una trama nella tua linguaA horrific triple child murder leads to an indictment and trial of three nonconformist boys based on questionable evidence.A horrific triple child murder leads to an indictment and trial of three nonconformist boys based on questionable evidence.A horrific triple child murder leads to an indictment and trial of three nonconformist boys based on questionable evidence.

  • Regia
    • Joe Berlinger
    • Bruce Sinofsky
  • Star
    • Tony Brooks
    • Diana Davis
    • Terry Wood
  • Vedi le informazioni sulla produzione su IMDbPro
  • VALUTAZIONE IMDb
    8,2/10
    18.961
    LA TUA VALUTAZIONE
    POPOLARITÀ
    4834
    4242
    • Regia
      • Joe Berlinger
      • Bruce Sinofsky
    • Star
      • Tony Brooks
      • Diana Davis
      • Terry Wood
    • 88Recensioni degli utenti
    • 42Recensioni della critica
  • Vedi le informazioni sulla produzione su IMDbPro
    • Vincitore di 1 Primetime Emmy
      • 9 vittorie e 10 candidature totali

    Video1

    Paradise Lost: The Child Murders at Robin Hood Hills
    Trailer 3:51
    Paradise Lost: The Child Murders at Robin Hood Hills

    Foto60

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    Interpreti principali58

    Modifica
    Tony Brooks
    • Self - KAIT-TV
    • (filmato d'archivio)
    Diana Davis
    • Self - KAIT-TV
    • (filmato d'archivio)
    Terry Wood
    • Self - KAIT-TV
    • (filmato d'archivio)
    Dick Clay
    • Self - KAIT-TV
    • (filmato d'archivio)
    Jenna Newton
    • Self - KAIT-TV
    • (filmato d'archivio)
    Gary Gitchell
    • Self
    Tommy Stacy
    • Self
    • (as Rev. Tommy Stacy)
    Melissa Byers
    • Self
    Todd Moore
    • Self
    Dana Moore
    • Self
    Pam Hobbs
    Pam Hobbs
    • Self
    Jessie Misskelley Sr.
    • Self
    Gail Grinnell
    • Self
    Joe Hutchinson
    • Self
    John Mark Byers
    John Mark Byers
    • Self
    Jason Baldwin
    Jason Baldwin
    • Self
    Damien Wayne Echols
    Damien Wayne Echols
    • Self
    Jessie Misskelley
    Jessie Misskelley
    • Self
    • (as Jessie Miskelly)
    • Regia
      • Joe Berlinger
      • Bruce Sinofsky
    • Tutti gli interpreti e le troupe
    • Produzione, botteghino e altro su IMDbPro

    Recensioni degli utenti88

    8,218.9K
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    Recensioni in evidenza

    strauss12

    inspires frustration and ultimately, apathy

    Despite all the praise this documentary has received, I did not find it very moving at all. Granted, it was a horrible crime, and the footage of the three young victims' bodies was shocking and almost unwatchable. But most of this film serves only to expose the extreme incompetence of everyone involved in the case. With regard to the wrongly(?) accused boys -- never have I seen three innocent people put up such a weak, pathetic fight for their innocence. Most of the time, they stare doe-eyed and slack-jawed in front of the camera, seemingly uninterested in their own fates. Sure, these boys were only 16-17 years old and very scared, but they seem to have no intuition for survival whatsoever in this life-or-death situation. Any realistic grasp of the situation eludes these boys completely -- they behave almost as if they're playing a part in a movie. It is quite possible, and perhaps even probable, that they are indeed innocent, but they themselves do not seem to care, and so dear viewer, why should you? The overwhelming impression I get from these boys is that they lead very boring lives in a very stagnant town, and they know that this whole case is the most exciting thing that will ever happen to them. They seem interested not in the issue of their guilt or innocence, but rather in the surreal quality of their quasi-celebrity (in the end, Damien waxes romantic over the notion that his name will become famous in West Memphis as a synonym for "bogeyman", scaring generations of children to come). They are genuinely pleased with all of the attention they're receiving -- not that they have much to say, but they're just happy that someone is asking.
    annenk38

    Beyond "Deliverance"

    Truth may be stranger than fiction, but the American courtroom is stranger, still. For the two hours during which I've watched this film I've gained a valuable insight into the nature of the witch trials. I feel powerless, as there is not much I can do to help these kids. But perhaps there is a lesson in it for us, and everyone who has seen the film should have taken some mental notes. First -- never name youself or your children 'Damien' -- especially if you live in the Bible Belt. And, as a general survival strategy, do not be the black sheep of the local community. There may come the time when your eccentric behavior alone will be used against you to sentence you to death.
    LLAAA4837

    Seriously, Do Yourself a Favor and Watch this film.

    If you have ever doubted that there are some serious injustices in the political system, you must see this film. This is a documentary about three teenagers who are accused of being murderers simply because they aren't conformists. They are accused of murdering three innocent children, despite there being no evidence, no witness testimonies, and not a single shred of a motive, reason, or cause. The three teenagers who are convicted are Jessie Misskelly, Jr. who is a mentally impaired young man, Jason Baldwin, who is a thin, shy, and slightly underweight kid, and Damien Wayne Echols, who is into metal music, wears black, and is part of the Wiccian religion. There are the three children who are murdered, Christopher Byers, Steve Branch, and Michael Moore. The opening sequences depict the findings of the bodies in the woods. Christopher Byers looked to have been beaten to death after his genitals were mutilated. Steve Branch and Michael Moore were suffocated. There is not a single drop of blood at the murder scene despite the fact that Christopher would have bled profusely if his genitals were cut off, and yet everyone seems to be extremely convinced, for some reason, that the murder of Christopher occurred in the woods. It's possible that Michael and Steven were drowned nearby, but there doesn't appear to be any sign of a struggle. The parents of these innocent victims seem hellbent on insuring that Jessie, Jason, and Damien did it, despite there being nothing to even suggest. There are rumors of them being seen planning the murders, but those don't have any real backing. Meanwhile people make up stories about Satan worshiping and that the murder of these three boys involved some sort of sacrificial ceremony. You have got to be kidding! Why on earth would people believe this stuff!!! The town of West Memphis Arkansas is blinded by their religious faith that they aren't seeing things in a reasonable and more realistic light. This film contains footage of absolutely everything. Once you see it, you can decide for yourself if they did it or not, but I don't see any connection. Sorry.
    8runamokprods

    Important and powerful documentary

    Powerful and thought provoking look at American justice, and how we treat those who are outsiders or 'different'.

    When three very young boys are found brutally murdered, and mutilated the town of West Memphis demands retribution and closure, and so, after some fruitless weeks of police work, the suspects become three teen-age boys, who listened to heavy metal, and the oldest of whom dressed (somewhat) Goth and was interested in Wicca. A strong indictment of how, at least some of the time in our justice system 'guilty until proved innocent' is the rule.

    That said, the film makes some serious miss-steps by not being clearer about some of the evidence it brings up, but never explores. For example, we're told early on by the filmmakers that all 3 boys had alibis for the night of the killing, yet we never hear about it again. Are their defense lawyers THAT bad, or were the alibis not solid? Two said they were home with their families, yet the families never mention being with them that night. Similarly, we are never told why the police picked up the first of the boys, a borderline mentally retarded kid, who clearly didn't know what was going on, for questioning. The implication was that the cops wanted an easy pliable target, but the issue is never explored either by the defense, or by the film-makers. In a 150 minute movie, there's no need for those kind of loose ends, leaving us to question whether we've seen a fair reporting of what went on, or if there really was more evidence against the kids than we're shown.

    Still a powerful and important examination of how we often rush to judgment, socially and legally. Recent history has shown this is far from an isolated case - people are sent to prison, even death row on flimsy or incomplete evidence, and by playing on a juries fears far more often then we would all like to believe.
    7Chrissie

    Raises good questions, leaves others unasked.

    This film left me with a bad taste in my mouth. Not that it was gruesome -- it is, but I've done research involving reading coroner reports, so gruesome I can cope with. It was the unanswered questions and the unasked questions.

    It seems so utterly implausible that a jury could have convicted any of the suspects that I wonder what the filmmakers did not show us. Specifically, I wonder about the fiber evidence, which was the only real physical evidence at all.

    I could only rate this documentary a 7 out of 10 because of the unasked questions and the evidence we were not shown. I would like to have come away from watching Paradise Lost with a clearer understanding of what those jurors heard and saw that led them to their verdicts. Mind you, I don't think those boys did it -- I think that even fiber evidence could have been too flimsy to convict them. But I wish I had been left convinced.

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    Trama

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    • Quiz
      First feature film to contain licensed music of Metallica, something that the band was initially opposed of doing. The band was involved in raising public awareness of the accused. Joe Berlinger would later do a documentary on Metallica in "Metallica: Some Kind of Monster".
    • Blooper
      Damien reads this Shakespearean quote while on trial: "Life's but a walking shadow...full of sound and fury signifying nothing." He incorrectly refers to it as being from A Midsummer Night's Dream. It is, in fact, a soliloquy famously from Macbeth.
    • Citazioni

      Damien Wayne Echols: I knew from when I was real small people were gonna know who I was, I always had that feeling... I just never knew how they were gonna learn. I kind of enjoy it now because even after I die, people are gonna remember me forever. People are gonna talk about me for years. People in West Memphis will tell their kids stories... It'll be sorta like I'm the West Memphis boogie man. Little kids will be looking under their beds - "Damien might be under there!"

    • Connessioni
      Featured in Siskel & Ebert & the Movies: The First Wives Club/Big Night/Surviving Picasso/Last Man Standing/Paradise Lost: The Child Murders at Robin Hood Hills (1996)
    • Colonne sonore
      Welcome Home (Sanitarium)
      By Metallica

      Written by James Hetfield, Lars Ulrich, and Kirk Hammett

      Produced by Flemming Rasmussen (uncredited) with Metallica (uncredited)

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    Dettagli

    Modifica
    • Data di uscita
      • 10 giugno 1996 (Stati Uniti)
    • Paese di origine
      • Stati Uniti
    • Sito ufficiale
      • arabuloku.com
    • Lingua
      • Inglese
    • Celebre anche come
      • America Undercover: Paradise Lost - The Child Murders at Robin Hood Woods
    • Luoghi delle riprese
      • West Memphis, Arkansas, Stati Uniti
    • Aziende produttrici
      • Creative Thinking International Ltd.
      • Home Box Office (HBO)
    • Vedi altri crediti dell’azienda su IMDbPro

    Specifiche tecniche

    Modifica
    • Tempo di esecuzione
      2 ore 30 minuti
    • Colore
      • Color
    • Mix di suoni
      • Stereo
    • Proporzioni
      • 1.37 : 1

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