La promessa

I had rather low expectations for The Pledge - even though I've admired Penn as an actor (Dead Man Walking, Racing With The Moon, etc.) I really didn't care much for his writing/directing attempts (Indian Runner and The Crossing Guard) so I finally got around to watching this on cable and I was not prepared for how intriguing, intelligent and emotionally powerful the movie was. Yes, obviously, from other people's comments, this isn't every one's cup of tea. Fine. You want quickie thriller, wall to wall action - go watch Con Air or something. Popcorn movies are fine. People need to turn off their brains and escape every now and then (Unfortunately for big budget movies - its more NOW and very rarely THEN)> So that is why I really enjoyed the slow pace and the ambiguity of the plot - it left things out there for you to find, to discover, to ponder. Nicholson - who is so capable of just phoning it in lately or just doing a gig for a paycheck (Anger Management - YIKES!!!) - but here he really delivers a strong, aching performance. He is surrounded by excellent actors (especially Del Toro, Eckhart and a very impressive tiny scene from Mickey Rourke). I know there are huge fans of the German book and the movie - I will seek them out. But I have watched this film twice and it is even more powerful the second time. One CAN be driven mad by NEVER knowing something so ghastly, something so important.

I don't think I've ever said "Oh wow" as many times before as I did in the opening credits of 'The Pledge'. Huge name after huge name just kept appearing. Every time I thought that had to be the end of it, another massive star would pop up. It turns out a lot of them were only there for very short cameos, but still to see all those people in one movie was pretty cool.

The real star of the show at the end of the day though is Jack Nicholson. I forget what an incredibly charismatic and natural actor he was. Every scene he's in feels so effortless and organic. I actually suspect a very large portion of my enjoyment of this film was simply down to his performance.

The movie itself was a strange one. It sets up a really interesting premise, with a retired investigator who thinks the real killer of children is still on the loose. Instead of going and hunting him though, he more or less decides to wait him out with some bait set. It's not the worst idea, but it doesn't make for as interesting of a film.

Then there's the ending. I won't go into any details. I'll just say I did not care for it. And I usually love different and unique endings. But we had invested too much time and care into this story for that to be the conclusion. It felt cheap, unrealistic and extremely unsatisfying.

At the end of the day though it's going to be very hard to make a bad film with Nicholson as your lead. I enjoyed this film, without ever loving it.

Detective Jerry Black (Jack Nicholson) is retiring. While in his farewell party, his colleagues are informed that an eight years old girl has been raped and murdered. Jerry decides to go to the crime scene with his colleagues. There, they realized that the child parents have not been informed about the crime, and Jerry goes to their home to give them the bad news. The child's mother Margaret Larsen (Patricia Clarkson) challenges him to promise that he would catch the criminal. The fulfillment of this promise becomes an obsession to Jerry. A tragic and dark end finishes his haunting. This thriller is really great, having a excellent director, cast and screenplay. The end of the story is not for all tastes, but I liked it a lot. Fortunately this film was not produced by a big Hollywood producer, otherwise the end of the story would be commercial and the film would lose its impact. My vote is eight.

Title (Brazil): `A Promessa' (`The Promise')

I am impressed, Sean Penn. Serial killers are always something that intrigue me, but not every movie does a good job with it. The Pledge changed it up a bit where the focus is more on a retiree learning how to deal with getting old. Jack Nicholson continues to show why he is so good in films.

THE PLEDGE / (2001) ***1/2 (out of four)

By Blake French:

Don't go to "The Pledge" expecting it to be a suspense thriller with a lot of fast-paced action and the tension peak high. By the misleading trailer and TV ads, I was personally expecting the above. "The Pledge," directed by the underrated actor and producer Sean Penn, is more of an unraveling drama than a genuine nail-biter. The film is a lot more than a conventional, run of the mill chiller. It vividly describes the process in which a person goes through before he reaches the state of insanity. The movie is most outwardly about obsession and commitment, more subtly about loneliness and depravity. This is one the most unusually absorbing movies of the new year.

Sean Penn is often overlooked as a Hollywood figure. He is an actor more often then he is a director (his most memorable directing feature was "The Crossing Guard"), but his work quite variegated. In 1998, Penn Portrayed a Sergeant in Terrence Malick's acclaimed war drama "The Thin Red Line," and a drug addicted Hollywood casting agent in "Hurlyburly." In 1997, he portrayed Michael Douglas' estranged brother in David Fincher's mystery thriller "The Game," and a down-on-his-luck drifter in Oliver Stone's gritty film noir "U-Turn." He delivered his most powerful performance in 1995 as a man on death row in "Dead Man Walking." Now, with "The Pledge" he is harrowing and intense, even though the script is often slow moving and monotonous. The stark edge and superior direction give the movie an authentic feel and emotional vigor. Sean Penn once again proves himself to be an excellent filmmaker especially behind the screen.

The enormously talented, Academy Award winner Jack Nicholson stars as the retiring Reno homicide detective Jerry Black. Jerry is a superb investigator, and when he examines his final case, the sexual assault and murder of an eight-year-old girl, he promises the victim's mother he will find the individual in charge of the atrocity. Police quickly bring in a mentally handicapped American Indian (Benicio Del Toro), who was found fleeing the crime scene and previously served time for rape and various other crimes. It appears that the officers found the man responsible, and when he confesses to the crime and kills himself, the other officers, including Jerry's friend, Stan (Aaron Eckhart), and their boss (Sam Shepard), consider this an open-shut case. Jerry has a gut-feeling this person is not who they are looking for, however.

The remainder of the movie is not about a police investigation, but more about Jerry Black's reaction to the events that have taken place. His obsession with catching the killer eventually leads to him going crazy, after he betrays his new friends, a single mother (Robin Wright Penn), and her young daughter. I personally desired more material involving the investigation instead of the development of the relationship between him and Robin Wright Penn's character, but that is not what the movie intended for us to watch. Regardless, the story arguably begins at its strongest point, and gradually losses much momentum as the mystery is not fully explored, and certain elements feel setup but are not paid off.

Some of the production's technical areas are also very astonishing, like the original music by Klaus Badelt and Hans Zimmer, and the cinematography by Chris Menges. Such ambient factors make for a sleepy and tranquil mood similar to the one in "Fargo." This film's soundtrack contains enthralling, refreshing, and captivating instrumental tones. Jack Nicholson is tormenting, riveting. He is the central of the movie, and it doesn't pretends otherwise. His performance provides energy for the story.

"The Pledge" is the type of movie that leaves us pondering about the opportunities passed by and the chances missed by the characters, the ironic coincidences, and the perplexing twists. The ending leaves us with more questions than answers, but that factor contributes greatly to the emotional impact the film has. "The Pledge" could have been more than it is, but considering the temptations the screenwriters overcame, it is more than what most of us would expect.